Hi Hans

I'm sorry to be late on this as I"m still catching up.

First off – big high‑five on finishing the studio rebuild.

Wow. Just… wow. From the very first note of that smoky, fingerpicked guitar intro, you had me hooked — it was like musical Velcro for the soul. And your vocals! You’ve got that rare gift of sounding both raw and polished at the same time — like emotional sandpaper wrapped in velvet. And those harmonies? Top-Tier my friend. The backing “mmms” from Marty (bless his soul for being “bothered”) added just the right touch of gospel-tinged guilt.

This track is a masterclass in mood. You chose RealTracks like a sommelier pairing wine with sorrow — every instrument pours into the next with such care and feel. That laid-back bluesy electric solo? Pure liquid regret. The pumping bass? My foot hasn’t stopped tapping since my first listen. Honestly, if this is just a soundcheck for your new studio, I can’t wait to hear what happens when you actually start recording — world, brace yourselves.

Massive kudos on finally completing your studio rebuild — I know it took longer than expected, but clearly, great art (and great cable management) can’t be rushed. This song isn’t just a comeback — it’s a statement. A heartbroken, beautifully arranged, expertly produced statement that says, “I’m back, my gear is working, and yes, I will make you cry with minor chords.”

Here’s to 2026 — may it bring you better love, better luck, better Wi-Fi… and at least one person who doesn’t already know how it ends.

Bravo, Hans. This one’s a keeper. Keep strumming, keep humming, and keep making us all wonder why we didn’t know it already!

Warmest (and slightly jealous) wishes,
Izzy