Thank you for the listen Ron.

I’d like to take the credit for playing the Seagull early on, but in fact it’s the Realtrack for the intro and first verse. The Seagull comes in when the bass does and it’s overpowered by the bass as I tried to imply a sense of foreboding in the second verse. Then the chorus comes in and the Seagull is a bit more prominent. I think you’re right that the fragile vocals work well with the subject. I recorded them whilst I was still in that worried headspace and it adds to the feel.

Thank you, kind regards.