Hi, Tom.

Originally Posted by Tano Music
David, loved the courage to work in 12/8..I wondered with the first few notes what type of rhythm you were working with, so I think that bit of curiosity is a really good hook to lead the listener in.
Heh... Occasionally I move from the backing to the vocals and wonder what sort of mess I created for myself, but once I got into it, it was fun. I think the main problem was I didn't provided enough contrast between the verse and chorus, but next time I'm in a waltz song, I'll know better. laugh


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What impressed me most was the dual-vocal harmonies you created--they really outlined some interesting chord variations and movement--fantastic work there.
I figure that since I've got synthetic vocalists, I should make them really work hard. wink


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I'm glad you took the fiddle out and kept the la-la's in--my opinion is that, despite how it might seem, the fiddle RT's are too reflective of bluegrass or celtic and often distract from any other feel.
It's not totally gone, but I understand what you're saying. I've said before, I always learn when listening to your work--now you've given me some new concepts to tackle! Great post! [/quote]
Yeah, it's good to learn from my mistakes! laugh

Thanks for the nice comments!

Last edited by dcuny; 13 hours ago.
-- David Cuny
My virtual singer development blog

Vocal control, you say. Never heard of it. Is that some kind of ProTools thing?