Translated (quite a lengthy wishlist)
Edit: although then I found that there are two identical posts, the other in English

Hello PG Music team and community,

I'm writing as a long-time and deeply grateful Band-in-a-Box user. BIAB has always been a true pioneer. Long before "AI" became a buzzword, BIAB was already offering accompaniment tools and musical intelligence that changed the way music is created. Looking ahead to BIAB 2025 and beyond, I'd like to share some constructive thoughts on how AI can strengthen—not dilute—BIAB's original mission: to empower musical creativity from the very first chord.

1. "Neural RealTracks": From Fixed Performances to Elastic Musical Expression

RealTracks are one of BIAB's greatest strengths. However, they remain limited to the musical register in which they were originally recorded. Unlike a sampler or synthesizer, a RealTrack cannot be freely "transposed" between octaves—in many cases, that performance simply doesn't exist in the requested register—and while some limited transposition may be possible, RealTracks are not designed as elastic instruments that change registers while maintaining a completely natural timbre.

Proposed Direction

• Elastic Voicings with Natural Pitch Preservation
This is precisely where AI can make a real difference. Instead of stretching audio, BIAB could use formant-preserving neural resynthesis to recreate the same musical performance in another register while maintaining the original pitch and realism. This would allow for free choice of voicings and registers, without being solely dependent on what was captured in the recording sessions.

• Natural Endings, Pads, and Phrasing
Some RealTracks and RealDrums—especially the pads—can end abruptly. An AI-based phrasing engine could generate smooth, organic tails and transitions, making arrangements sound polished without the need for external editing software.

This would transform RealTracks from static performances into living, flexible musical instruments.

2. Improved Creative Flow: Fully Integrated Utility Tracks and Harmonic Intelligence

Creativity should flow as quickly as the musical idea, but today Utility Tracks still feel somewhat disconnected from the overall arrangement logic in BIAB.

Proposed Direction

• Full Integration of Shots/Rests/Holds
Utility Tracks should follow Chord Sheet symbols and Bar Settings just like the main tracks. Currently, even manually created rests can be refilled upon regeneration. Full integration would unlock much richer arrangement possibilities.

• Pop-up contextual interface for chords
When a chord is entered, BIAB could display a smart window with inversions, extensions, and micro-times, reducing menu navigation and encouraging spontaneity.

3. Expanding notation and lyrics for modern arrangements

Now that BIAB can handle up to 24 Utility Tracks, the notation system should evolve to reflect that scale.

Proposed direction

• Multi-channel lyrics (L1–L14 and beyond)
Independent layers of lyrics would allow choirs, backing vocals, and spoken elements to have their own phrasing, independent of the lead vocal.

• Printable internal notation of the entire work
Exporting to MuseScore is useful, but it breaks the creative flow. Ideally, BIAB should be able to display and print the entire arrangement internally—not just seven instruments—so that the process can be finalized within BIAB itself.

4. AI-Assisted Production: The “DaVinci Resolve” Philosophy

DaVinci Resolve became a transformative platform by applying AI directly to real workflow bottlenecks, offering professional tools such as automatic masking, object removal, noise cleanup, speech reconstruction, dialogue-based editing, audio enhancement, stem separation, and much more. The principle was simple:

One environment. One purchase. One complete professional solution.

Band-in-a-Box has the same opportunity—especially if BIAB and RealBand evolve into a Unified Production Module, designed around musical creativity.

Proposed Direction

• AI-Assisted Mixing and Mastering
Integrate intelligent balance tools inspired by iZotope Neutron (now part of the Native Instruments ecosystem), along with AI mastering that generates LUFS-compatible versions for each streaming platform, while preserving musical dynamics. The goal is not volume at all costs, but release-ready results within BIAB.

This would allow users to compose, arrange, mix, and master within a single, coherent ecosystem—just as DaVinci Resolve unified post-production.

5. Clear Expectations for AI: Useful, Not Just Demonstrative

If BIAB invests in AI features like stem separation or audio-to-MIDI conversion, it would be ideal if they reached a standard comparable to current tools—otherwise, many users will continue to rely on external software.

For example:

• Stem separation should aim for results similar to RipX DAW Pro, ideally through deep spectral analysis and not just EQ-type processing.

• Audio-to-MIDI conversion should be comparable to Melodyne 5 Studio, while also being harmony-aware: respecting tonality, chords, and realistic registers, and integrating directly into the Chord Sheet and notation windows.

If these tools don't reach that level—and aren't musically integrated—they risk becoming interesting demonstrations, but not truly useful composition tools.

6. AI for Lyrics — Only if it truly supports the songwriter (including optional internet connection)

If BIAB is going to offer AI-powered lyrics generation, it should provide real creative value—not just from a limited database, but also by offering optional access to a broader knowledge base, always with the user's consent.

Many current systems (such as ChatGPT, Gemini, Grok, DeepSeek, etc.) are powerful not only because they generate text, but because they are trained on—or can access—large volumes of cultural and linguistic information. This allows them to inspire the songwriter with themes, structures, rhyme schemes, emotional tone, and genre-specific language.

Proposed Direction

BIAB could offer an AI-powered lyrics assistant that:

• works locally with BIAB's own library and, with user permission, can connect to the internet for broader inspiration,

• suggests ideas without copying existing lyrics,

• understands the musical context (genre, tempo, atmosphere),

• and integrates directly into the creative workflow, preventing the user from having to leave BIAB to find inspiration.

The goal is not to replace the composer, but to maintain the creative flow within BIAB from the initial idea to the finished song.

Conclusion: Strengthening BIAB's True Identity

None of these ideas are intended to turn BIAB into a generic DAW. Rather:

They aim to protect what makes BIAB unique—intelligent music creation—while simultaneously offering the possibility of completing the entire work without leaving the platform.

If RealTracks become truly flexible, if Utility Tracks are fully integrated into the arrangement logic, if notation and lyrics reflect actual arrangements, and if AI-assisted mixing, mastering, and lyrics allow a song to be completed in a single environment, then BIAB can proudly remain the world's most integrated and musically driven creative workstation.

Note: Due to my work commitments and the time difference between Europe and the United States, I may not always be able to respond to comments promptly. I apologize in advance if I am slow to reply. I sincerely appreciate any feedback or discussion this message may generate.

Last edited by AudioTrack; Yesterday at 03:15 PM.

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