These days I use a sidechain compressor triggered by the lead vocal track on both vocal reverb and delay to thin out the muddiness I perceive when the reverb/delay repeats are running over the vocals. That is, reverb and delay are primarily present at the end of a word or phrase.

On 90% of my vocal harmony tracks, I'll run them bone dry to avoid muddiness. BGVs are always awash with a plate reverb with a LPF, but that's just how I like them.

A lot of these choices depend on style preferences, and aren't hard and fast rules of course. If there WERE hard and fast rules, I'd break them anyway. frown

Last edited by DC Ron; 10/06/25 10:40 AM.

DC Ron
BiaB Audiophile
Presonus Studio One
ASUS I9-12900K DAW, 32 GB RAM
Presonus Faderport 16
Too many guitars (is that a thing?)