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#863947 09/30/25 10:13 AM
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Hi all,
I have this song, (WSOP) it has already got (simple) repeats in it.

It had:
A] an intro of eight bars

B] 16 bar verse

C] Eight bar organ solo

B&C are then repeated

D] a long outro

I had this set up right using a repeat around the verse and organ solo. Everything working fine. Then I messed up mad

So I was foolin around with improvising for 8 bars right before the Verse (as described above). It sounded good so I decided I would add eight bars of impro. I put a repeat in for the first 8. So now the srtructure starts A A . This worked, but often I don't need it.

Now I can't get rid of it!


I don't know what BIAB means by a chorus, most of my stuff only vaguely follows the verse chorus structure and all in one BIAB "chorus". Anyway, the videos I find about repeats talk about redoing the number of repeat choruses for the whole song, not what I need.

How do you delete an eight bar repeat, yet leave the others intact?

Z

Last edited by ZeroZero; 09/30/25 10:16 AM.

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ZZ - BiaB's chorus terminology is the jazz terminology. In other words it means to play and or repeat the entire song based on your chorus setting. For instance a 1-50-1 (the last on being the chorus setting) means play the song once through. A 1-50-2 means play the entire song twice. Etc Etc.

I do not even attempt to do as much work as you do in BiaB so the only advice I can give is to unfold the song. Once unfolded you would be able to delete those measures. I always start my songs in the unfolded mode. That is I would start with 1-100-1 then change the numbers of measures as need, example 1-72-1.

If one is only been use to the intro-verse-chorus-bridge-etc terminology then I can see the confusion with BiaB's terminology. As Matt indicated BiaB started out just for jazz players and although BiaB has expanded into other genres the chorus terminology stayed the same.


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Great reply Mario, thank you, I think you solved my problem. I have stayed away from any depth in BIAb because i personally have found that so much stuff just does not work as planned and I spend too much time working through weeds.

I am now going deeper because I have just formed a band and am using BIAB for stems and deeper forms of song construction

Z


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Adding a bit to what Mario says, I personally do use BiaB's repeats system as I want to be able to change the number of choruses, but I quite a while ago stopped trying to get BiaB to sensibly handle repeats and endings, especially if I have a melody. It seems always to screw up at least the melody.

What I do is use the song-form option to "end the song two bars early" (*), and then build a longer ending to replace the two skipped bars. It seems reliable, even if a minor nuisance. It doesn't of course work if one really needs to jump to a coda from earlier in the song. (I have no idea why BiaB does not support that!)

I think most people use the "one big chorus" approach, which is reliable for song creation, but a PITA if one wants to change the number of choruses at short notice.

(*) I think that's approximately the correct wording; I'm not on Windows at present, so I can't check.


Jazz relative beginner, starting at a much older age than was helpful.
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I think it is the design of the function. From a novices point of view it has booby traps and is obscure and counter-intuitive, It works in strange ways.

Firstly there are actaully two repeat dailogue boxes, in completely different places. One is found via the right click menu, whi=en hovering on a bar, which is fair enough, but the other could not be better hidden if you deliberately tried. Firstly, you have to discover that you need to click "Fake Sheet". This term Fake sheet has nothing to do with repeat functions as far as I can see. Although an experienced jazz player might know of it, I would say most learners (and BIAB is for learners) do not know what this term means and even when they do discover it, the menue is about repeats! Not only this, but the fake sheet option does not even appear on my screen. ypou have to click the black chevrons, next to which is a big space whichcoiuld have been used..... but I digress...
Then the learner has to get used to teh idea of having a "dark grey" verse, which is hard to read, being the second "repeat" verse and having not one, but tow cursors to visually follow.

Really? Is this the best way to convey a second repeat - visually? On my screen it leads to a lot of jumping about as the screen resizes.


By default it is open at two different ending repeats with the hairpins, It should open IMO at the Simple repeat above. I have got the the "first and second endings" function working here but it was a challenge. If I click my way through repeat defaults i would expect a simple repeat and no dumping of copied bars.

I work in the Chord Sheet window, and I spend all my time looping the phrases i want to focus on. The looping function jumps about at teh best of times, one lcick away and you have lost it and have to re-loop. so often it displays a loop visually but marches on past it. Never touch teh spacebar is teh motto for learners. (which could have been set up to either obey or disobey loops in preferences).

It's like this all over BIAB. a labrinth with false doors IMO. I think the interface needs to have all its sub menues redesigned. Some have spin buttons but many do not even where it is required. Some menus. like the "Key menu" use far too much space and could be accomplished with simple tick boxes "Major?", Just set key options and a spin box for keys. The Start and End buttons (in the blackboard bit) should be spin buttons but are not, the "Choruses" button however is a table of numbers you have to click on, why not a spin button?

