Hi Andrew.

This was a terrific listen in every way.

You've created an excellent song and the mosaic lyrics are really clever. To my ears, the words were not coherent in a story-telling sense but somehow they managed to provide some kind of lyric journey that appealed to and captured my imagination. I read your lyrics again after listening to the song, and I have no doubt that it was because your lyrics are highly sense-bound that you managed to pull me into the journey so thoroughly.

Loved it!
--Noel

P.S. By the way... I completely agree with J&B when they say, "Yes! comping up multiple re-gens is for us THE way to go to personalize a RT."

In the older days of BIAB, I used to copy and paste sections of Realtracks regularly. One trick to know in relation to generating material these days is that simultaneously generating multiple versions of the same Realtrack reduces the likelihood of parallel generations occurring. By "parallel generations," I mean that the exact same chord generation occurs in the same bar across two or more tracks of the same instrument. This was a problem in the early days of Realtracks. Around 15 or so years ago, PG Music fixed this so that if the same Realtrack was placed on multiple tracks (e.g. 2905 was present on Utility Tracks 1, 2 and 3), when the three tracks are generated at the same time, BIAB actively chooses chord patterns to avoid parallel generations.

This technique was first introduced in Realband where it's called Multiriff, and it's possible to generate seven distinct versions of the same Realtrack in one go. I have found this a very useful tool over the years when it comes to comping a master track together.

MY SONGS...
Audiophile BIAB 2026