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Hi, floyd jane. A nice write. So hopeful. Really like the melody.
A sweet, "gentle" production. Very supportive of the lyric and its message. Thanks! I think it's a bit too gentle - people heard the melody, but didn't seem to notice the lyrics.  Your singers do a good job - all of them.
Well mixed. Thanks, I appreciate that. I enjoyed the listen. Something about it made me "feel good" by the end... It was probably all those Maj7th chords.  Thanks for stopping to listen and comment!
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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Hi, Mario. David, you do absolutely fantastic with those synth voices. You make them sound real. Well, it helps that I can write to the voice, instead of the other way around. I can listen to the "emotion" in the "la" that the synth voice is singing, and try to match that lyrically.  Loved the groove and the backing band.
You can never go wrong with a Maj 7 chord.
Super mix
Loved it Thanks!  PS - I am also a big fan of the UFX Reverb. I got the "complete" UJAM collection, so now I'm obliged to try to use them in my songs.  Thanks again!
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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Hi, B.D. To answer your questions: yes, it works, releasing too early is better than not releasing at all, and yes, you tend to overthink things a little  Heh. Also, releasing it "early" means people can steer me in the right direction when I've gone wrong, or stop me from overthinking things! This Oscar dude is a pretty good singer and suits the song very well.
Good choice. He's got a bit of a "cry" in his voice, which I think works well for an understated song. Also good choice of instruments minus the hihat in the intro, it sounds a bit cheap and MIDI-esque. Do you mean only the intro, or into the first verse as well. It would be easy enough to pare it down to just the kick drum, which was my first inclination. I'll play around with holding off the high hat until a bit later, and simplifying the kick, after a couple of days. The chorus could be a little more dynamic (both in terms of volume and instrumentation) so that it stands out better from the verses. I'll give that some more thought, thanks. I'd considered adding some orchestration to it, but wasn't really hearing it. But overall, the production is pretty good ![[Linked Image - Only viewable when logged in]](https://www.pgmusic.com/forums/images/icons/default/thumbs_up.gif) Enjoyed my listen! That's enough for me! PS: Get a faster computer to run Synth V in your DAW.
It's much more natural not to constantly switch back and forth between DAW and Synth V, and you don't have to constantly leave "the zone". My computer is fast enough. Part of it has to do with being leery of making the DAW crash (early versions of SynthV didn't work well in DAWS). But I like being able to toggle back and forth. It's fast, and when I'm in SynthV, I can focus only on the vocal. The workflow works for me, although what you suggest would probably work better. Thanks for your feedback, I appreciate it!
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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Do you mean only the intro, or into the first verse as well. Mostly in the intro, later it blends in and is less noticeable. You're using a MIDI track, so I would just use a smoother sample and some volume automation to make it sound less robotic.
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I think you may get the award for the longest song introduction. I don't mind the synth vocals. I think it would be to cumbersome for me to put them together. It's easier for me to make 10+ vocal takes until I get it halfway right. Beautiful melody and arrangement. Yes, there is some 70s flavor but the sound is a style of its own.
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Ask sales and support questions about Band-in-a-Box using natural language.
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