Menu items are odd. If i click on "Open Preferences" for example, elsewhere I expect a Preferences panel, not a folder. This should be called load preferences. By custom preferences is found in the Edit menu elsewhere, but in Band in a Box, it's in the Options menu - learners need to remember this too. These kind of rabbit holes and lack of consistency of design, throw cyclists of bicycles. This, coupled with the Windows 95 look, which millenials associate with toys, do the product no good and (IMO) drastically reduce its base.
Having said all this, Band in Bpx is truly a fantastic product. I use it every day, much more than my Sequencer, CUbase 14. I do ha e ot confine myself to typing in chords for practice and simple use of songs.I never record in it. I don't use VSTs in it, after waiting many years for BIAB to join the 64 bit world, it simply crashed my VSTs and i have never been back. Still for day to day learning, of an instrument, it is the very best thing one can have. I feel sad

I think BIAB needs ot make much morenoise about real tracks - this should be via pictures of real humans, not "sillouttes" but rela gus and girls playing, all over the website and every tuition video should have 3=5 seconds of actual studio sessions where the sounds are recorded. This would bring home the live feel which is so important to this product.

Z


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ZZ, I would put a lot of these ideas on with wishlist forum. You would get a +1 from me.


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Originally Posted by ZeroZero
So I was foolin around with improvising for 8 bars right before the Verse (as described above). It sounded good so I decided I would add eight bars of impro. I put a repeat in for the first 8. So now the srtructure starts A A . This worked, but often I don't need it.

Now I can't get rid of it!
Go to Edit > Song Form > Repeats... then click the Edit List button. From there you can delete or edit the individual repeats in your song.


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Originally Posted by ZeroZero
I think it is the design of the function. From a novices point of view it has booby traps and is obscure and counter-intuitive, It works in strange ways.....
I think I agree with just about everything in this post and also with Mario's suggestion to put it in the wishlist forum.

I can also, though, understand PGM's perspective... Every change one makes for the good risks breaking something. That can be particularly true of software that's been around a long time and has had many people contributing to it. People know their own areas of the code, but not necessarily how other areas interact with it. There's also the old adage, "If it ain't broke, don't fix it". The difficulty is often more in deciding what's broken, or if it's really broken. With many of these things, "broken" is a perception with which one may or may not not agree.

A corollary to that is of being "too close to program". They know where and how to get to and use features, because they do it all the time for years. They know from experience to just avoid the trap doors. The same is true of experienced users ... they automatically do things in the ways that work, subconsciously avoiding the things that don't. I make no criticism by that; it's just what happens.

I think I'll stop there, before I start rambling on about other issues within the whole.


Jazz relative beginner, starting at a much older age than was helpful.
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Originally Posted by Gordon Scott
...............................................

A corollary to that is of being "too close to program". They know where and how to get to and use features, because they do it all the time for years. They know from experience to just avoid the trap doors. The same is true of experienced users ... they automatically do things in the ways that work, subconsciously avoiding the things that don't. I make no criticism by that; it's just what happens.
.................................

At work when I was writing or in charge of those writing Standard Operating Procedures (SOPs) I would bring in a person whom had no idea about the procedure and have them follow the SOP. If they could do it the SOP was finished. If not it was rewrite times. We used to call it gorilla proofing. I should note that I was the gorilla a few times!

I hope PGM is really listening to new user problems as they are the SOP testers.


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Being classically trained to read the musical roadsigns, I attempted to use them in BB. No joy.

Just unfold it and do what you need. So much easier. Try starting in the second verse in a "repeats" song... in the unfolded version, you know exactly where you are.


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Originally Posted by MarioD
Originally Posted by Gordon Scott
...............................................

A corollary to that is of being "too close to program". They know where and how to get to and use features, because they do it all the time for years. They know from experience to just avoid the trap doors. The same is true of experienced users ... they automatically do things in the ways that work, subconsciously avoiding the things that don't. I make no criticism by that; it's just what happens.
.................................

At work when I was writing or in charge of those writing Standard Operating Procedures (SOPs) I would bring in a person whom had no idea about the procedure and have them follow the SOP. If they could do it the SOP was finished. If not it was rewrite times. We used to call it gorilla proofing. I should note that I was the gorilla a few times!

I hope PGM is really listening to new user problems as they are the SOP testers.

I so much agree! Cubase, a program I have used for about 30 years, comes out with a total rewrite every now and then, and is better for it. BIAB needs a total rewrite, there are just too many weeds and bear traps. I have been using it since 2007, and before that on other peoples DAWS. I just do not use most features as they are too flaky and difficult to use. Even now, everytime I use BIAB it does not close properly and leaves a file helpfully called "t" which stops WIndows 11 closing. None of my many hundreds of other applications freezes, crashes or hiccups as much as BIAB. They just work.

