Hi, floyd jane.
I read your notes first. I was exhausted. That's a lot of work.
If I wasn't so lazy, I'd figure out an easier way to do things.
Goosebumps.
Chills, Mr. Cuny.
LOVE this.
Wow... A review worth framing!
LOVE the chord changes (and I'm not really a chord-changes-kinda-guy) AND the major 7ths (I am a major-7ths-kinda-guy).
The changes were Exciting. Surprising. But in No Way jarring or even unexpected - although they were unexpected. Blended one to the next is how they hit the ear. Absolutely beautiful. Thrilling, even.
I'm glad you liked them.
This is Great. (I never say that)
Make that a review worth framing in a gold frame.
Here is some stuff you can ignore (because you need no suggestions on this): I hear a celeste/chime/bell walk-down-arpeggio during the chorus (yes, I've done that) and some fast upward-moving string arpeggios right the at the end (I wouldn't have a clue how to do that)...
Hrm... I
do have a sampled celeste (literally the one from Mister Roger's Neighborhood) as well as a string runs library.
The celeste idea is interesting, although I don't
quite hear it. I'll play around with it, though.
I'm a bit worried that bringing in the strings at the last minute would be as jarring as putting a trumpet there (yep, I tried that out). Then I'd be tempted to put strings in
all over the place, just so the entrance at the end makes sense. And having just come in from the hot July afternoon, that's just exhausting.
Thanks for listening and your
very kind comments.
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