Haven’t heard anything. Haven’t looked either.

A quick question about playing tablature, if you don’t mind. I understand the theory and always wondered if there could be some mathematical analysis of playing a passage that would result in the least finger movement. My question is, are there cases where this is not what you want? Where finger patterns are better even if there is more total ‘reaching’?

For example, you might look at a trumpet player and assume any of the three valves is equally easy to play. Any pro trumpet player who says they are is lying. The first and second are far easier than the third, and it’s a good thing the third is used less. However, I often use alternate fingerings in quick passages where the total movement is easier. Hard to explain unless you play. Woodwinds are a better example, with all the two pinky fingers are expected to do. Fourth finger is the worst.

Anything like that in the string world?

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