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You guys are working way too hard. Keep it simple. It works better. Last century an amazing technology was invented to help you solve the 3.5mm cable problem. Bluetooth. I've used bluetooth to connect my tracks (I use high quality BIAB/DAW created mp3 tracks) for about a decade now. A decade. 10 years. I've had about zero problems mentioned by those on this forum. There is no loss of quality or latency issues. I do agree that 3.5 mm jacks are a risk. Much worse than bluetooth. So I no longer use 3.5mm jacks. I don't use cables for my tracks at all. The worst risk you have with bluetooth is forgetting to silence your phone before you start playing. That happened once. I got a phone call in the middle of a song over the pa. Everybody cracked up. With Bluetooth The sound quality is EXCELLENT. Ive played in small rooms and large outside community parks. Musicians often catch me between sets to learn how I make my tracks. The sound reinforcement systems I've used QSC 10.2 Turbosound IP300 Bose S1 Pro Electro Voice EV 50 Line Array Electro Voice EV 30M Line Array. Electro Voice EV Everse 10 Sometimes I use a mixer. My current mixer (Mackie ProFx10) has bluetooth built in. Often I do not use a mixer (live guitar and tracks gigs for example). For the QSC without a mixer I use an xlr bluetooth receiver. https://a.co/d/04ejNFsT I would not think of dragging a PC/MAC to a gig. Or some silly specialized audio player. For playing the tracks I use IOS devices using Anytune Pro https://www.anytune.app/ This software runs on IOS and/or Android. I believe Mac OS also Normally I use an IPAD on stage. My phone serves as the backup at the gigs. I've had to switch to the phone exactly once over hundreds of gigs. Synching setlists and what not between devices is simple. Its so much easier than dragging a lappie to a gig. I create setlists. at home, synch devices (ipad & phone) before the gig & off I go. At the gig I bring up the set list, use a wireless bluetooth pedal to start/stop, next/previous, loop on/off through the setlist. I've been at it for a decade now. I just don't see a better way for gigging with tracks.. But I do keep looking The OP mentioned seeing the chord changes on the screen. I'm not sure how/if Anytune can do this. Possibly it can. I just don't need a feature liket that. I do believe if you examine for a few minutes the other things AnytunePro can do for you, you will be pleasantly surprised. And ditch the cables. Bluetooth.
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Views 126
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Thanks for your investigation Noel. I, too, have not got confidence to start running EXE files etc that may affect the program. I'll wait and see if Rharv, PG staff or anyone else has any suggestions. Cheers, Mike
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Remember when there used to be numerous solo hit songwriters like Bob Dylan, Paul Simon, Carly Simon, Carole King, Stevie Wonder, Billy Joel, Sting, Paul McCartney etc.? This singer/songwriter trend was kicked off when singers found it more profitable to write their own songs than to share rights with songwriters. This is just a similar market-driven trend. And remember when there usually would be no more than 2 songwriters on a hit single which would be written by such teams as Leiber and Stoller, Goffin and King, Bacharach and David, Lennon and McCartney and Jagger and Richards? The majority of these were teamed up as musician/lyricist teams, assigned by companies to sit in a room and write songs together. So why is this a bad trend? Well, first of all there is the old proverb: Too many cooks spoil the broth. The songwriter who first has that creative moment of comin up with a melody or lyric has had an artistic vision, and when other collaboraters try to develop that vision they often degrade what the original songwriter felt in the moment of the song's origin. But this has never been about artistic vision, it's been about writing songs that will be popular with the public. This is also a bad trend for us songwriters. I don't know about you folks, but i find it lowers the value of what a songwriting credit represents when people who have not written a single note of melody and not a single word of the lyric receive a songwriting credit. You're not going to get much disagreement about that. This is also a bad trend because when there are many songwriters, writing the songs on an album, instead of one or two, the album loses a sense of artistic vision. There are some thematic albums, but they are few and far between. For example, Burt Bacharach and Hal David would often write all the songs on a Dionne Warwick album. This gave Dionne's albums a unified vision. If you compared the songs on a Dionne Warwick album, you'd be hard-pressed to find a "unified vision" there. And Dionne Warwick was an exception. Barcharach and David hired her to record demos for them, and eventually hired her to sing their songs on albums that they released. Dionne Warwick was acting on behalf of them, not the other way around. Somehow, that Barry Manilow song, I Write The Songs would just not mean as much to people if the title had been We Write The Songs. Well, a couple of points. First, the song was written by Bruce Johnston of the Beach Boys, not Barry Manilow. And second, the singer in "I Write The Songs" isn't some songwriter - it's literally music personified: I've been alive forever And I wrote the very first song I put the words and the melody together I am music, and I write the songs Similarly, would Killing Me Softly With His Song have meant as much to people if it had been titled Killing Me Softly With Their Song? Well, the title of the song is "Killing Me Softly", and it's not about songwriting - it's about the experience of hearing your own experience in someone else's song. Or would Elton and Bernie Taupin's Your Song had the same poignancy if instead of the lyrics being 'My gift is my song and this one's for you', it had instead been 'Our gift is our song and this one's for you'? The personal touch is no longer communicated when you go from the one to the many. Writers don't write about the experience of songwriting, they write songs. And song that sell are still one-on-one stories, even if fourteen people are credited on the song. I just think that this trend of having a greater number of songwriters writing each song is just one more factor in the decline in The Gentle Arte of Songwriting and Musicke that has occurred over the course of the last half century and it devalues the significance of what a songwriter actually does. Just like when the focus moved from singers being the interpreters of songs, and we moved to the singer/songwriter paradigm? And it is also a bad trend when a singer like Adele, who has collaborated on most of the songs she has sung, is referrred to as a singer-songwrier.