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Speak to Me A she-loves-me, she-loves-me not style lyric. This is a demo of the 2025 _Clack RealStyle, with no other instruments played. The style is simple, but quite lovely to my ears. (Bravo, PGMusic!) This is also a test of how far I could push my vocals, so...well, it is what it is. I'm overall ok with the vocals, with my favorite line being the very last one. Skip to the outro if impatient.  But I do sincerely appreciate every listen and every comment, positive or otherwise. I find this forum so VERY instructive. THANK YOU in advance! Lyrics: R.W. Davis Music, arrangement, vocals, mix, master: Me AI: None Style is _CLACK.STY (Clack Hard Rock Quintet) RealTracks in style: 1418:Bass, Electric, SouthernRock Ev16 085 RealTracks in style: 677:Guitar, Electric, Rhythm RockBritDriving Ev 085 RealTracks in style: 2644:Guitar, Electric, Rhythm ModernPopHardMurray Ev16 075 RealTracks in style: 3394:Guitar, Acoustic, Rhythm SingerSongwriterSync Ev16 070 RealDrums in style:RockBritDrivingEv16^1-a:Snare, HiHat , b:Snare, Ride Listen now, I’ve got somethin’ that I have to say I can say it now, or save it for a rainy day It’s all jumbled up in my head Not like the words you had said I tried to write it down before, but then my fingers bled Listen now, I know you’re in a hurry to go I just need a minute or two to let you know About these thoughts up in my head Please don’t leave me here for dead I gotta live my life in colors other than blood red Speak to me Cuz I’m havin’ trouble gettin’ this outta my mouth Speak to me Cuz I’m simply drownin’ in all of this self-doubt You can hear me Tryin’ to say somethin’ more Random words like Puzzle pieces on the floor You can hear me Singin’ a song half-sung Just scattered thoughts Trippin’ over my tongue Listen now, I guess I’ve fallen in love with you I can’t say it out loud, and I don’t know what to do I can maybe write it down instead Though it might just be misread But like a fragile sweater, I’m just pullin’ at the thread Speak to me Cuz I’m havin’ trouble gettin’ this outta my mouth Speak to me Cuz I’m simply drownin’ in all of this self-doubt You can hear me Tryin’ to say somethin’ more Random words like Puzzle pieces on the floor You can hear me Singin’ a song half-sung Just scattered thoughts Trippin’ over my tongue Speak to me Speak to me Speak to me Speak to me Speak to me Speak to me...
Last edited by DC Ron; 04/03/25 06:00 PM.
DC Ron
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Too many guitars (is that a thing?)
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Ron...you're right about the style choice it does a great job and is full and really all you needed...there is always something about your songs that have that familiar "DC Ron flavor" (a good thing by the way)...I think your vocals were super and the harmonies were ultra cool...just a nice soft rocker with a really nice groove...I enjoyed it very much!
www.soundclick.com/firesongBiaB 2024, Steinberg Cubase Pro 13, Wavelab 11.2, SpetraLayers Pro 10, Audacity, Steinberg UR44 Interface, Yamaha Genos, Roland FP60 and FP10, Windows 10 You are who you are because you do what you do because of what you believe.
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Hi Ron!
I loved the chord changes in this one - intrigued what they were and I'm going to pick up my guitar to work them out. Vocally, the octave doubling in 3rd verse was really effective and help the song build with this variation in texture.
This song is quite an ear-worm! Well done!
