For my money, if something's in Eb major a bVI chord would be Cb and not B. The ears won't hear any difference but when transposing that to other keys, you might get strange results. (I transposed the piece from C minor to Eb major and there were absolutely no changes made to my notation.)

Also, a Gm chord with a chromatic descending bass line calls for an F#. I realize if I were simply notating a melodic line for someone to read, a chromatically descending line might read G, Gb, F, E but in chord notation, Gm Gm\F# Gm\F etc. is easier on the eyes (and the brain).

I'll take a look in Options but I'm not holding my breath.


Dave Horne - The Netherlands
http://members.home.nl/davehorne/

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