[quote] By that logic, and song that McCartney and Lennon collaborated with would not be written by a "songwriter"? [quote]I have a feeling that this sort of thing was not done as much in the 60s and 70s as a result of so many solo artists writing their own songs, and even bands writing their own songs. In the 60's and 70's, plenty of singers never wrote any of their own music, and no one gave it a second thought. But it looks like this sleazy practice began to become pervasive again after the end of the 90s when the music industry took a huge nose dive. Over the course of only a decade or so the American music business was only raking in around 1/3 of what it had previously taken in a decade before. You're ignoring a vast number of other factors, such as digital music, which had a huge impact on the music business. And the music business has always been sleazy and unsavory. As a result of this, musical artists who had been making millions of dollars in artist royalties a decade before were now not selling enough records for the record companies to make a profit, and so those artists who were only selling a million or so albums were not getting a single penny in artist royalties. What is this "record" thing you speak of? That's not how the music business works anymore. So, that is why singers were starting to blackmail songwriters into giving up half their royalties. The singers were motivated purely by financial greed. Besides being an overly broad statement, it ignores that it was the managers and record companies who were doing this, not the individual artists. I recall reading Barry Manilow complaining how tightly Clive Davis controlled what songs he could and couldn't put on his own albums. I suspect that other artists had little say-so on many aspects of their albums. It is just as much the fault of the indiscriminating public which relentlessly buys poorly written songs as long as those songs have a good singer and a good beat. Isn't this was selling to the public has always been?
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Views 10,668
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A really good one Ron! Love your choice of style - particularly the acoustic picking pattern. I thought the bridge was a good fit and it would be a less song without it - not the highlight but very appropriate. Your vocals were fantastic - there were a couple of lower notes you sang that had a wonderful quality to them, and those BVs in parts sounded like those in 'Only living boy in New York' - took me back to 1979 when I first owned that album. Going back for a third helping! Andrew
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Views 58
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Hi Mario! Warts on the guitar track? I didn't hear any. Man, if I could play like you, I'd be handling a few more toads and frogs! Definitely sounds like a live jam - mission accomplished! I know you and I have traded stories about temperatures before, but I have no concept of -12°C. In Adelaide in the depths of winter, we might get a couple of days that get down to +6°C or so, but at the other end of the spectrum, the other week we had 5 or so days in a row above 39°C, with one day hitting 45°C (113°F) followed by the city’s hottest night ever recorded, with temperatures refusing to drop below 34°C (93°F). It's not a competition - may our weather warm you up over there, just as I hope yours will cool us down over here. Just like you, in those days, with air con on and ceiling fan spinning, all I can do is sit at my computer and go browsing BIAB Styles. Well done! Andrew
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Views 44
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... if you are serious about your recording and you want to pursue your music growth by doing recordings, you have to move to a true DAW. Recording ones music is serious business and requires serious tools and workflow that BIAB simple does not have. Okay Dan, I'll play devil's advocate and bite at the bait. What serious recording tools does BiaB simply not have? Here is a short list specific to Reaper in my case: Take Management & Comping: REAPER excels at managing multiple vocal takes, allowing users to record in loops and easily select, swipe, or lane the best parts for a perfect vocal performance. Razor Edit Mode: A non-destructive editing mode that acts similar to Adobe Audition, allowing for fast cutting, moving, or editing of specific vocal phrases without destroying the original take. Take Folder/Lane System: Allows for stacking takes on top of each other, making it easy to compare and combine different performances. Item Pitch Manipulation: Users can hold Shift + Alt/Opt while dragging to quickly change the pitch of specific, individual vocal items for tuning adjustments. Customizable Track Templates: Allows setting up dedicated vocal tracks (lead/backing) with pre-loaded plugins, routing, and coloring, speeding up the workflow for repeated sessions. Input Monitoring & Effects Management: Offers low-latency monitoring with the ability to add effects (like reverb) while recording, which helps vocalists, while allowing the raw, "dry" signal to be recorded. Now to your point, of couse a newbee may not understand and therefore not appreciate any of this. But my point is I would encourage them to to start to learn. With out going into the details - Reaper is essentially free to use as you are learning. When you discover how wonderful this specific DAW is, you will gladly send them $60 for lifetime use.Excellent examples! One minor quibble. The $60 personal license fee is good for the current major version, plus the next one. For example, I bought a license when v4 with the current major version, so it was valid for v4 and v5. That was many, many years ago. When v6 was released, I bought a new license for $60 that was valid for v6 and v7 (which is the current major release). Here's part of the header from my license file: Version: 6 (valid through 7.x) Type: Non-commercial Created on: Tue Dec 3 20:31:37 2019 That was over 6 years ago! And v7 is still going strong at v7.61. I will happily pay another $60 when v8 is released. I pay about $150 each annually for Bitwig Studio and Studio One (now Studio Pro). Reaper is extremely capable and is easily the most cost effective full DAW. Personal caveat: I'm 74. Assuming that I live long enough to see the release of v8, the v8/v9 license will almost certainly be a lifetime license for me. 
