Yep, I agree that it's a nostalgic (and current) look inside the professional life of an established, working bass player where top artists have him on speed-dial and seek his skills.
Notice what he has to say about NAMM, record stores, the piano, other bass players, Phil Collins, recording, touring, basses, amps, 5 strings, 4 strings . . .
Makes me proud to be a struggling thumper
