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Janne, Thank you very much for taking the time to listen and comment. I am really glad you like this tune, my arrangement and the vocalist. And I'm also very happy with your comments on the lyrics. I am always very encouraged by your kind words. Best regards. Shigeki Adachi
Replies 32
Views 1,322
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Soundcloud: That was the reason why YouTube: That was the reason why DEVELOPMENT Written sometime between 2001 and 2003 (I have a midi file dated Oct 2004), this song details some of the me to my (now) wife and me while we were dating leading me to be very appreciative of being loved and loving her. I think the bridge might have been added last, as it usually is for me - but not sure when. A point of clarification: ‘that’ in the title refers to all the things we did – not how I am referring to my wife – just making it clear. At various times over the years when I have considered the song, I have wondered about the lyrics. I've decided there's a fine line between adoration/affection, sounding 'needy' or some form of obsession. Hopefully, the lyrics come across as the first type. Coming in just over 3 minutes, this song is fairly ‘vanilla-flavoured’ and not adventurous in a musical sense. When working on the BV harmonies, I was pleasantly surprised that I was singing (on ‘I can’t waste/live…’) 7ths and 9ths of the root – not something I designed, but it sounded okay so I kept going with it. There's a section of the song I've called 'middle bit' which is repeated - it's not the chorus because it doesn't contain the title, but I wasn't sure what to call it. Is this song an A, B and C structure? Those that know more about the theory of songwriting can comment. RECORDING SUMMARY Style is _STORIES.STY (Stories Guitar n Piano Folk Pop) RealTracks in style: 2527:Bass, Electric, PraiseBreakBasic Ev 140 – just used in the solo RealTracks in style: 890:Piano, Acoustic, Solo-Accompaniment PopLite Ev 140 RealTracks in style: 2934:Guitar, Acoustic, Rhythm FolkySync8thsFintan Ev 140 – replaced by my own acoustic RealTracks in style: 2934:Guitar, Acoustic, Rhythm FolkySync8thsFintan Ev 140 – replaced by my own acoustic RealDrums in Song:NashvilleEven8^1-a:Sidestick, HiHat , b:Snare, Ride General midi patch Vibes notated on the solo track in BIAB and exported Recorded in Reaper. Lead vocal x 3, but with 2 of those sitting behind the main vocal BV x 2 LYRICS Intro Verse 1 Sometimes I wonder why, everything clicked and fell into place Across the café I saw you smile and that twinkle in your eye That was the reason why Verse 2 Sometimes I wonder why, you followed me back to the car that day You seemed to need me as I needed you – our loneliness would die That was the reason why Middle bit I can’t waste ... a lifetime, not knowing you’re mine And being better for loving you I can’t live, without you with me, to have you near me To spend my whole life next to you Solo Verse 3 Sometimes I wonder why, you’d walk with me for miles and miles Those country roads were never too long, the time we’d spend would fly That was the reason why Middle bit I can’t waste ... a lifetime, not knowing you’re mine And being better for loving you I can’t live, without you with me, to have you near me To spend my whole life next to you Bridge Don’t ever change the way you smile Don’t ever change the way you laugh or cry Or life would be impossible, or life would be improbable Unrecognisable to me Verse 4 Sometimes I wonder why, each Christmas Eve by my side Summer sun and hot jam doughnuts, see the waves roll by That was the reason why CHORDS Intro: | D | % | Am / Bm / | Am / Bm / | D | % | G | % | Verses and solo: | G | Bm | G | C / D / | C / D / | G / Em / | C | Em | Am / D7 / | G | Middle bit: | E7 | % | Am | % | Cm | % | D | % | x2 Bridge | G | % | C | / / / Bm | Am | % | Bm | Em | | D | % | Am / Bm / | Am / Bm / | D | % | G | % |
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It sounds to me like you did something pretty major to the vocals on V2, and the result made the whole song much better! Much more musical now. I like it. The telephone effect on the penultimate verse is okay - I could take it or leave it. Nice track, worth the revision for sure.
Replies 16
Views 303
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Enjoyed it!! thanks for posting!
Replies 19
Views 339
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WHERE DO WE GO FROM HERE (V2) Style is _POPH085.STY (Slow Guitar Ballad) RealTracks in style: ~518:Bass, Electric, Pop HalfNotes Ev 085 (Reverb 40) RealTracks in style: ~365:Guitar, Acoustic, Fingerpicking Ev 085 (Reverb 40) RealTracks in style: ~362:Guitar, Acoustic, Strumming Ev 085 (Reverb 40) RealTracks in style: ~542:Guitar, Electric, Rhythm Dreamy Ev 085 (Reverb 40) RealTracks in song: 1264:Piano, Acoustic, Rhythm PopShiningA-B Ev 120 (Reverb 40) RealDrums in style:NashvilleEven8^1-a:Sidestick, HiHat , b:Snare, Ride (Reverb 40) In the original mix (2019), all instruments were VSTs, and all came from The Reason 11 sound-sampling suite. Since I no longer have Reason (for reasons I don't have time to explain), I have used other VSTs and, this time, the guitar parts are played on real instruments (whoopy doo!). Addictive Keys Stage Piano (XLN Audio VST) Solo Flute, Oboe, and Solo Violin (Spitfire Symphony Orchestra VST) Guitar A: Takamine GC1-CE nylon-string Guitar B: Yamaha 696L acoustic, steel-string with $25 Belcat sound-hole pickup. Both instruments recorded through Fender LT50 modelling amp, Focusrite Scarlett 2i2 Mk4 USB interface and mixed in Reason 7.55 DAW.
