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I have my chord chart in a "ChordMark) format. This chord text format is described here: https://chordmark.netlify.app/docs/getting-started

I need to convert this to BIAB chord format text. (described on page 104/408 in the manual).

I can only admit I have some level of cognative decline with age. I can not do this conversion manually and chatGPT has been a total failure in achieving this.

Here is the ChordMark formatted text. Can some one convert for me and then if possible show me an automated way to do this in the future. I will be forever grateful.

key Cm
4/4

#C
NC.Cm. NC.. Ab.. Bbsus4. [Bdim Cm] Cm Cm
Cm Cm Cm Cm

#A
Cm Cm. Fm... Fm... Cm. Cm
Cm. Gsus4... Gsus4.. Bb. Cm. Cm Cm. Fm...
Fm.. Ab. Gsus4. Gsus4. Gm... Gm. G... Gm... Cm.
Cm Cm. Fm... Fm... Cm. Cm
Eb. Gm... Gm.. Fm. Cm. Cm Cm. Fm...
Fm... Ab. Ab.. G.. G. Cm... G.. Cm..
Cm.. G.. Cm Cm... Fm. Fm
Fm. Cm... Cm... Gsus4. Gsus4. Fm. Gm.. F. Cm...
Cm... Fm. Fm Fm. G... Gm.. G..
G... Cm. Cm Cm... Fm. Fm
Fm. Cm... Cm... Gm. Gm G/F. Cm...
Cm... Fm. Fm Fm. Ab... G... Cm.
Cm.. Gm.. Cm/G. Fm... Fm... Cm. Cm
Eb. Fm... Fm... G.

#C
G G Cm Cm
Cm... F. Gbm. G.. Cm. Cm Cm. Fm...
Fm... Cm. Cm Cm. G... G... Cm.

#B
Cm Cm. Fm... Fm... G. G
G G... Cm.

#A
Cm Cm. Fm... Fm... Cm. Cm
Cm. G... G... Cm. Cm Eb. Fm...
Fm... Ab. Ab.. Ab/C.. Ab/C. Cm... Cm
Cm Cm. Fm... Fm... Cm. Cm
Cm. G... G... Cm.

#D
Cm Cm. Fm... Fm... Ab. Ab
Ab.. G..

#C
G... NC. NC. Eb. Ab. Cm. Cm Fm.. Ab. Cm.
Cm Gm. Fm. Eb.. Bb/D. Cm... Cm... NC.


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I'd imagine it wouldn't be difficult to write a VB macro or use regex, something like that. I don't use either of these so I'm not sure what the formatting requirements are.
Even chatGPT should work ok if you tell it what needs changing. e.g, "change all # into ... (whatever)". I've done some very quick conversions like that in chat.

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Originally Posted by Lee N
Even chatGPT should work ok if you tell it what needs changing. e.g, "change all # into ... (whatever)". I've done some very quick conversions like that in chat.

Only one time out of a dozen trys was Chatgpt able to do the conversion. Even though it admits to knowing, it does not know what to do to match BIAB format requirements. So I have to explicitly tell it each time. It is totally unreliable since I apparentlly can't give it the magic details it wants to know (before we timeout together). Someone must do this routinely and have an answer?


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I had a look through the chormark page but got tired having to read an entire essay for what could be broken down into a simple key/legend. Same with the BIAB manual. If nobody else already knows of another way, I'll take another look later, I would think I could come up with a quicker way.

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Any chord chart can be saved into the chord text format from the file | Save Special | Save song on clipboard or to file

A dialog window appears with settings for all the elements.

Here's the ZZJAZZ.STY demo displayed as a Chord Chart.txt file

[Chords]
|:a) BbMaj7| Gm7| C9| F13| BbMaj7| Fm7 Bb9| EbMaj7|%|
|b) Ebm7| Ab9| Am7b5 D7#9| Gm9| C7sus| C9| Cm7| F13|
|a) BbMaj7| Gm7| C9| F13| BbMaj7| Fm7 Bb9| EbMaj7|%|
|b) Ebm7| Ab9| Dm7| Gm7| C9| Cm7 F13| Bb69|%:3X|end) Bb69|
[ChordsEnd]

Here's the dialog window. This should help you get your chords into a proper BIAB chord chart file.

