Originally Posted by Rustyspoon#
In my teen / college years I've done some sculpting. Instructor would bring a model and give us couple of hours to do a clay sketch. You would have to set up armature and work clay fast to grasp as much detail as you can. Then at your own time we finished work from memory. Instructor and model were paid, studio was paid for, clay and armature and knifes were bought in the store.
Who gets the credit? Instructor for arranging the model? Model - the subject? Studio space / art department? Clay manufacturer - because it was made "ready to use"? Armature maker because it defined size and motion limit of the wire? Can they all potentially be credited?

Before BIAB partial regeneration, in my head, I imagined RT's as "snakes", because like a snake it would swirl if you try to pinch it modify (chords, etc) at any place. It was driving me nuts as it would generate material that didn't fit my song idea well enough. When PGM rolled out partial regeneration, it somewhat reminded me of clay, as you can almost literally "sculpt" the track piece by piece to shape it pretty close to your liking.

I am wondering, how many of participants of this thread use BIAB's partial regeneration? Raise your hand.

P.S. If you do, thank JJJ as he was one of leading voices to promote & lobby for it. If you don't use it... you really should give it a try.
I use it for every song! I wish they would take it further...instead of having to click regen a bunch of times just have a popup with all possible options available to preview.