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https://www.johnwalradt.com/music/songs/Just_Another_Weekend_master_2023-07-17.mp3 My songs are like a travelogue of my life. In this song, I was living in Denver in the early 1990s in my 30s and still trying unsuccessfully to get a girlfriend. I started writing the song. The group I was in was too embarrassed to play the song and made fun of it, especially the lines "I want to go where the lovers go, I want to do what they do." Fast forward to 2023, I decided to finish the song and I was shy about sharing it. Ironically, when I released it on Broadjam, it quickly became my third #1 Earth song, and stayed there for two weeks. All the instruments on "Just Another Weekend" are Band in a Box except for a very small piano part I did on midi: Style is _DIARY.STY (Diary Emotive Modern Sync Pop) RealTracks in style: ~~2579:Bass, Synth, RnBModernSub Ev16 065 Loop in Song: Dubstep\Dubstep - yasso_70_drum_loop_1_a_minor ev16.wav RealTracks in style: 3670:Piano, Acoustic, Rhythm NewAgeHalfNoteChords Ev 085 RealTracks in style: 3708:Guitar, Acoustic, Rhythm 90sAcRock16ths Ev16 090 Loop in Song: Chillout\Chillout - air_74_ conga_e_minor ev16.wav RealTracks in song: ~~362:Guitar, Acoustic, Strumming Ev 085 RealTracks in song: 1947:Mandolin, Rhythm PopModernGrooveAndy Ev16 075 Sofi Berro, a vocalist from Argentina on Fiverr did the vocals. I used Studio One 6 for mixing. I have version 7 now. I sometimes use it for mastering or I use the Lurssen Console. JUST ANOTHER WEEKEND Words and music by John Walradt Out on the street People rush or they greet There is paper upon the sidewalk I'm lookin' out the window and the world's looking back at me. There's groceries to get And laundry to do I'll wander inside a bookstore It's just another weekend, just another weekend for me. I want to go where the lovers go I want to do what they do I don't want to live my life alone Oh, when will my dreams come true? Don't need a list, I'll find what I need I stroll through a maze of aisles A couple holding hands Oh, when will that happen to me? Ah-ah, ah-ah Wait at the checkstand Gaze at the time And hurry to send a package It's just another weekend, just another weekend for me. I want to go where the lovers go I want to do what they do Walk through the trees over scattered leaves Oh, when will my dreams come true? I want to go where the lovers go I want to do what they do I don't want to live my life alone Oh, when will my dreams come true? The moon is a crescent I'll drive to the dance Inside of an old school building Love is for sale The cashier hands a ticket to me, ah-ah, ah Those eyes that I see Are looking at me Or is it just wishful thinking It's just another weekend, just another weekend for me Just another weekend for me, just another weekend for me.
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That was fun. I really like the drum track
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Views 936
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Hi Dave and Chris! Three good things I like about this song … Chris’s vocals weaving with Dave’s licks, and great style choice - the latter reminding me of the vibe on Smash Mouth’s Astro Lounge album. This mix sounds great as well - I think that makes it four! Enjoyed listening. Andrew
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Thanks for the reply. For a while there I thought it was just me....
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Views 3,523
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I'm new to the Reaper plugin and now have some time to work with it. I have BIAB 2026 songs that were created and generated in BIAB and I loaded them into the Reaper plugin. I then generated the songs in Reaper and then moved them to the DAW. When playing the songs, the Reaper plugin chords do not move in the FX Track window. Is that normal, no chord movement unless the song is completely constructed in the Reaper DAW with the BIAB plug in? If it's normal, then knowing that will save me hours of time trying to fix what's normal. Thanks
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Thanks everybody! Now back to work on The Octogenarian Blues. 😀
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Views 643
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You know I love this. Everything about it. Who wouldn't? A classic song. A classy rendition. Y'all are a Class Act. A study in Perfection. Class dismissed. fj . We love what you told that class! J&B
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Views 1,030
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Laurent, That is some amazing work. Love the tracks selection and the groove is absolutely infectious. Wonderful production. Loved it! Bob
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This tip grew out of several recent BIAB forum threads touching on wish list requests, DAW style workflows, and questions about why Band in a Box doesn’t duplicate tracks the way traditional DAWs do. Many of these discussions come from experienced users whose workflow focuses primarily on arranging, comping, and editing tracks after exporting them to a DAW rather than building complex, finished arrangements within BIAB itself. What often gets missed is that BIAB already provides powerful generation level tools that address many of these requests, but they work very differently from DAW post editing and may not be obvious when BIAB is approached with a DAW centric workflow. In BIAB, a RealTrack is a generated performance, not an existing audio clip. Before generation time, BIAB selects phrases from its RealTrack library and assembles them into a coherent musical performance based on the song structure, style, chords, and settings. BIAB generated tracks can represent RealTrack