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jpettit Online Content OP
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Just to keep the thread centered:
The New GUI is only one part of user experience.
The deeper issue is consistency across views (looping, cursor, zooming, scrolling, transport behavior), because that’s what keeps people comfortable enough to stay in the workflow instead of jumping out early.

Thanks for the ideas so far,
Keep the input coming on anything related to user‑experience consistency.


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Thanks for you comment. The point this thread and your response are missing is that the conversation is being framed entirely in DAW terminology and mindset. DAW looping standards don’t apply to BIAB. To use BIAB effectively, DAW users need to understand BIAB’s own standards and approach. BIAB is not a DAW, and it handles audio and musical material differently. The architecture between the two is fundamentally different.

Some of the six different looping functions relate to how the looping is being used; editing, practice, composing, teaching, or auditioning ideas. Some loop functions are optimized for exact repetition, while others may regenerate new material. Expecting identical playback on every loop applies to DAWs, but not necessarily to BIAB.

Don’t expect BIAB to behave like a DAW. Approaching it from BIAB’s generative perspective, the looping behavior is consistent with its design, even if it looks different from what DAW users might expect. DAW users need to change mindset. BIAB doesn’t need to be re-designed.


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Charlie,
What you are saying is simply misleading.
" DAW users need to change mindset"
No, Charlie, you have to change your mindset and try to avoid confronting progress and confusing people. Please, I kindly ask not go that route.

---
In my view some responders missed main point of the conversation. It is not solely about the looping, but global consistency throughout different views. Selection, looping, cursor start position, transport. ALL of these play a part in a bigger picture and have to be viewed as whole. And yes, it is absolutely urgent to fix items related to navigation, selection, consistency. This is not a "wish" request, but a report of broken items in a workflow.

Library thoughts are also very (!) important and they deserve a separate thread.

I am digesting and testing some items from jpettit list and will follow up when time permits.

Last edited by Rustyspoon#; 4 hours ago.
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Originally Posted by AudioTrack
Yes, and that's exactly the problem that needs fixing, not running from. If all of the functionality worked seamlessly, correctly, properly, there would be no need to go to a DAW. The O/P's post clearly identifies items that need fixing. There should be no need to go to a DAW.

Bottom line: I would rather have these functions work properly inside BIAB instead of having to take the song into another product to get it to completed. And that's what the O/P has demonstrated needs to occur.
AudioTrack, Most of the Greatest Generation and the Silent Generation are long gone. And Baby Boomers are now dying off. BiaB must be made attractive to younger folks or it simply won’t survive. The competition in this space is fierce and young folks (and others) have little tolerance for clunky software. Developers around the world know this.

You say “If all of the functionality worked seamlessly, correctly, properly, there would be no need to go to a DAW.” I agree. But that is like saying if the world had no criminals there would be no need for jails.

Reality is we do need jails and many do need an (external) DAW. Six years ago I gave RealBand a good opportunity to meet my needs and it couldn’t. There are lengthy and detailed threads on this if you care to search for them. Time is a valuable commodity indeed and I can't waste mine on convoluted work-arounds and time consuming workflows.

Have you ever used a piece of well-design, consistent, user-friendly software? I have, and it’s a joy.

Despite evidence to the contrary, my bottom-line hope is that some serious software re-design is done to attract and retain those young folks. In the meantime, BiaB, Fender Studio Pro, my bass guitar and my arranger keyboard are a wonderful team.

And no, imho, we don’t need another 97 RealTracks in 2027 wink


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I don't think I have missed the main point of this thread: It's to create a record of some of the very basic, broken BiaB functionality for the developers to focus on.

The problem (for me) is that this discussion assumes the concept of "workflow" has a single, well-understood definition. And of course it does not. Same with "user experience".

I have no issue with either my workflow or my user experience in BiaB. I just don't.

Is it slick? Well, no. Does it work? Absolutely. Could it be improved? Sure. Is it urgent? Not for me.

So if a developer ever reads this, I think it's important to present other points of view.

And with limited resources, I think there are larger strategic issues for PG Music developers to address.


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The crux of this discussion is architecture and intent. Stating BIAB’s architecture and intent is not misleading. It’s foundational.

BIAB is not built on a DAW-style, fixed-audio, timeline-first architecture. BIAB’s role is to define the structure and parameters, and to generate the music before it ever enters a DAW timeline for editing and polishing. That architectural design cannot be overridden by terminology, expectations, or rhetoric.

Because of that, when discussing transport-based behavior, the transport model should defer to BIAB’s architecture, not DAW conventions. DAW transport behavior is neither required nor inherently clearer in BIAB, and forcing it risks obscuring BIAB’s generative workflow rather than improving navigation.


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I certainly agree that there are differences in BIAB's functionality and a DAW's functionality.

While there have been comparisons to what a DAW might deliver, I seriously doubt that the intent here is to make BIAB work like or become a DAW.

I am absolutely convinced that the intention here is to improve consistency in how BIAB itself operates.


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