Attached Files (Click to download or enlarge) (Only available when you are logged in)
Song to Text.jpg (38.25 KB, 193 downloads)

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Ya, BIAB does a good job at EXPORTING text files - even provides optional formats. But not so much with IMPORTING them. Now that I have taken some time and will have a thorough chord chart example of both the ChordMark and BIAB Formating, I will stare at them to ID what is going on. However, as I mentioned, I am aging and these fine detail tends to get lost in translation. I need a push button workflow these days. I don't listen to tapes and records any longer in order to transcrible and learn solos. grin Actually, bringing in chord charts into BIAB from other music apps should be Drag and Drop! But that may just be me! crazy

I also note that you example shows chords on beats 1 and 3 only. Guess that is jazz! smile

By the way, I am always dissappointed in the accuracy of bring in chords via Midi, XMP or even ACW. I need help assigning the chords to the beats. Now in this current example, this is a true 6/8 compostion, which I am working with in 4/4 only due to BIAB limiations. That may be why you see the chords jumping aroung on lots of the beats and why I need them to be accurate. But my initial listening to this in BIAB tells me it may be worth the extra effort.

Thanks for the input.

Dan


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Here is the manual effort currently. I hope this will work for me. Yes, tedious indeed. But I will keep looking for a push button solution (ChtGpt script? )) since I love how SMP does this and am hoping BIAB can add its magic.

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SUCCESS!! Without going into to much detail this effort worked out perfectly. There are a few errors (my typing) which I needed to correct in the BIAB track shown above. I was able to "hear" these errors once I generated the BIAB soloist and brought them into my DAW to play in sync with the backing tracks from SMP. Yes, very nicely in 6/8 sync over the entire backing. It was well worth the effort.


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Dan, I'm glad that you succeeded. I would have tried to help but what you were asking was way above my pay grade.


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I've been messing about with this using Notepad++ and creating a macro to automate it. Think I'm getting there .

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I've been experimenting a bit more and managed to create a macro in Notepad++ which works mostly, although I don't think it's necessary. The XML export seems to import fine into BIAB but needs some tinkering because SMP itself is creating the problem.
Within SMP I found two main problems. The bar doesn't always start in the correct place. You can correct this by dragging the bar start line. The other problem is NC. This isn't recognised in BIAB so it causes the beats / bars to offset.
A minute of tweaking from within SMP should create a musicxml file that imports well into BIAB.

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I had made both those corrections in the SMP. And still found inaccuracies in specified chords, bars and beats. But certainly worth looking at again. Thanks for your help with this.
Here is what I worked up. My eyes tell me that there a problems even after making the corrections you mentioned. Fact is I am in the very middle of this project and I continue to make "minor corrections' each day. I will likely try again on some future project. thanks again. << interesting to find someone else as anal as me when working with this stuff! grin>>

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Is that imported from a musicxml file?

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Originally Posted by Lee N
Is that imported from a musicxml file?

The left side was generated and printed by SMP from a youtube video. I consider this the most accurate compilation.

The right side is the SMP XML from the youtube video directly input into BIAB and then printed as a text file from BIAB.

I attribute the differences between left and right to XML issues.

I have subsequently manually input the chords and beats from the original SMP into BIAB and (correcting a bit as I go along) I have been able to generate some RT Solo blues guitar licks which I have brought over to my DAW. There are 111 bars and they now all line up in SMP, BIAB and Reaper. Work continues

Last edited by DrDan; 03/02/26 05:03 PM.

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I'm definitely curious smile
I can get it to work ok with some tweaking in SMP, but yours is showing some chord differences, like in the top line SMP shows Bsus4, the one on the right is Ebsus. Is SMP set 3/4 or 4/4?

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Originally Posted by DrDan
<< interesting to find someone else as anal as me when working with this stuff! grin>>

Unfortunately, once I get stuck in I need answers laugh

I'm trying to recreate some of your chord chart in SMP. Seems BIAB does not like 8th notes with xml import, it's causing strange stuff to happen with offsets and skiping some chords.

