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This appears to be a new product. It loads as a plugin into a DAW that supports ARA2.

Its purpose is to convert audio to MIDI. The demo videos look quite impressive.

I think this will be of most help to two very different groups: music producers, and those who transcribe music into notation.

There is a $69 introductory price and a 21-day trial.

More info: https://aurallysound.com/pages/prism-overview


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From what I (quickly) read, Melodyne Studio works pretty much the same way. If you drag a Melodyne polyphonic audio track to a MIDI track, a MIDI version of the audio track is created. Cool stuff, though I rarely use it.


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I have Melodyne Studio (more than10x the price of Prism), but decided to give Prism a go. 60,43 € VAT included.


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As DrDan posted separately, Celemony is running a ~2/3 off 25th anniversary sale on Melodyne upgrades. Prices are here . For example, upgrading from Editor to Studio is $99, normally $349.

Last edited by DC Ron; 11/28/25 07:56 AM.

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Very nice.

I just downloaded the free trail version and made a quick test with one simple melody file for violin.
Very smooth.

Although there are similar functionality in some DAWs eg Studio One with Melodyne, in my simple quick test I found Prism to give a more clean result in the generated midi notes. Playing the midi almost perfectly matched the audio. Doing the same with melodyne it also gave a good result but much more overlaps in notes and additional notes in the midi (maybe the sensitivity can be tuned I have not looked into it).

There is a free trial version. So it is very easy to test.
In Studio One just right click on the audio select "Event FX - Prism" done.

So it is very easy to compare an see, just to line up the Prism midi and the Melodyne midi in Studio One and compare the generated midi.

I will surely buy this one later on.


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This is very interesting! I could find a lot of use for this. But....does RealBand support ARA2?

Jeff

Last edited by MountainSide; 11/28/25 06:23 AM.

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I think AI just found the answer. Although it has been requested many times, RB does not support ARA2. Too bad.

Jeff


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From least to most capable (and expensive) Melodyne editions: Essential, Assistant, Editor and Studio. So, I think that the upgrade you're referring to is Assistant to Editor. Many years ago, I started with the Essential version that came (still comes) bundled with Studio One Pro. I upgraded to the Assistant version on the next Black Friday. A couple of years later, I upgraded to Editor, which did everything I wanted/needed. However, Celemony offered me a stupid cheap upgrade to Studio, so I took it. In all, I've paid less than half the price of the Studio edition to get there.

Last edited by TheMaartian; 11/28/25 07:46 AM.

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Originally Posted by TheMaartian
From least to most capable (and expensive) Melodyne editions: Essential, Assistant, Editor and Studio. So, I think that the upgrade you're referring to is Assistant to Editor. Many years ago, I started with the Essential version that came (still comes) bundled with Studio One Pro. I upgraded to the Assistant version on the next Black Friday. A couple of years later, I upgraded to Editor, which did everything I wanted/needed. However, Celemony offered me a stupid cheap upgrade to Studio, so I took it. In all, I've paid less than half the price of the Studio edition to get there.

Yep, I transposed my editions in that post, and have since corrected. It's the Editor to Studio upgrade that's currently $99 (or Euros). THANKS for spotting!


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I have Melodyne Assistant.
Only as a curiosity I wonder what particular features do you use in the higer capability versions of Melodyne (editor, studio).

I can see from the comparison table what the difference are in functions between the versions, but I am curious to understand which of these functions people in this forum find particular useful in their workflows.


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Originally Posted by shlind
I have Melodyne Assistant.
Only as a curiosity I wonder what particular features do you use in the higer capability versions of Melodyne (editor, studio).

I can see from the comparison table what the difference are in functions between the versions, but I am curious to understand which of these functions people in this forum find particular useful in their workflows.

For Studio version, the differentiator for me is Direct Note Access and the ability to edit chords. When I'm in BiaB, I never "fix sour notes" or regenerate a section to get a different inversion. I just export the stems to Studio One and edit the chord in Melodyne Studio. It's just much more precise and faster for me...