Andrew D
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Hi Ron,
First off, I'm officially launching a campaign: #RonSingMore. Seriously, your voice is like a buddy you didn't know had a hidden talent – unexpectedly awesome. The vocal doubling is so effective it's practically cheating. It's like you cloned yourself, but the clone can actually sing.★
That backing, that Clack RealStyle business... it's got that "Hand in My Pocket" Alanis vibe, but less angsty and more... well, more you. It's like Alanis took a chill pill and decided to back your track. It chugs along so smoothly, I almost started humming along... almost. 😏
Now, the real mystery: why the last line as your favourite? Is it some kind of lyrical mic drop? Are you saving the best for last, like a perfectly aged wine? I need answers, Ron! ❓
But honestly, I'm digging the whole package. The mix is tighter than a hangman's knot . The melody's catchy enough to be a public health hazard. Vocals? See aforementioned #RonSingMore campaign. Lyrics are on point. And the production? So uncluttered, it's like Marie Kondo organized your song. ( I follow her tips).
My ears thank you!
🙃
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Now that one is super catchy. Stuck in my head now and most likely for the rest of the day. It spoke to me. Very well sung and the harmonies were great and at the right level. Well mixed and arranged. Sounds great,Tom
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Hi Ron,
Nothing wrong with your vocal, sounds good to me, especially liked it when you doubled them. Good song, nice groove, very hooky. Very effective ending!
Good stuff, enjoyed.
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Ron,
Style works well. Excellent vocals, lyrics, especially phrasing. Fantastic job on choruses, very effective. Neat talk back outro. Suggestions... maybe slight de-esser on vocals and electro rhythm guitar on choruses a bit louder. Fun listen and thank you for sharing.
Misha.
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Clever. I love your band...the sound is so round and full. Your voice sounds good to me. I wasn't sure about the phrasing at first, but it got really catchy to my ears.
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Great song! Love that rhythm section, plus I think you've done incredibly well on the vocals and harmony vocals. Also a brilliant theme re the lyrics.
Some favourite Waoist Adages:
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#13: Ask not for whom the flower blooms, it blooms for you.
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#63: On the road to effortlessness, effort must be made.
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Ron...you're right about the style choice it does a great job and is full and really all you needed...there is always something about your songs that have that familiar "DC Ron flavor" (a good thing by the way)...I think your vocals were super and the harmonies were ultra cool...just a nice soft rocker with a really nice groove...I enjoyed it very much! Thanks, Dan! Am not at all sure my "flavor" is necessarily a "good thing" but I appreciate the positive thoughts. Am much more at home behind the console or off to the side than up front, but sometimes you just do what you have to do.
DC Ron
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Hi Ron!
I loved the chord changes in this one - intrigued what they were and I'm going to pick up my guitar to work them out. Vocally, the octave doubling in 3rd verse was really effective and help the song build with this variation in texture.
This song is quite an ear-worm! Well done!
Andrew D Thank you, Andrew. Let's see, the changes are G-Dm-F-C-G-D-C-Bb on the verses and G-F-G-D-G-Bb-F-G on the chorus. You'll hear a lot of variations like add 2 and sus 4 especially on the acoustic. I like the disorienting character of the Dm a lot. Thanks for the octave doubling observation. Tried to get the vocal arrangement to slowly build throughout then release on the outro. I do try to make the songs fun to listen to (and best case sing along with) so THANKS as well for the ear worm comment...that's a compliment for sure.
DC Ron
BiaB Audiophile
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Ron,
Love this! It's great to hear you sing. The song is excellent as is the arrangement and mix. Yeah, the ending is very cool.
Bob
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Very cool. Ron. Your vocal is really well done, and I like the high guy too. Fun lyrics and I like the sing-along melody that chops up the words in a way that provides suspence. I like it a lot. Yeah, those synths are tough to beat, but I still prefer the real you.
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This is a really professional sounding song, well written, well sung, well arranged, well produced. Reminded me of Pixies, maybe the heavy guitars in the chorus and the strong chord progression...
The lyrics are great, universally relatable and feels like written from the heart! "You can hear me/Tryin’ to say somethin’ more/Random words like/Puzzle pieces on the floor" and "Please don’t leave me here for dead/I gotta live my life in colors other than blood red", clever songwriting!
Enjoyable melody, that "speak to me" is really an earworm.