What PG need to do desperately, is to get together a group of younger musicians, that have not used the product and give them a list of things to do, such as make and delete repeats, change real tracks etc, and really watch what actually happens, how people struggle or not. See how they struggle with the looping for example. It's one thing to have a function, another to have a function that actually works for the user, another to have a function that a user can actually find.
It's also overblown, has too many options displayed in more than one place, bringing clutter and things do not work as expected. For yet another example, using the chord builder if you click "Close" tehn the chord builder dissappears, never to be seen again, until the program is closed and restarted. What i and any reasonable person would expect is for it to simply close the window and to be able to open it again. Another: In the Styles panel, top right, there is an instruction "type in a familar song title...." Below this is straight line (not a box) then some buttons, and below this a box. The box does nothing at all. If you try to write a song name in it, no letters appear, it is completely useless. Once you realise that the line above it is for this function, then you can morve on, but it is a bear trap because many users, particularly newbies, would go for the non sensical box as a text entry point, find it non functional and think the function is broken somehow. It's just bodgy programming. Here is another bear trap. I have my BIAB set up to "ASIO ALWAYS" note the word "always". This means that when I play back my tracks tehy are unaffected by the WIndows Volume Control - "Always" but no. Here we have a bear trap for users. If you are in Style Picker and playt a demo, this IS going bthrough Windows Audio. This means, that if you have the Windows VOlume cntrol set to zero, as I often do, you can click away on teh demos but you won't hear anything. Of course there is no clue as to why. it took me days to find out this. I also found that the level of the playback of style demos, varied too greatly and this was down to this function completely outside of Asio and Biab - the windows volume control.
It is the sheer number of these bear traps that make BIAB function like an immature program in first or seconmd build. This together with the WIN 95 look the lack of consistency in sub menus, teh overcrowding of menus and teh lack of trumpeting of the real musicians used ion studios for Real Tracks (its freal saving grace) which is failing to bring BIAB into prime time, epsecially with younger audiences. As for Wish lists, I used to post, but nothing happened, sometimes for decades. PG was very late implementing 64 bit and VST support fro example.
I just hope it get's a better more professional, economical, elegant and consistent look, a fix for the eternally aggravating loop dysfuctions and a proper rewrite.
Z

Last edited by ZeroZero; 10/02/25 08:32 AM.

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Originally Posted by MarioD
[ We used to call it gorilla proofing. I should note that I was the gorilla a few times!
I think the world is divided into organisations that do that and organisation that think they know best.

We also had a guy who was an absolute wizard at breaking things and, of course, telling us how he broke it. It's far better to have our own guy throwing eggs in our faces then having customers do so.

I was usually too close to be a gorilla, but I encouraged their use. (No disrespect intended to gorillas, real or conceptual; no gorillas were harmed in the process).


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A computer science colleague of mine used to put a book on the keyboard to see what the student's program did. My technique was different: I would grab someone from the hallway who was NOT a comp. sci. student, sit them down in front of the program, and watch what they did, see how deeply they got into trouble, and listen to what questions they had. Applying that here, take any musician (who should know what a repeat sign means) and ask them to modify it. What key do they press? What menu do they look in?


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Originally Posted by Matt Finley
A computer science colleague of mine used to put a book on the keyboard to see what the student's program did. My technique was different: I would grab someone from the hallway who was NOT a comp. sci. student, sit them down in front of the program, and watch what they did, see how deeply they got into trouble, and listen to what questions they had. Applying that here, take any musician (who should know what a repeat sign means) and ask them to modify it. What key do they press? What menu do they look in?

It would be easy to get ten or music students together in a room, all without knowledge of BIAB (mine say "Whats that?" when I mention BIAB) with a list of structured questions of the "do this" variety, and videotape what they did, with observers looking on and asking them questions, but not answering questions. The wages could simply be a copy of BIAB.
Such feedback would be invaluable. IF it were listen too.

Z


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STILL got issues with repeats!

Now the whole song is repeating, including a count in, when I do not want this! The "chorus" setting is set to 1. Here is the file: https://1drv.ms/u/c/4aebef484af7e02e/EUiyYZw2-KFLknWEVIp7qKYBhxv33bRqL6vBpqQve5oYjw?e=dKe1lY


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Also this song which is a minor blues is playing back a completely differnet song on my system.

The visible, regenerated chords in the song are:

Cm x4,
Fmx2, Cmx2
A. G Cm, G7

This is a minor blues thing

The chords I am hearing are a major blues!