audio in ways that look similar to DAW tracks, which are audio. BIAB has advanced ways to copy generated audio under certain conditions, duplicating a DAW track, but the key distinction is that BIAB operates at the generation level before an actual audio file exists. The RealTracks Medley Maker works at this generation stage. It allows BIAB to duplicate the exact same RealTrack performance or generate variations of that performance, and to combine multiple RealTrack instruments into a single musical part. Because this happens before audio is finalized when rendered, BIAB can create multiple musically identical instruments that either play the exact same performance simultaneously or play different performances generated from the same musical intent. This functionality is already used throughout BIAB. Many factory created Styles include multiple RealTracks performing as a single musical part, either layering different instruments or using the same instrument more than once. These performances may be identical or subtly varied. In the RealTracks Picker, users can find Multi-Simultaneous RealTracks and Multi-Thickened RealTracks, which allow the same instrument to be used multiple times, or multiple instruments to be layered, either duplicating exact performances or generating variations, simultaneously or sequentially. The RealTrack Medley Maker tool is available individually on each of the 24 Mixer Tracks. DAWs can achieve similar musical results, but doing so typically requires generating and exporting multiple tracks from BIAB, importing them into a DAW, and then manually comping, editing, arranging, and adding fades, crossfades, and transitions across multiple tracks and tools. While this approach is powerful, it is more time-intensive and depends on additional software and workflow knowledge. A RealTracks Medley can produce the same musical outcome within BIAB in a single generation and render. Because RealTracks are generated performances, BIAB doesn’t duplicate tracks the way DAWs do. But, BIAB supports exact duplication and regenerated variation via the RealTracks Medley Maker, as well as through factory Styles and multi-instrument RealTracks in the RealTracks Picker. The real opportunity isn’t missing functionality, but improving discoverability and DAW-style access to BIAB’s existing generation-level duplication tools that's requested in the Wish list forum. To recap. BIAB duplicates and varies RealTracks at the generation level, not by copying existing audio (although it can do this). This allows BIAB to create musically identical or varied performances in a single render. Results that DAWs only achieve through exporting multiple tracks and doing extensive post-editing. Users can see a PGM created Multi-Simultaneous RealTrack used in a User Showcase original song post, "Money in the Bottle" by BabuMusic which uses RT-4395 added as an additional instrument to the Style.
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Hi Mario, I'm a bit late, but I finally had the time to listen to your masterpiece. What a challenge that must have been! I can picture you as the magnificent conductor directing a gigantic orchestra while it plays your piece! Very, very beautiful. I did have some doubts about the performance of this piece when I saw the instruments you'd chosen: 1- the French horns 1 & 2 2- the trumpet 3- the alto trombone 4- the violin 5- the viola 6- the bassoon 7- the oboe Considering the space they're in, they could have gotten into a real fight (or competition). But—and here goes Master Mario—you managed to make them become friends and merge their sounds into your amazing work! Well done, maestro! Hans Thanx so much Hans for this wonder review. Yes it was a challenge, especially since it was the first time I ever tried something like this. I'm glad you liked it.
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Views 1,078
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wonder what tuning they used to determine that. 440? He didn't specify any particular tuning, I'm thinking that that's not that relevant. But he did say indicate something I kind of knew already. Through studies of people with brain damage, we’ve seen patients who have lost the ability to read a newspaper but can still read music, or individuals who can play the piano but lack the motor coordination to button their own sweater. Music listening, performance and composition engage nearly every area of the brain that we have identified, and involve nearly every neural subsystem. Before Covid hit I played music for people in a dementia memory unit at a nursing home every Monday for over a year. I was totally amazed at what music did for these folks. They would even remember some words to the songs like "You Are My Sunshine" and others and sing along. I spoke to a High School Band Teacher and discussed what I had been witnessing with these folks. He told me there has been a lot of studies of the brain and music therapy. He said music is embedded in our brains from a very early age and is one of the last things the brain remembers. I was thinking stuff like twinkle little star and so on. It is very interesting indeed. Brian
Replies 174
Views 19,802
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Floyd, you posted this 13 years ago? I remembered it as it was and still is one of your best. Rodney Gene Junior did one hell of a job on those guitar and bass tracks. Lots of drive in this version. As usual a outstanding vocal and lyrics - I can see Ray Stevens doing this song. Great job on the mix. Loved it. Thanks, Mario... I can see and hear why this is a favourite of yours Floyd. What great storytelling lyrics, sung perfectly and played/produced correctly. Really enjoyed it, well done. Kind regards. Appreciate that, Lee. Thanks for stopping by...
