Thanks again. I agree to avoid any unnesessary processing of tracks. Very often they cause more troubles, like phase distortion, then solve. I think the same is valid in live performances as well as producing, specially acoustic music: the key is to have a balance in the band, in live cases at the stage and in production in mixes. First I try to make the balance with arrangement (there comes my artist name: Arri), then I use as little as possible effecting. But that's just my way, because I'm a fan of folk and root music.

One other thing we have to deal with is, that when we mix our production in hifi environment, most of the people listen them in pour listening environment: even with mobile phones in noisy background. I'm using SoundID Reference from Sonar, both to calibrate my headphones I'm mixing with (not to disturb others at home) and to check, how my master mix sounds in cars, TV-sets, mobile phones and lapstops using their loudspeakers. It works quite well. The vocals should be heard even in mono with the loudspeakers of a cheap mobile phone, because mostly people listen to the vocals, not the instruments, which is a pity for us instrumentalist. https://www.sonarworks.com/soundid-reference/integrations/audient-oria-mini

PS. This is a great forum to discuss issues rising while working with Band in a Box (but more with Reaper).