The BIAB style fits perfectly with the message and those instruments are mixed so well with the vocals, everything sounds very balanced.
Excellent singing with perfect harmonies, you have a great voice... and yep, that ending is great!
Janne
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Hi Ron,
First off, I'm officially launching a campaign: #RonSingMore. Seriously, your voice is like a buddy you didn't know had a hidden talent – unexpectedly awesome. The vocal doubling is so effective it's practically cheating. It's like you cloned yourself, but the clone can actually sing.★
That backing, that Clack RealStyle business... it's got that "Hand in My Pocket" Alanis vibe, but less angsty and more... well, more you. It's like Alanis took a chill pill and decided to back your track. It chugs along so smoothly, I almost started humming along... almost. 😏
Now, the real mystery: why the last line as your favourite? Is it some kind of lyrical mic drop? Are you saving the best for last, like a perfectly aged wine? I need answers, Ron! ❓
But honestly, I'm digging the whole package. The mix is tighter than a hangman's knot . The melody's catchy enough to be a public health hazard. Vocals? See aforementioned #RonSingMore campaign. Lyrics are on point. And the production? So uncluttered, it's like Marie Kondo organized your song. ( I follow her tips).
My ears thank you!
🙃 Izzy, well, your post is WAY over the top, but I DID laugh out loud more than once. THANK YOU for the positive review and vibes. The "last line" comment is just the lingering "Speak to me" lyric sung over the final held chord. Improvised that and it turned out better than I'd hoped.
DC Ron
BiaB Audiophile
Presonus Studio One
StudioCat DAW dual screen
Presonus Faderport 16
Too many guitars (is that a thing?)
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Now that one is super catchy. Stuck in my head now and most likely for the rest of the day. It spoke to me. Very well sung and the harmonies were great and at the right level. Well mixed and arranged. Sounds great,Tom Thanks, Tom! So long as it got stuck in your head, am glad you enjoyed it. Hate it when a song I DON'T like gets stuck. Ha!
DC Ron
BiaB Audiophile
Presonus Studio One
StudioCat DAW dual screen
Presonus Faderport 16
Too many guitars (is that a thing?)
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I’m guessing that the whole point was to create a backdrop for your vocal “expansion”, and using a simple style with lots of repetitive elements was an excellent choice. From the listeners POV my attention was clearly focused on the vocal, which is what I think you were after. I esp liked the octave unison singing. Thanks for doing this, it is a motivation for me to try harder on the vocal side of things, and I really enjoyed listening!
Windows 11, Intel Core i5-8600T 2.3Ghz, 16 gig ram, BIAB 2025 MegaPak, SampleTank 4, Keystation49 Kybd, Neewer NW-800 mic
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Hi Ron,
Nothing wrong with your vocal, sounds good to me, especially liked it when you doubled them. Good song, nice groove, very hooky. Very effective ending!
Good stuff, enjoyed. Thanks, Dave! Glad you stuck around for the ending, too.
DC Ron
BiaB Audiophile
Presonus Studio One
StudioCat DAW dual screen
Presonus Faderport 16
Too many guitars (is that a thing?)
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Ron,
Style works well. Excellent vocals, lyrics, especially phrasing. Fantastic job on choruses, very effective. Neat talk back outro. Suggestions... maybe slight de-esser on vocals and electro rhythm guitar on choruses a bit louder. Fun listen and thank you for sharing.
Misha. Thank you, Misha! Great suggestions, too. I did use Melodyne's surgical de-esser on individual syllables, but can still hear phrases I wish I had hit harder. Funny what you stop hearing after a while.
DC Ron
BiaB Audiophile
Presonus Studio One
StudioCat DAW dual screen
Presonus Faderport 16
Too many guitars (is that a thing?)
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This was good. Catchy song.
I just enjoy it. It had a British pop style
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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New RealTracks Released with Band-in-a-Box 2025!
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
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These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
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This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
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Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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