In 3/4, adding real tracks doesn't work because they play too fast. I haven't seen or figured out a way to do "cut time" in 3/4, if that would even work if it was possible to do. In 6/8 the styles are just plain "wrong".
I have had some success by running the RTs at half-time.
I've done this too occasionally with pretty good results
As an example of what can be done - here is my "Long Way Home" - it is clearly in 6/8 time. But I was able to work with 4/4 BIAB RTs and sych them up to get the groove. Check out the BIAB RT guitar soloist which comes in about 75% into the song until the ending. the RT Soloiost is Half time. https://soundcloud.com/dan-hoch-784636941/a-long-way-home-030526
For all styles and demo songs BIAB will default to the proper folder with the directory which you have installed BIAB on. All current songs which are opened will save by default to the save folder that they were opened from. After that all new songs you save will prompt for the directory you choose. So if you open a song stored on OneDrive it will default back to the OneDrive when you save. No changing that. But you can use Save-As instead of Save and place the song on a local drive. Or just transfer all the BIAB songs from OneDrive to a local folder and that will solve your problem for good. Pretty standard behavior, right?
Hi Floyd, Chay, Arri and John, Thank you very much for your kind comments. I had noticed the "wish" for a louder mandolin in the solo. I increased the volume before releasing the song, but that had no effect. Instead, the sound of the instrument seemed to change. And I didn't like that. The advantage of a softer mandolin, however, is that everyone is listening to it more intently now...
Originally Posted by floyd jane
Hans, A good write. Good vocal. Nice use of BIAB. Well mixed. This sounds good. fj
Hi Floyd, thanks for this. I have to admit that I also make use of sounds from Logic Pro once in a while.
Originally Posted by WaoBand
An excellent production, Hans.
Thank you, Chay!
Originally Posted by Brno
Thanks Hans. Nice feeling in your song. I also appreciate, that you sing with your own voice. As a mandolin player I would have given the mandolin solo more volume to separate it from the background.
Hi Arri, thanks for your comment. I always use my own voice, and sometimes a female singer helps me with the background vocals. I never use AI in that, no pitch correction or Melodyne. Just me, reverb and Delay for the effects. Oh, and a D-sser.
Originally Posted by John Walradt
Hans, it's rare to come across a philosophical song that is also enchanting and you've done it remarkably well. It's folky and pleasant, moves lightly like Simon and Garfunkel's "Cloudy." It's a keeper for sure! John
Hi John, that was a fun one! And the comparison was really 'wow'.
Hi Ron, As always, another lovely song with incredibly clever lyrics and sung beautifully too, including with your backing choir. My immediate question is, how did you come up with this idea? Was it after your president released those UFO files? I haven't heard anything about it since then, except for your lovely song! And I experienced the same thing as Dave. I was typing my message to you and then "Spot on the wall" followed, another lovely song. I say: very well done, chapeau (meaning 'praise' here). Hans
Hi Andrew, I saw your video about a week ago, but couldn't leave a comment then (I had to go somewhere, I almost forgot. So I was in a hurry...). I watched it again now and had to laugh at that video again. Very nicely made! I really liked the song too. A bit strange, but with very good choruses and really good harmonies! Honestly, I had mixed feelings about the lyrics; delivered cheerfully, but also a bit sad. Sorry that I forgot to give you a thumbs up earlier. But still, even though I was late, I was apparently the first to post a comment on your song on YouTube. How is that possible, with all those nice comments here? Hans
Hi Marty, I remember you playing the song for me a while ago, as a concept. After that, I thought you had never finished it. A beautiful song, which actually just meanders a bit, with that tabla and pipa (and of course the other instruments). I had already made a comment about it a few months ago, but you enjoy it every time. So I think it's great that you used those exotic instruments in it. That is the beautiful accent that makes it a sweet, sparkling song. Hans
Aurelius, A happy sounding song in these weary times, with a good vocal. Production wise there are some sudden breaks in the sound which sound like glitches but are abrupt stops on the instruments. There is one just after the intro and the second one is just going into the chorus. There is at least one more after that which is a cut in the drums. Other than that it’s silky smooth. Vic
Marty, Thank you very much for taking the time to listen and comment. I am really glad you like this tune. I am truly grateful to the vocalist and the pianist. I am always very encouraged by your kind words. Best regards. Shigeki Adachi
Hello Folks, a simple video. Steve didn't think appearing playing & singing over this darkish tune was appropriate so It's a semi illustrative flick this time. Built from the ground up using BIAB and retaining the RealDrums and organ RealTrack. Thanks for the ears.
B.D, That's an incredible hard rock song. It's also full of protest spirit. From gentle love songs to hard protest songs, I'm amazed by the richness of your talent. And it's definitely a song that requires parental advice. As always, the video was fantastic. Enjoyed my listen and watch a lot. Best regards. Shigeki Adachi
Chay, I read your explanation before listening, and I was worried whether a gentle, nursery rhyme-like melody would work with rock music. However, after actually listening to it, my worries were unfounded. The gentle melody parts and the instrumental rock parts are wonderfully contrasted, and I thoroughly enjoyed listening to it. Best regards. Shigeki Adachi
Hi, Marty! Thank you very much! I forwarded your comments to Bob and he was very pleased. I told him he really underestimated the appeal of his vocals. He thought we should get a commercial vocal on it. Well, we did and it's nice ear candy, but I insisted that his vocals were perfect for the song and all I had to do was to bring out a raw live feel in the mix to compliment his vocals. I achieved it just about a week ago. As the melody goes, it's one of my most catchy and unique. It was in a dream I had in early morning just before I woke. I rushed to my guitar and computer to get it down. I've had a few other songs come from while asleep and those are usually very catchy.
Rob, This is a cool blues song. It's truly authentic Chicago blues. Your harmonica playing is fantastic. The vocals are also perfect for this song. Enjoyed my listen a lot. Best regards. Shigeki Adachi
I shut my computer fully down when I'm not using it mostly because, I think to myself, I know what it's like to feel like you are sleeping very shallowly and wake up feeling like you didn't actually sleep. I know computers and people are different but I like to give my computer a break. I'm fortunate that my computer reboots and is functional in about a second. I don't have to really wait for it to power on. Thankfully lightning storms aren't really something we see where we are. Since I moved here 15 or so years ago I think I have seen lightning once or twice. Still, you can never be too careful.
Mario, that is such a sensitive and considerate message. Thank you for that. In the past couple years my music has changed significantly. Almost exclusively I am now singing the songs of my life. These fall into the category of "covers", whereby I attempt to reproduce the original material as closely as possible. Since the first of the year, I have been taking singing lessons to find my mixed voice. YouTube and SoundCloud are, for the most part, relaxed about hosting these covers. However, I have had ~5% of my offers rejected by their bots. Some of the original artist are very restrictive - this includes Van Morrison. I will keep my SoundCloud PRO account so my forum friends can always check out the link in my Signature to see when new songs are posted. For those songs which can't be hosted by the online accounts I will provide an inconspicuous link to my Google Drive. Let me try this to see how it works. Thanks again for you message. Dan
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I will keep my SoundCloud PRO account so my forum friends can always check out the link in my Signature to see when new songs are posted. For those songs which can't be hosted by the online accounts I will provide an inconspicuous link to my Google Drive. Let me try this to see how it works. Thanks again for you message. Dan
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