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I love the concept of the train sounds between verses. When I was a DJ I used to play harmonica train songs and segue them with actual train sounds as you've done here. Singing is pretty good and the song itself isn't bad at all. The prosody of the piece is a tad off to my ears. (This was also true of your Omaha song). You're so talented with chords, I'm sure it will all come together in time. Hi Rob! Yes, I like the train effects as well. With the song being long and four verses to boot, the effects act as a break between each. Regarding the prosody of this song and also Omaha, and given that the term can describe the relationship between the lyrics and music (if I understand it correctly?) and therefore can manifested in different ways, I am interested in what you are hearing. I ask this genuinely and not being defensive, because sometimes one can’t see one’s own blind spots and I am keen to improve. I hope you can point out a few examples? Good critique can be just as useful as encouraging praise to help songwriters with their development - so thank you for mentioning! Andrew
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Views 275
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Well how about giving all of us Biab Students a few Free Style Disks now Notes, and see the smiles of gratitude on our faces, no point in doing it later when you won't know how grateful we are.  Could'nt resist asking
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I really REALLY don't mean to make anyone mad and everyone has a right to do their own thing but . . . I would beg you not to use AI. Find a friend who sings, or go on your local Craigslist or Fivrr and pay a working musician to sing / play what you need. I can't stress enough how much I hate what AI is doing. First, it's all theft second it's killing the planet. I really could go on for days on the issues with using AI but that should be it's own thread. Again, try and find someone willing to work with you to accomplish the goals. "Community" is a big part of what music is about not technology. Lets clarify a few things. There are several kinds of AI. Generative and cover are the two main kinds in my opinion. Suno and others like it can kinda fall into both categories. There is generative AI, where you simply write a prompt, a sentence or two and it will generate a complete song from scratch using it's learned experience. You can call that theft but it's essentially the same as you writing a song and relying on your cumulative musical experience to come up with what you imagine to be an "original" song. On the other hand, you can also upload a demo that you have recorded in your studio and ask it to use that as the reference and simple do a cover where it adds much better quality tracks and vocals and by knowing how to write a prompt to guide it, you can have a major influence of the final production. For example, do you want it slower, faster, acoustic, electric, soft, hard, male singer, female singer, duet between both, guitar solo, piano solo, fiddle fills, what other instruments do you want, and more. If I use any kind of audio file/track with a vocal melody, or if I use Synth V to "flesh out" a vocal melody, and then import that audio into AI such as Audimee, that is not stealing, and I don't see how it's killing the planet. To me it's using a tool that has recently been developed and is being refined daily. The voices that are being used as models in Audimee are all licensed and I'm sure the artists who gave their permission are getting, or were compensated for the use of their voice. I pay a monthly subscription for the rights to use those voices, in the same way I would have to pay someone from Fivr or any other vocal singer for hire. Nothing is being stolen and it is not the generative AI that you seem to think it is. Since the chance that anything I write would be placed with an artist where I could recoup my investment in a singer that is going to cost anywhere from $100 on the low end to multiple hundreds on the high end, I can't justify running to Fivr and hiring a real singer every time I have a demo that needs a singer. AI has been a great, affordable, and viable option for my songs.
Replies 13
Views 872
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Nice melody and good use of third party stuff with BIAB. Well done!
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I like the piano concept, wish I had thought of that in my playing days. The guitar RT really came in and took over in a very tasty way. Good job!
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Views 201
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Great playing! Normally it's your Swam instruments that shine for me, but in this case I feel like it's that MIDI strat that steals the show. Good stuff!
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Views 40
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i second rharv's comment....enjoy. make some hits. re FR interface. it looks like there is now a 4th gen fr special anniversary edition. with a gain range of 69 db ?? i like this cos as i said upthread my crit of lots of interfaces was limited gain range. one reason i like ssl interfaces was gain range. _______________________________________________________ for any lurkers looking to buy an interface.... imho too many people buy any interface without assessing what their short and longer term needs are. as the interface is the core of ones studio i believe the best way to select an interface is either get an interface with a 30 day return.. eg off amazon and other vendors...OR rent a number of interfaces and test in ones studio against ones needs....includeing low latency asio drivers. this is what i do....so far ive found it the best way cos my needs might be different from other peoples. cant beat in studio testing imho. i do this with any gear. happiness. om
Replies 28
Views 747
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Good job. You're still knocking them over the center field fence. Prine was a fantastic writer who didn't get the respect and acclaim he deserved. I used to play a few of his songs when I was doing an acoustic guitar gig for a while. His songs always got a great reception. I've got a couple of "found dogs" and the real question is did I find them or did they find me? My daughter bought me a coffee mug that says... Who rescued who.
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Another excellent piece, Mario. I can feel the melancholy in the sax line. I understand about management. I've been at a couple of schools where the administration took the joy out of teaching. Luckily, I'm working for a good team now. Thanx Scott. I'm glad that you are working for a good team now. That makes work a lot more enjoyable for sure.
Replies 35
Views 1,636
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WTF!! Man is this the right concert?? I came here for the black goth girl with the dragon tattoo across her forehead with the bone in her nose biting off the head of a bat because the world is black black and blacker than black. Screaming I hate you I hate you I hate you I hate you but I love you and I hate you hate you hate you and I hate you more but I love you too but I hate you more! What in the hell! I feel just as outraged as Paul McCartney at the latest Bob Dylan tour! Came expecting my favorite dark hits and I got a love song?????? No but seriously, that was a joke and I think this is a cute as hell fun little song. I never quite expected this. But it's great. (But I still feel like Paul McCartney at the latest Bob Dylan show. I paid money to see black dark-hearted black black angry girl with the black mask and the black black heart on a black black night.) * PS just to give some credence to my Paul McCartney reference, I thought it was hilarious that Paul went to the latest Bob Dylan show where Bob was wearing a hoodie playing electric piano and singing a bunch of songs no one had ever heard. Paul McCartney said he was pissed off because he paid good money to hear Tambourine Man and Bob didn't play anything he'd ever heard and he wanted his money back. McCartney said that when fans paid good money he knew that he had to play Let it Be, Lady Madonna, Get Back, Live and Let Die and Hey Jude, Yesterday and Blackbird or the crowd was going to start screaming and yelling at him and ask for a refund. The tattooed goth girl is on vacation, and her little sister has taken over. But she'll be back  Thank you very much for your comment, David. And a double thank you for the McCartney story, I'd never heard that before. And, of course, Paul's right!
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Views 2,726
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Nice rocker, it definitely has that ZZ Top vibe that I really like. That's right up my alley ![[Linked Image]](https://www.pgmusic.com/forums/images/icons/default/thumbs_up.gif)
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Ask sales and support questions about Band-in-a-Box using natural language.
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Mac®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
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Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
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-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
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- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
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Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
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