sslechta - Nice look there, love the mood lighting! Flight sims would be pretty fun on that setup I think.
Jeff - Simple is good! Always liked the Rokit's for my kind of music (rock/metal), good mid-range response, and solid lows with the 8" version. Motu 828 in the rack on the left? I've got an 828 MK3 Firewire as a secondary interface - the firewire ports died, but the ADAT still works so I've got that patched into my Fireface. I'm just nerding out, don't mind me
Mike - Great idea with the spider capo! I'd love to try out that old Martin, and I love your studio "helper" as well.
Good eye there Simon. Yep, that's a MOTU 828MK3 on the left. I had the same issues with Firewire. Had to get a special Firewire card for my computer that was supposed to correct all the FW issues. Worked ok, but it was still hit and miss many times. Gave up and went USB, no problems since.
Buried further down in the pic, behind the Montage is a Yammy TX802 on the right and a MOTU MIDI Express XT on the left. Using the MIDI Express I can hook all of my synths up once and use them all as needed without playing with MIDI wires all the time. All audio feeds into the MK3.
The system is much more capable than I'll ever be...but such is the life of a hardware junkie!
Cool! You have a Proteus F/X. That's what I donated to Eddie after about 25+ year ownership. Nice sounding box.
Howdy Steve....
Ha....I bought that Proteus back in the early 90's if I recall correctly. It's a great module, been reliable and with (4) banks of patches. Although, that Roland XV5080 dwarfs it in the patch sense.
I've gotten much leaner in the module arena over the decades.
I had a 5' rack of analog stuff back in the 90's....mind boggling to think about now. (EDIT: see post #15 for a chuckle: https://www.tdpri.com/threads/why-aren%E2%80%99t-guys-as-precious-about-analog-recording-gear.1035249/#post-9951758 I also had a Teac M3 mixer which isn't in this view)
Good eye there Simon. Yep, that's a MOTU 828MK3 on the left. I had the same issues with Firewire. Had to get a special Firewire card for my computer that was supposed to correct all the FW issues. Worked ok, but it was still hit and miss many times. Gave up and went USB, no problems since.
Buried further down in the pic, behind the Montage is a Yammy TX802 on the right and a MOTU MIDI Express XT on the left. Using the MIDI Express I can hook all of my synths up once and use them all as needed without playing with MIDI wires all the time. All audio feeds into the MK3.
The system is much more capable than I'll ever be...but such is the life of a hardware junkie!
Jeff
Is your MK3 the hybrid one? Mine is Firewire only, no USB sadly. I've tried multiple computers (Mac Pro, iMac, Macbook, Windows PC with different Firewire cards), so the firewire on the MOTU is definitely dead. Still useful through ADAT, and thankfully it has two ADAT's so I can do all 8 channels at 96khz. Had to change Muxing mode on it (I think) as it was sending signal that my Fireface didn't understand.
TX802 is a nice one, been a long time since I've played with a hardware FM synth - nowadays I just use VST's.
Simon, right, my 828 is the hybrid one. Good thing too! I bought it thinking that firewire would be the cat's meow...turned out to be a dog even with a SIIG card with the TI chipset. Gave up on firewire and switch over to USB, no problems since.
The only on-going problem I've had with the 828 is teh display screen in it. Takes a while for it to warm up to be able to see it. Sometimes I have to let it warm up and then turn it off then back on to see it. Seems to be a well known issue with the 828 Hybrid. Next time I'll go with Focusrite.
Haven't used the 802 in a long time. These days its mostly a place holder to raise up the Motif, Fantom and Oberheim rack stack above the back of the keyboard so I can see them.
Know what you mean about VSTi's, got quite a few myself. But there just something about a hard synth that rings true to me. I'm a sucker for dials, sliders, buttons and flashing lights!
Well....I won't say it has always been that way during decades of countless studio incarnations and upgrades of one device or another.
But...after leaning things out some years ago I'm able to keep it that way pretty easily. Obviously, I'm not recording multiple people or sessions anymore so wallowing in miles of cable hell is easily mitigated. Just myself an a couple of other old fossils get together to keep our chops up. The only thing not in the pic are mics/stands and my guitar amp (at the bass player's studio) which is a Randall Commander II RG-120. (bought new in 1979 for 275$)
I think James is dealing with a different kind of equipment monkey on his back! Hey, no cable issue right? I wonder how he's getting along with latency?
I have a better photo now they are Alexis fusion and ensonique mr 76 Corey my son plays these . He has had the ensonique 25 years the alesis 13 years . I handle guitars and amps . Cliff
chulaivet1966, What are your drums? Back in time I use to have a Ludwig Club Date set with Zildjian cymbals but now rely on either a VSTi, Zoom, or Yamaha drum machine.
chulaivet1966, What are your drums? Back in time I use to have a Ludwig Club Date set with Zildjian cymbals but now rely on either a VSTi, Zoom, or Yamaha drum machine.
In 1987 when I was much immersed in writing/recording I bought the Kawai R-100 drum machine. (Lots of pics on google if curious) It was ok for that time but I outgrew it for a couple of reasons and upgraded to the Roland MBD-1 Bass/Drum module in 1998 or so. I still use it. (it's in my studio pic (bottom device on left).
There are some trap kits in Cakewalk but I haven't used them as of yet.
Sorry if I got to verbose but you made me think back through the decades. Now I need a beer.
Our current "studio" is a Mac, a Scarlett 212 and several good mics so nothing worth showing as it is also a workout room The same room 20-25 years ago might be of interest.
Janice at the Tascam Portastudio 8 track cassette likely recording me on the upright bass
I cleared my space last week so the painter could do the room. It needed packing up as we're moving house anyway. These snaps were taken about two years ago.... The book shelves are part shelving and part diffusers. the CD racks, have the had the CDs inserted to diffuse as well..necessary with that much smooth plastic. The rug & matressy ting in two corners are make do bass traps. Two interfaces for two computers - one is XP and the other W10. I have some great VSTs that don't bridge to 64 very well so it's easier to use them in that comp and then transfer the files. The older/larger interface is great with nice pres plus more ins n outs but doesn't work in W10 land either so if I want to record more than two sources I use the old comp & interface. You can see I'm a bit of a cheat with my cello.
Last edited by rayc; 03/28/2109:42 PM.
Cheers rayc "What's so funny about peace, love & understanding?" - N.Lowe
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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 18 requires the 2024 UltraPAK/UltraPAK+/Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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We've just released XPro Styles PAK 7 with 100 brand new RealStyles, plus 50 RealTracks and RealDrums that are sure to delight!
With XPro Styles PAK 7 you can expect 25 rock & pop, 25 jazz, and 25 country styles, as well as 25 of this year's wildcard genre: Celtic!
Here's a small sampling of what XPro Styles PAK 7 has to offer: energetic rock jigs, New Orleans funk, lilting jazz waltzes, fast Celtic punk, uptempo train beats, gritty grunge, intense jazz rock, groovy EDM, soulful R&B, soft singer-songwriter pop, country blues rock, and many more!
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