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Views 561
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Bob, You have become one of my all-time favorite writers. Every line - or pair of lines- speak volumes. Joliz' haunting vocal combined with the organ is the perfect background. You wow me. fj
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Views 146
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B.D., Solid production, good arrangement. I like the breathy vocal. Emotive. Good write. Important messsages. Love the chorus. Catchy with a cool melody. "Sense" seems to be least of what is driving things today. That's not going to stop. All "control" has been obliterated Cool song. Keep 'em coming. fj.
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Views 195
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Rob, Nice jazzy-loungey tune. The lyrics suit that nicely. Melody, too... Cool BIAB production. So easy to listen to... fj
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Views 183
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Hi, Mario. I recognized you from my post of "Stay Here Now," too. As I apologized in previous posts, I mistakenly thought this website group was defunct last fall but that was probably a few errors I made in trying to access it. I got posts from the early 2000s and nothing recent, so I forgot about it. Then last night, I chanced on it to see several people responded. Thank you for your comments! The guitar chops come from Bob Bentley, a good friend in the UK. The funny thing is that Band in a Box was despised by the purists on Broadjam but now I see a lot of members on there are using AI! I'm not a fan of AI as it charges into copyright issues big time whereas a software like Band in a Box is royalty free and its use depends on our originality. John
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Hi Floyd, Laurent, Rob, David C, Andrew and Chay, Thank you all for your very nice comments on the "Rocketsong" (It's easier to call it this way than using the original title everytime. Like Floyd did). I was a bit afraid some of you would get goosebombs from that crazy violist, but no one did! That's what I like! I will go in the deep on all your individual posts, ok? Hans, I like your Rocket song. "'Cause now I'm on my way to the moon Or maybe to eternity I think I'll know it real soon what it's gonna be" Cool chorus. And I like how you use BGVs there... You always have thought provoking ideas and/or questions in your lyrics. I like that, too. Good use of BIAB. Both the baritone guitar and the fiddle make this a unique experience. Enjoyed the listen. fj Hi Floyd, when I found a promising melody while puzzling, I naturally had to come up with something similar for the vocals. That turned out to be trickier than I thought; you have a melody, but you don't know how to sing it. Sound familiar? To practice, I quickly wrote down a few sentences. Something about space. And then I found the vocal line! I kept the lyrics (well, I wrote them in better English). I could even make a statement with them. So that was a win-win situation! Thanks for recognizing this! I don't know why, but lately there seem to be quite a few people who want to leave the planet. Strange atmosphere! I really like the vibrato guitar intro and the rest of the song, it's cheerful and about leaving. Laurent Haha, Laurent. Yes, you're right! I think it has to do with people who call themselves "world leaders." Well, they led me/us to space... I'm glad you also think the music helps me escape from them! There's a lot of rocket songs: Bowie, Elton, Stevie Wonder. Now we have yours. I like the instrumentation very much. You always present something interesting with your songs, including this one. Good work! Hello Rob, if you'd read my answer to Laurent, then you know now how there are so may rocketsongs. Most have lead to eternity... Thanks a lot for your nice compliments, not only on this song, but my other songs too! Hi, Hans. The song really took a different direction when the fiddle kicked in.  Excellent production. I love the ending! Hi David, initially, the violins weren't in the song. There were other instruments and drums in it too. I let Marty listen to it, and even though he normally loves my songs, he said, "I'm sure this song will end very differently. And the drums are distracting." That's when I knew I was on the wrong track with the song. So I changed everything to what it is now, except for the violins. I woke up in the middle of the night and thought, "Violins, I want those in!" I did, and I laughed. They cheered me up! And that's how the song became what it is today. And I hope it cheers you up too, David! Hi Hans! This has an interesting combination of instruments - but it works! The style coupled with the fiddle partly conveys the recklessness of the trip, although completely understandable. In one sense, this is why many people are migrating to Australia to be a world away from perceived troubles - the tyranny of distance has worked in our favour in the past, but not so sure moving ahead. This is all to say the subject of your song would be very relatable to many. Good work - it’s different but I like it! Andrew Hi Andrew, thanks for your comment on the song. If you read what I wrote to Laurent above, you'll see that I had the same thoughts as you when I wrote the song. And I'm glad you like it! Great guitar intro, perky fiddle and really catchy chord structure and tempo. A totally enjoyable song, but I have a really seriously serious complaint: IT'S WAY TOO SHORT! Hi Chay, I'm so sorry I didn't consider your needs when I created the song. I guess I just wanted to get it done as quickly as possible. It's really cold up there! But I have a solution for you. You can press a button called "repeat," and man... I bet you'll stop it yourself after about two hours. Thanks for your message! Thanks everyone and continue making music after reading! Hans
Replies 15
Views 195
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Hi, P. Thank you very much! It was much fun. A backing guitar track and drums were Band in a Box. Bob Bentley did lead guitar and piano. We found a vocalist on FiveRR who we argued about the melody with (he arrogantly called himself a Nashville Row songwriter...well, whoopdee-ding-dang-doo!) so I fixed a small part of his vocal in Melodyne to keep our original melody. I see it's pretty darned cold in Florida right now. That's wild!
