Very cool Bob! Nice job on this. I think you should take a couple more days and maybe flesh this out a wee bit more. I don't think it's under written, but I think it could use a solo spot and a second bridge- maybe even more lyrics with that second bridge to give some more info, and then back to the chorus, and out. It's just needs a little bit more I think. But if you do nothing, it's still great work.

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HEIL PR40 broadcast mic which we have setup in the podcasting studio. I knew it was great for broadcasting spoken works, fat and rich, but never expected what came out of it for singing. The PR40 is a high impedance mic, not your usual low impedance studio condenser. Still it sounds great. The PR40 runs through a Dbx 286A mic pre and then into a TC Helicon audio interface before ending up in Sonar.




You might try to 'warm' up the vocal just a touch more. I hate the word warm. But it's just a little harsh and could use a cut somewhere to take the edge off a little more. Otherwise, a nice sounding vocal. What does the TC hellicon do for this track, exactly? I'm a firm believer in keeping as much out of the chain as possible, other than eq and compression- no small things, granted. Perhaps it's the helicon interface that's making the vocal sound edgy, I don't know. I never liked a THING with the word helicon in it. You have a good voice. No need to over work it, imo. Could be the verb needs some different eq- not sure. Or it could simply be the eq on the dbx.

One last thing- grab a cymbal sample or something and throw it into the intro on the ones. The cuts are too short I think. Maybe you're hearing a closed high hat on those cuts, but try a soft cymbal crash. It might work better and make it less 'biab' sounding in that one spot.

In any case, great work!

Dan