Cmajor triad, Fmajor triad, Cmajorx2
F major x2, Cmajorx2
G7, F7, Cmajor G7

https://1drv.ms/u/c/4aebef484af7e02e/EfZIJSBT8lZNmCv8f2r_ABQBD-0rBgg6skpfPjHqZ7GavQ?e=nBIHl9

This is ridiculous.

Z


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Originally Posted by ZeroZero
STILL got issues with repeats!

Now the whole song is repeating, including a count in, when I do not want this! The "chorus" setting is set to 1. Here is the file: https://1drv.ms/u/c/4aebef484af7e02e/EUiyYZw2-KFLknWEVIp7qKYBhxv33bRqL6vBpqQve5oYjw?e=dKe1lY

It sounds like you have the song loop setting checked so uncheck it, see pic. If this doesn't work let us know.

Attached Files (Click to download or enlarge) (Only available when you are logged in)
1 loop.jpg (56.6 KB, 44 downloads)

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Originally Posted by ZeroZero
Also this song which is a minor blues is playing back a completely differnet song on my system.

The visible, regenerated chords in the song are:

Cm x4,
Fmx2, Cmx2
A. G Cm, G7

This is a minor blues thing

The chords I am hearing are a major blues!

Cmajor triad, Fmajor triad, Cmajorx2
F major x2, Cmajorx2
G7, F7, Cmajor G7

https://1drv.ms/u/c/4aebef484af7e02e/EfZIJSBT8lZNmCv8f2r_ABQBD-0rBgg6skpfPjHqZ7GavQ?e=nBIHl9

This is ridiculous.

Z

Same here no matter what I tried, including setting the key signature to Cm with no transposition and changing styles.
My guess is that you have a corrupted file and must start all over again.

Are you using ASIO drivers? Have you run an anti-virus and anti-malware lately. Is anything running in the back ground? I ask as you seem to be having a lot of problems lately.

On very rare occasions I get a corrupted file. I frequently save my song files and label them songtitle 1, songtitle 2, etc. That way I have backups.


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Thank you, yet another corrupted file. The amount of times I have trashed preferences, reloaded biab, trashed files….I shall just bin it. It is just another demo of Biab flakiness. I have another file here which has decided it will never play a count in, whatever is set. Rewrite please! Z


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Originally Posted by ZeroZero
STILL got issues with repeats!

Now the whole song is repeating, including a count in, when I do not want this! The "chorus" setting is set to 1. Here is the file: https://1drv.ms/u/c/4aebef484af7e02e/EUiyYZw2-KFLknWEVIp7qKYBhxv33bRqL6vBpqQve5oYjw?e=dKe1lY


Stop using them. Unfold it like we mentioned.


You can find my music at:
www.herbhartley.com
Add nothing that adds nothing to the music.
You can make excuses or you can make progress but not both.

The magic you are looking for is in the work you are avoiding.
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Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!

Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.

Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.

Check out all the 202 new RealTracks (in sets 468-488)!

And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.

The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!

2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!

With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!

These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!

This Free Bonus PAK includes:

  • The 2026 RealCombos Booster PAK: -For Pro customers, this includes 27 new RealTracks and 23 new RealStyles. -For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles. -For UltraPAK customers, this includes 12 new RealStyles.
  • MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
  • MIDI SuperTracks Set 46: Piano & Organ
  • Instrumental Studies Set 24: Groovin' Blues Soloing
  • Artist Performance Set 19: Songs with Vocals 9
  • Playable RealTracks Set 5
  • RealDrums Stems Set 9: Cool Brushes
  • SynthMaster Sounds Set 1 (with audio demos)
  • iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
  • 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
  • FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
  • MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
  • MIDI SuperTracks Set 47: More SynthMaster
  • Instrumental Studies 25 - Soul Jazz Guitar Soloing
  • Artist Performance Set 20: Songs with Vocals 10
  • RealDrums Stems Set 10: Groovin' Sticks
  • SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)

Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!

XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!

All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!

It's the perfect time to expand your Band-in-a-Box® style library with XPro and Xtra Styles PAKs. These additional styles for Band-in-a-Box® offer a wide range of genres designed to fit seamlessly into your projects. Each style is professionally arranged and mixed, helping enhance your songs while saving you time.

What are XPro Styles and Xtra Styles PAKs?

XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!

Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!

The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.

The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.

The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.

Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.

The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.

Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!

Band-in-a-Box 2026 for Mac Videos

With the release of Band-in-a-Box® 2026 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll keep this forum post updated so you can easily find all the latest videos in one convenient spot.

Whether you're exploring new features, checking out the latest RealTracks or Style PAKs, this is your go-to guide for Band-in-a-Box® 2026.

Check out this forum post for "One Stop Shopping" of our Band-in-a-Box® 2026 Mac Videos!

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