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Originally Posted by TheMaartian
From least to most capable (and expensive) Melodyne editions: Essential, Assistant, Editor and Studio. So, I think that the upgrade you're referring to is Assistant to Editor. Many years ago, I started with the Essential version that came (still comes) bundled with Studio One Pro. I upgraded to the Assistant version on the next Black Friday. A couple of years later, I upgraded to Editor, which did everything I wanted/needed. However, Celemony offered me a stupid cheap upgrade to Studio, so I took it. In all, I've paid less than half the price of the Studio edition to get there.

My Melodyne path is identical to yours!

I have found that the Studio version of audio to MIDI to be very good. It is so good that I quit looking for other audio to MIDI programs. I have tried a lot in the past and nothing compared to Melodyne. I will look at Prism as soon as I get a chance to compare the two.


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Originally Posted by MountainSide
This is very interesting! I could find a lot of use for this. But....does RealBand support ARA2?

Jeff
No. Band-in-a-Box does not support ARA2. However, there are several requests to add support in the Band-in-a-Box wishlist section of the forum.


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Originally Posted by shlind
I have Melodyne Assistant.
Only as a curiosity I wonder what particular features do you use in the higer capability versions of Melodyne (editor, studio).

I can see from the comparison table what the difference are in functions between the versions, but I am curious to understand which of these functions people in this forum find particular useful in their workflows.

This is what extra you get.
Multi-tracking – view and manage multiple tracks in a single window
Multitrack Note Editing – edit the notes of multiple tracks simultaneously
Track-transcending macros – apply the macros to multiple tracks simultaneously
Quantize to reference track – make one track adopt the timing of another
Sound Editor – unique, overtone-based sound design

The Sound Editor is very useful, as it is a very powerful EQ that can raise or lower individual notes.
The multitrack feature comes in very handy when working with harmony's as you can see the other notes from another track where they are.


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Just tried it, it's quite impressive, it works very well, even with really busy piano tracks. Obviously, the better the quality of the tracks, the better results you have, so if the source material is poor (for example, bass tracks extracted using any track separation program, rather than original recordings), miracles cannot be expected.

It looks like an advanced and more refined version of the "Pitch" section of Song Master Pro (which was already impressive), but in VST format, which is great.

Last edited by Cerio; 11/28/25 11:32 AM.

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This is another topic but I put it here.

Maybe the midi output from Prism will be a good starting point for the Midi-Score editor in Dorico 6.

I mostly transcribe music by ear (with some help from the software Transcribe)
Sometimes I try to get help from the midi produced from a stem.
But they are often very cluttered and requires a lot of editing to make sense. Either in the midi editor or the notation software and it is often very time consuming cleaning up the imported midi in the notation software.

I just come across the notation software “Dorico 6” (Steinberg). There is a free limited version Dorico SE 6 for download.

It seems to have a very interesting midi editor and score editor (have not seen this in other notation software).
Edits via the midi editor are directly reflected through to the score editor and vise versa.
Might save some time and effort to be able do some editing in the midi editor rather than the score editor.


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What an interesting new product from SMP. They currently have this feature in the SMP package so I only assume (and hope) that they are equal, short of the VST ARA stuff which is of course a plus but for me will not get me to pay more. Or if the new AI is better, than I hope they update SMP.


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Originally Posted by shlind
Maybe the midi output from Prism will be a good starting point for the Midi-Score editor in Dorico 6.

The point, I think, it's doing the corrections directly within Prism, which is what makes the whole transcription job much faster than the traditional, manual way (that I've used for years)

In this example / tutorial, I've transcribed the whole bass line of a (short) demo song, complete with notes, chords and sections, in only 15 minutes:


(It's in Spanish, but subtitles can be activated)


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Yes thanks, that's how I would do it now. This example resulted in a very clean midi for the final touch in the notation software, very good.

(My idea was that it also might useful to work simultaneously in a midi editor and score editor in the final step with the notation software.
But it probably does not add much since the midi out from the edit in Prism here resulted in a very clean midi. My problem normally is with the alignment and time mapping, the midi get skewed with the resulting notation cluttered with rests)


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Muy bien, muy útil. Gracias por crear y publicar esto.

Very good, very useful. Thank you for creating and posting this.


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