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Keep in mind this is 6/8 being notated as 4/4 for pupose of aligning with BIAB 4/4. Here is the song for the chords and beats.
, I think it is AI.


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Thanks, I'll check it out.
I've done a bit more messing around with it. BiaB definitely is having problems with 8th note chords on XML import. I got it working with a workaround. Double the tempo in SMP before exporting XML and then import into BIAB, I used an offset of 1 Bar from the import dialogue. Then in Biab, Edit\Song Form\ reduce duration by half. That seem to take care of the 8th note chord problem. Any shorter then I'd give up smile

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I'm done with this now. Pretty much figured out the problem ... BIAB can't handle any chord length smaller than one beat with musicxml and causes placement issues which push other chords into the next bar, or misses chords out etc. You cannot even export from Biab and then load it back again where "microchords" are concerned. Open the same exported XML in Notion and it's still problematic. Stick with chords no shorter than single beat 1/4 notes and all is fine.

XML export from SMP works as it should, including 1/8th note chord durations, opens and displays the chords in the correct bar locations in Notion.

SMP chords to text, on the other hand, don't. 8th length chords export in an inconsistent way to a text file, which makes regex or even coded conversion impossible in some cases, so not worth the effort.

Best bet here is to do what I said earlier, double the tempo in SMP and then half it in BIAB. The other option is go through the chords in SMP and remove the short duration chords before exporting to XML and then manually re-enter them in BIAB. They are generally quite few so this shouldn't be too difficult either.

That's a cool sounding song in that video, amazing if it is AI. I did load it into SMP and got similar to your chords but not exactly the same which was interesting. I also assume you changed the pitch / key to Cm from Am.

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Lots to think about with this project. I sent much of this information to BIAB support but have not gotten any response. SMP support is following this to see if they can help.

I can tell you my manual entry of the chords from SMP text file to BIAB Chord Chart is progressing. I am just wrapping up my vocals (Ya, Key of Cm for me) on this song project. I am integrating sections of BIAB RT guitar as I rearrange the song. Results are tedious but so far appear to be feasible. I will share my final effort with this project in a week or so. Perhaps next time this may go a bit smoother if the powers to be can get in step.

Clarify one point for me. When you say, " double the tempo in SMP and then half it in BIAB" do you mean using the Midi File to move the chords between apps?

Oh, and regarding, "I did load it into SMP and got similar to your chords but not exactly the same which was interesting.." I trimed the beginning of this tune in Audacity where I did the transpose to Cm. I have a very complicated process...

Thanks again
Dan


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Originally Posted by DrDan
Clarify one point for me. When you say, " double the tempo in SMP and then half it in BIAB" do you mean using the Midi File to move the chords between apps?

Oh, and regarding, "I did load it into SMP and got similar to your chords but not exactly the same which was interesting.." I trimed the beginning of this tune in Audacity where I did the transpose to Cm. I have a very complicated process...

Ok that's interesting and might be why we are getting different results. My guess is if you edited in Audacity and then imported back to SMP then it may have changed things with the tempo?

I have just loaded the video into SMP and it shows the tempo as 161bpm, which mostly imports fine into BIAB with the SMP XML exported file.

I'll take a guess and say that your SMP version is showing around 80bpm? I'll assume that is the case so I'll set mine there and this is what that looks like.

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Notice the Bdim is taking up half a beat. Now just for clarity, I'll add a few more 8th length chords, Am, Bm, Cm, Dm and export the XML.

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Here is the result imported to BIAB.

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These short duration chords are causing the problem. Now I'll double the tempo in SMP by clicking on the bar line or right clicking the in the timeline. This hast has doubled the length of the chords as you can see now lined up with the beats in the time line

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Export the XML and load into Biab.

I'll repost in a moment, I've hit an image limit smile

Last edited by Lee N; 03/03/26 06:32 PM.
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With this XML now imported to BIAB, we get this

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Now in BIAB go to Edit\Song form\reduce duration by half and we get this

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Everything is correct now except for the start time pushing things along into incorrect bars. This can be fixed by changing the offset in the import XML window.

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It's a bit of a nuisance that you end up with all of those unnecessary chord entries but if they cause a problem then I guess still quicker to delete them inside BIAB than manual entry for each chord.

