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Recording, Mixing, Performance and Production
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Originally Posted by rharv
Originally Posted by Gordon Scott
Regarding avoiding mini-jacks, I thought to look to see whether any modest-cost mixers have built-in layers and some do.

I wondered if there was a market for a player with jack and/or XLR outputs. Probably not if low-cost mixers would suffice.

There are players with XLR and Line level outs
They exist
I'd never knowingly seen one, but I guess I've never looked ... my mixer has a player, so the need didn't arise.

I sometimes use a little Logitech Bluetooth module where I'm amplifying video sound from people's laptops for presentations. Seems safer better behaved than trusting the mini-jack on the average laptop.


Jazz relative beginner, starting at a much older age than was helpful.
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Recording, Mixing, Performance and Production
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Originally Posted by Jim Fogle
Steve,
A old style battery operated media player can do exactly what your asking for and you may already have one onhand sitting in a junk drawer. I'm thinking of something like a Microsoft Zune, Apple iPod or a generic MP3 player.
Every media player I've seen can playback MP3, WAV and MP4a and other audio formats. Almost all also can playback a playlist of audio files.

Plug a cord into the media player headphone jack and never unplug it so you don't have to worry about the jack wearing out.

Make sure you install a fresh battery before every gig. 😁
Jim, we are thinking similarly. A media player might be the way to go, don't have an old one sitting around but that's easy to solve.
And capacity doesn't need to be huge, I can't see us playing more that 20 songs tops.
As others have mentioned, mini output jacks also make me nervous, especially unbalanced ones. A USB connection might be more reliable and is what I use in my home studio.

As far as fresh batteries, I'm thinking that if I design this right the player would be charging while playing its tracks.


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For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
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