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Views 291
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Hi Bob (and Joliz) Only having been to NYC once and like Noel, not knowing about The Bowery, I had to look it up. I am assuming the artists and bands you listed must have played at The Bowery (or Bowery district?) on a regular or semi-regular basis? Here's you giving me a geography lesson again! I loved Joliz' vocal hovering over your verses. The style and tone of her vocal reminded me of something - not in the sense of the same melody, but in the same style. And then I remembered - the same BV style is used in a song by Michael Kiwanuka called 'Cold little heart'. I don't want this to distract from your wonderful song. '... where lost things get found' - I reckon I've been in one of these situations where the circumstances and my reaction to it feels like everything complex now makes sense - like in that moment, Saturn is in conjunction with Jupiter. A wonderful song - well done. Andrew
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Views 60
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Strangely enough, as I've already reported several times, the only plugin version that generates in less than 5 seconds and is truly compatible with Reaper is version 6.3.8. Since 2024, all versions crash miserably when it comes to generating the instruction set. So I have BIAB 2026 running with plugin 6.3.8 and it works (more or less, because it generates twice - the first time blank, and the second time is the good one, but the whole process takes less than 5 seconds).
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Chris, Your chord progressions are always so interesting - and this song is no exception. I let my iPad translate your lyrics - and what a poor job it does of that - I would love to be able to understand the words as you do in your own tongue, but alas, I speak no French. Andrew
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Hi, Noel. I listened to "I Will Always Be There" and "World of Wonder." You have a delightful way of making your choruses lift and be quite different from the verses yet is done so naturally. It adds a lot of interest to the songs. "I Will Always Be There" is a gentle caring song that comes through in the melody which gives life to the lyrics. "World of Wonder" is thought provoking as well as lovely. This kind of songwriting needs to come back into the mainstream and calm the world back down from all the tribulations we see. Best to you, John
Replies 40
Views 1,540
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Hey, Mario and Noel! Wow, I didn't expect responses like these! Marilyn Simone is on AirGigs at https://www.airgigs.com/online-vocalist-for-hire/97341/Soulful-Alto-Vocals. She's very friendly and gives you every kind of track you could ask for. Robert Quigley and Bob Bentley are both part of a seven person songwriting group we formed from being on Broadjam. We call ourselves "The Rising Tide (Lifts all Boats)." Just minutes after you listened, Joel, I uploaded the song with a few mixing tweaks that I'm happier with. Except for the midi strings I played towards the end of the song, all the instruments are Band in a Box, which changed my whole musical life! Mario, many thanks! I copied your response so Robert could see it. I know he'll be thrilled! I got a chuckle out of Bob Bentley's response the very first time he heard the tune: "Very catchy...as usual." When I started writing songs when I was 21, I wanted to write catchy pop songs. I thought I could attract girls that way. Didn't work. But I was and still am an awful guitar player. It's too bad Band in a Box wasn't around back then! Then we talked about changing the lyrics and that's where Robert came in. Noel, thank you very much! Funny thing, when I first wrote the tune I didn't think it could be a Motown type of song. I realized it when I got Band in a Box. One of my favorite things to do at the end of a song and it's getting to be a habit is to make the last four measures of the strings an octave higher which makes the emotion of it climax. I'll have to look for some of your songs, too! Best to both of you! John
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Views 41
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Rob, you did one hell of a job on the vocal and one that blues harp Super backing band Outstanding mix A superb cover for sure Thanks, Mario! I was a little out of my league but I couldn't resist jumping on this as soon as it became public domain!