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Views 21
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Ray, Always appreciate your thoughts. Many thanks from both of us. Bob
Replies 44
Views 2,308
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I like you music...gentle and clean with nice mixes. The visuals, unfortunately, leave me cold. I scrolled down to type & enjoyed the experience much more. Appreciated, Ray. The visuals are very much a matter of taste. I've had very postive to negative reactions to my artwork, which I understand as there are some graphics I loathe, such as today's animations, including those in TV series and popular movies. I much prefer the old style cartoons.
Replies 8
Views 150
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I agree with what J&B wrote on SC: it's "funky" disco rather than either disco or funk (as Dave wrote). It reminds me of the kind of music you'd hear in dance scenes in 1960s & 70s movies. I can picture Roger Moore in a "Persuaders" episode dancing to it - though he was a crap dancer! 
Replies 8
Views 128
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COOOOOL stuff though my brain REALLY wanted the melodic guitar in the center of the mix for the intro/V1 section.
Replies 29
Views 1,715
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Cool easy-breezy instrumental. My only minor criticism is that I thought the sax should have been a little louder. I was actually surprised that it's a tenor as it sounded more alto to me.
Replies 5
Views 94
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Adding to Jim's excellent suggestions also look at what is running in the background. An anti-virus, anti-malware, an app calling home, a program updating, plus other background running programs can cause downloading problems. {edit} - an afterthought - a VPN can also cause problems.
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I'm getting a chuckle reading these threads. It brought back memories of the discussions about BiaB replacing real musicians. When DJs and DWI laws curtailed bars, dance halls, and other places from hiring bands only those whom used BiaB or other backing track programs where working musicians. I believe the same thing will happen with AI. Adapt it and use it as a tool and keep on playing. I'm sure the pros will. Just my 2 cents.
Replies 5
Views 108
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And the proponents of 432 Hz claim a mathematical origin as well as the historical precedent. Hmmm, I think these folks might have lost the debate, my understanding is 440 is the global standard. And I'm thinking any standard is somewhat arbitrary, but it's important that the world agree on a standard. But I'm still trying to figure out the linkage (if any) between altered tuning and Zepelin's uncommon sound/European children folk songs. Maybe the linkage is the fact that if said children folk songs were ancient they may have been in 432 and Led Zeppelin may have wanted to emulate that. There is a lot of controversy about what sounds better, songs in 440 or songs in 432. Through out the ages there has been no tuning standard, that is until 1955, or 1939 if you want to include the suggestion to standardize 440. If you are interested in 432 here is the history of it: https://432playerplus.com/a-brief-history-of-432-hz-tuning-in-music/
Replies 13
Views 288
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This is a beautiful song. Incredible vocal. I must also say very cool lyric and backtrack. Well done Thank you for your nice feedback, Scott, especially about the lyrics. Much appreciated ![[Linked Image]](https://www.pgmusic.com/forums/images/icons/default/thumbs_up.gif)
Replies 41
Views 2,251
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A beautiful song with a pleasantly relaxed mood and a good message. I would probably have changed the lyrics to "We call to mind what we hold dear - And drink a beer” but that would probably be a bit blasphemous  Enjoyed my listen
Replies 7
Views 205
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Cool mon. Great to hear some reggae on the forum. We've been reggae fans for years. Nice arrangement and mix and we enjoyed it! J&B
Replies 4
Views 87
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“Wreck the walls in the house Where we live all our dreams Tear out all the mem’ries And all our future scenes Yeah, it’s never what it seems” Thankfully we don’t fit the narrative but, man, is well written. Bud gets it about the sad song thing. We are very happy (45 years) but he will write a sad song.  We like the happy vibe of the band against the sad lyric. It would seem counterintuitive. But a friend schooled us years ago on how well that juxtaposition of upbeat and sad can work. Your harmony arrangements are always superb! (great lead vocal too). Nice BiaB session folks and wrapped in a fine mix. Enjoyed it! J&B
Replies 39
Views 1,842
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Thanks! Great moments with music and your loved ones! Jona
Replies 23
Views 1,135
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Hi Donny! Cool chord progression, although I admit you lost me when you said half-diminished ii–V back-door cadence half caff with a twist of lemon. That riff running through it is magic! Well done! Andrew Hi Andrew, good to see and hear you, thanks for the kind words, yea the write up was sort of ambiguous, but basically take the circle of fifths and go clockwise but not just playing the triads, or cowboy chords, you pick a key, in this case I picked Bm and put extensions on each triad. Donny
Replies 3
Views 70
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Enjoyed the starborn lyrics with profound storytelling through time and the universe. What a great band, the guitar playing is stellar, Marty's bassline fits perfectly to the trippy theme. The organ and the drums ensure Blue Attitude's signature sound. The vocal effect slightly distances the vocals from the band, same happens with the lead guitar in the end, paid attention to those on first listenings, but now I feel they nicely "expand the space". Quality blues to Black Weekend, "making light shine". Janne
Replies 14
Views 402
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I enjoyed your gentle voice which gives wings to the beautiful prayer. Lovely folky background with Celtic flavors that always delight me. Selected instruments support nicely each other and the mix is clean and crisp. Janne
Replies 8
Views 118
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Loved this Janne. Very cool instrumentation choices. Excellent vocals and melodies. Well done.. Thanks Scott, always nice to receive your positive feedback Janne
Replies 34
Views 1,869
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Sorry to hear this sad news... Furry was a good one...
Replies 7
Views 132
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Is it possible to enter a melody when creating a new song? Just can’t seem to figure it out. Thanks.
Replies 0
Views 46
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Ask sales and support questions about Band-in-a-Box using natural language.
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XPro and Xtra Styles PAKs Special Extended Until August 31st!
XPro & Xtra Styles PAKs Special Extended Until August 31st!
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We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
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- Look Ma! More MIDI 13: Country & Americana
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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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