Quote:

I wouldn't leave it up to a soundman because you're the performer, not him.



[RANT]

Speaking as someone who has done first-rate sound for many years, I don't understand that remark unless you've had some really bad experience with sound engineers. What you suggest is someone who is interfering with the performance.

Even a hired gun or part-timer, if he acts professionally, will optimize EQ and levels and be attentive to what's going on on stage.

A superior tech might as well be a member of the band. The mixing desk is his instrument. He is the objective ear in the room. He knows the material and makes adjustments to enhance, not obscure, the performance. He may actively work effects or even play an instrument from the board.

I have seen individuals who owned a sound system and hired themselves out as "engineers." I have seen them set up at the side of the stage or in front of a speaker where no objective adjustments can be made unless they walk the room. (These guys didn't.) I have seen them making time with the girls and completely indifferent to the performance. I have seen them set up patterns on the graphic EQ because they looked pretty, not because they had anything to do with the sound.

Is this who you're talking about? Someone who is indifferent or incompetent? If so, you need to look harder. The good ones are out there.

[/RANT]

R.

P.S.: Currently doing sound for Dream Level 7, aka DL7. See on FB and myspace.

"My primary musical instrument is the personal computer."