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... and with that, I've just spotted another problem in Biab.The Bdim is missing. Think I need sleep! smile

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Ok, just found another problem. Biab reduce tempo ignores chords on beats 2 and 4 if 1 or 3 is empty.

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I guess they are fairly easy to spot visually so you'd need to fix those before reducing the tempo.

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A very good effort here Lee. grin Thanks for doing some of the heavy lifting on this. We would all benefit greatly having a smooth transfer path between SMB and BIAB. Image being able to bring over the accurate chords and beats (even if only 1/4 note chord resolution - we really can't expect more at this time from BIAB), along with the wonderful SMP tempo map!!

I have now had some more conversations with PGM support asking them to provide a text file conversion to put ChordMark (chords with beat placement) into BIAB. I have not given up on that. I will send the BIAB file for this song when I upload the final product. I continue to tweek and fix as I go along.

Dan


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Btw, I can do the text conversion with a macro in Notepad++ , that's quite easy now I've figured out the format. All but the short duration, <1/4 note chords which I just remove them via the macro and they can be filled back manually after import.

Because the txt output from SMP is not consistent with short chords, I doubt PG could implement the conversion.
XML output from SMP, on the other hand, seems all fine. So the easy fix here is for BIAB to fix the XML import and export for what they call microchords.

I can give a lot more detail with my findings if it helps any but I won't bother posting that unless you ask because it will be a long boring reply smile

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I'll take us off line with a PM shortly. Your input was very helpful in this process, thanks for sharing with us all. Dan


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For those following - here is the first full cut - these performances are never done, we just stop working on them at some point crazy! This was a serious effort to synchronize the chords and beats between two very popular music making applications (SMP and BIAB). Matching tempo and groove between varied apps including live and recorded music, has been very difficult for me in the past. Fact is, I have not used BIAB in any of my music for a long time due specifically to the issue of matching tempo and beat and groove. I consider this effort a bit of a hightlight for me grin.

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Originally Posted by Lee N
I've been messing about with this using Notepad++ and creating a macro to automate it. Think I'm getting there .

Lee, you are a genius. laugh I hope you get paid a lot of money for the coding skills you have honed, you deserve it. Your NotePad script run perfect first try. Cut and Paste from SMB ChordMark text formated song sheet directly into BIAB. You the man!

How very genrous and kind of you to help me with this.

I know that are some of you who think this idea of using a text file as a backdoor into BIAB to move chords and beats seems a bit bizarre crazy, but in my experience all other avenues (short of manual entry) have failed me. SMP creates the charts from recorded music as good as anything I have see. Putting these directly into BIAB worked for me in A Long Road Home. I look forward to working on my next project with it. grin

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Thanks Dan, no problem.
I took a listen to your version. Sounding good. Is that a mix of the original with the BIAB guitar solo or the whole thing done in BiaB?

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Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!

Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.

Learn more about the Free Bonus PAK and 49-PAK here.

If you have any questions about which package is the best option for you, just let us know. We're here to help!

202 New RealTracks Released with Band-in-a-Box 2026!

With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!

Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!

Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.

Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.

Check out all the 202 new RealTracks (in sets 468-488)!

And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.

The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!

2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!

With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!

These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!

This Free Bonus PAK includes:

  • The 2026 RealCombos Booster PAK: -For Pro customers, this includes 27 new RealTracks and 23 new RealStyles. -For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles. -For UltraPAK customers, this includes 12 new RealStyles.
  • MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
  • MIDI SuperTracks Set 46: Piano & Organ
  • Instrumental Studies Set 24: Groovin' Blues Soloing
  • Artist Performance Set 19: Songs with Vocals 9
  • Playable RealTracks Set 5
  • RealDrums Stems Set 9: Cool Brushes
  • SynthMaster Sounds Set 1 (with audio demos)
  • iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
  • 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
  • FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
  • MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
  • MIDI SuperTracks Set 47: More SynthMaster
  • Instrumental Studies 25 - Soul Jazz Guitar Soloing
  • Artist Performance Set 20: Songs with Vocals 10
  • RealDrums Stems Set 10: Groovin' Sticks
  • SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)

Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!

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