Replies 2
Views 48
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Chris, this is a great song. Loved the mandolin and the sax. Excellent job on the synth vocal. Super mix. IMHO this is your best to date.
Replies 4
Views 98
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Changing notation isn't changing theory, it's changing notation. There have been a ton of attempts to clefs, and there are a lot of reasons they fail. "Fixing" the bass clef to make it the same as the treble clef solves the "problem" for a piano player, but what about for the viola player? And introduces a bunch of other issues, like the treble and bass no longer aligning over Middle C. Changing scientific naming because he doesn't like it, isn't really a compelling reason. Multiple dots for repeats? His argument for not using numbers on top for repeats is that it's "ambiguous", and then he proposes... putting the number in the repeat symbol instead, which has exactly the same issue. Figured bass isn't "ultimately very confusing". Roman numerals are used for analysis, not for actual playing. Notation like "F/A" works just fine for playing. Same thing with his issue with Roman numerals and minor scales. Time signatures are only a problem... when they aren't notated? So let's just get rid of the bottom number? And his "reform" for compound time can literally be done using standard notation. I was going to respond with virtually everything that David had already posted. Thus I completely agree with him.
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I don't get the problem One can easily flip through different views using keyboard shortcuts. Or use the top level windows menu Frankly for me those minimized icons in previous versions drove me bonkers.. Locating which one to use Maybe what's needed is like in the new BB gooey design have a side panel where user can easily flick through the different views by clicking on different panels...? Om
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Views 113
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In my BB, when I change anything in the bar settings tab, there's a red line in the bar on my screen to indicate that particular bar has been edited. Unedited bars are clear
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Thanks Matt! And also thanks shling for investigating.
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Views 646
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Anyone notice the bass (2311 Bass, Acoustic) in the Jazz Ballad w/ Pollwinners (_JBSLBPD.STY) kind of overwhelming in the overall mix? I've used this style in BiaB 2025 before and never noticed it, I think this might be a 2026 bug? I can't state that it is a 2026 issue as I've never used this style previously, but I do agree that in 2026, the bass is quite pronounced.
Replies 1
Views 50
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box 2026 for Windows Special Offers End Tomorrow (January 15th, 2026) at 11:59 PM PST!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Windows® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PST on Thursday, January 15, 2026!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Windows®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the new AI-Notes feature, which can transcribe polyphonic audio into MIDI. You can view the results in notation or play them back as MIDI, and choose whether to process an entire track or focus on specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Windows®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
Upgrade your Band-in-a-Box for Windows to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 for Windows® Special Offers Extended Until January 15, 2026!
Good news! You still have time to upgrade to the latest version of Band-in-a-Box® for Windows® and save. Our Band-in-a-Box® 2026 for Windows® special now runs through January 15, 2025!
We've packed Band-in-a-Box® 2026 with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can process an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Windows®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PST on January 15th, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Upgrade to Band-in-a-Box® 2026 for Windows® today! Check out the Band-in-a-Box® packages page for all the purchase options available.
Happy New Year!
Thank you for being part of the Band-in-a-Box® community.
Wishing you and yours a very happy 2026—Happy New Year from all of us at PG Music!
Season's Greetings!
Wishing everyone a happy, healthy holiday season—thanks for being part of our community!
The office will be closed for Christmas Day, but we will be back on Boxing Day (Dec 26th) at 6:00am PST.
Team PG
Band-in-a-Box 2026 Video: The Newly Designed Piano Roll Window
In this video, we explore the updated Piano Roll, complete with a modernized look and exciting new features. You’ll see new filtering options that make it easy to focus on specific note groups, smoother and more intuitive note entry and editing, and enhanced options for zooming, looping, and more.
Watch the video.
You can see all the 2026 videos on our forum!
Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
Watch the video.
You can see all the 2026 videos on our forum!
Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Windows®
With your version 2026 for Windows Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- Android Band-in-a-Box® App (included)
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAKs for Band-in-a-Box® 2026 for Windows®!
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