Originally Posted by rayc
I agree with B.D. about easier & more effective ways to get HUGE guitar tone.
I a studio it would, normally, be the case of the same player doing a second take with the slight timing differences and any deliberate changes in tonality adding up to a BIG sound.
With BIAB you can duplicate a track, at a minuscule amount of 100% wet delay, use a different amp setting hard pan L&R and boost the level of the delayed duplicate, (the brain fixes on the 1st heard so one needs to boost the later sound to claim equal status.), and you should be good.
Then again the multiple instruments playing variations can work, as you've demonstrated, though the differences are great and can cause some muddying.

Thanks for listening and responding, Ray. As I replied to B.D., I wasn't after the Spectre 'wall of sound'. Having used 6 differently playing rhythm guitars in "Zuzu" I just wanted to see if I could use my 8 BiaB favourites.

Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.