Replies 34
Views 892
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Pete, you're a good singer and songwriter, as evidenced here. The mix did seem a little different than what I've heard from you in the past, but it's okay. I'd have to A-B it with one of your previous songs to say anything beyond that. I really like the lyrical flow of your songs - a lot of people have trouble with that but it seems to come natural to you. Did you always sing country? Good job with this, enjoyed it a lot!
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Views 288
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Hi Laurent. I really enjoyed this a lot. The feeling of freedom and travelling along in a happy-go-lucky, footloose-and-fancy-free kind of way flowed through everything in this creation. The Suno vocals were excellent and I loved the arrangement and instrumentation. The whole production was very uplifting to listen to and made me feel good to be alive. This was an immensely satisfying musical (and motorbike) journey. --Noel
Replies 20
Views 434
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There's a tutorial here in the 2022 Bootcamp video. The Playable RealTracks tutorial is at the 9:00 minute mark and is almost 15 minutes. Band in a Box 2022 Bootcamp
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Views 62
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Needs a remix. I'll be back
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Views 24
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Mario, I echo what others have said, it was a great vocal, perfect for the that kind of rootsy tune. I hope we'll be getting more such performances. Mick
Replies 34
Views 1,623
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As Mario said, this is amazing. Production work is par excellence. Your guitar work is masterful and captivating. The organ as the main background instrument is an excellent choice.
Replies 21
Views 453
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This sounds like a live performance in a good way. It captures all the naturalness of the performance without a bunch of processing. I love the sparseness of the two instruments. Good singing too!
Replies 3
Views 75
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Donny, a great song! Super guitar chops and vocal On my system the bass was loud and boomy. Did it sound OK on yours? Regardless I really liked this song.
Replies 9
Views 255
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A song about a barn? Why not! A lazy tempo reminiscent of relaxing after a hot day of work on the farm. All sounds excellent. Exceptional vocal deliciously delivered. Primo lyrics. Thanks for all. I was a bit dubious about the tempo and appreciate you mentioning that it worked for you. J&B
Replies 42
Views 1,775
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B.D., Beautiful, melodic and superbly arranged & sung. I think you have all the ingredients here for a great Pop song. Your singer sounds awesome as well. Loved it! Bob Thank you for your kind comment, Bob. Much appreciated 
Replies 14
Views 189
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Welcome back, Vic. A pretty good song to just say "hello" again Enjoyed my listen and hope you find time for more songs!
Replies 39
Views 1,408
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Hi Mario. I LOVE this groove. This is such easy listening. I'm sitting here typing and listening and really enjoying what I hear. As I've said before, there are no two ways about it, you're a very talented man. --Noel Thanx so much Noel for those very kind comments.
Replies 22
Views 236
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Dave this really moves. Vocal, instruments and Marty's solid bass. Everything fits. Vic
Replies 26
Views 698
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box 2026 for Windows Special Offers End Tomorrow (January 15th, 2026) at 11:59 PM PST!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Windows® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PST on Thursday, January 15, 2026!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Windows®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the new AI-Notes feature, which can transcribe polyphonic audio into MIDI. You can view the results in notation or play them back as MIDI, and choose whether to process an entire track or focus on specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Windows®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
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Band-in-a-Box® 2026 for Windows® Special Offers Extended Until January 15, 2026!
Good news! You still have time to upgrade to the latest version of Band-in-a-Box® for Windows® and save. Our Band-in-a-Box® 2026 for Windows® special now runs through January 15, 2025!
We've packed Band-in-a-Box® 2026 with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can process an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
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Happy New Year!
Thank you for being part of the Band-in-a-Box® community.
Wishing you and yours a very happy 2026—Happy New Year from all of us at PG Music!
Season's Greetings!
Wishing everyone a happy, healthy holiday season—thanks for being part of our community!
The office will be closed for Christmas Day, but we will be back on Boxing Day (Dec 26th) at 6:00am PST.
Team PG
Band-in-a-Box 2026 Video: The Newly Designed Piano Roll Window
In this video, we explore the updated Piano Roll, complete with a modernized look and exciting new features. You’ll see new filtering options that make it easy to focus on specific note groups, smoother and more intuitive note entry and editing, and enhanced options for zooming, looping, and more.
Watch the video.
You can see all the 2026 videos on our forum!
Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
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You can see all the 2026 videos on our forum!
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
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- Instrumental Studies 25 - Soul Jazz Guitar Soloing
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Learn more about the Bonus PAKs for Band-in-a-Box® 2026 for Windows®!
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