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RealBand
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Joined: Nov 2006
Posts: 157
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OP
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Joined: Nov 2006
Posts: 157 |
Just wondering if anyone has any tips with using the vocal remover plug in. I've applied it to a song recording (a single track) hoping to overdub it with another voice but it doesn't seem to remove the voice, only dim it. I'm assuming that it will never completely remove the vocal but I'd like to get the volume low enough so that it can't be heard when I record the other vocal. Cheers
Andy
Macbook, 2.4 GHz, Lion OSX, 4mb RAM running Windows 7 through a Bootcamp partition, 750Gb 7,200 RPM hard drive, Ultra Pack fully installed on HD
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RealBand
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Joined: Oct 2008
Posts: 8,109
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Joined: Oct 2008
Posts: 8,109 |
Quote:
Just wondering if anyone has any tips with using the vocal remover plug in. I've applied it to a song recording (a single track) hoping to overdub it with another voice but it doesn't seem to remove the voice, only dim it. I'm assuming that it will never completely remove the vocal but I'd like to get the volume low enough so that it can't be heard when I record the other vocal. Cheers
The plug CAN in some cases completely remove the vocals, but it depends on how the recording was made. I have to assume that most recording engineers know how vocal redux works, and they purposefully manipulate the vocal track so it can't be completely removed. So, the problem isn't coming from the PG Vocal Remover.. success or failure is pretty much dependent on the recording.
I use it mostly to remove as much extraneous sound as possible before I send the audio file to the ACW.
When I want a good backing track, I use BIAB and RB to create it from scratch. You'll get MUCH better results that way.
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RealBand
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Joined: May 2000
Posts: 22,677
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Was it a stereo track or a mono track?
Vocal remover works (partially) by cancelling out the center signal *on a stereo wave file*. Part of the design from my understanding. So if the single track was mono it won't work well.
That said, reverb on vocals is often spread out and partially remains many times.. hit and miss depending on mix.
I do not work here, but the benefits are still awesome Make your sound your own!
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RealBand
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Anonymous
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Anonymous
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Usually when I perform they use the vocalIST remover.....
There used to be a plugin for WinAmp back in the 90s that did this. It worked fairly well, but it was not infallible. With Harv's explanation I have a bit of an idea how it worked.
Are you looking for a pseudo karaoke thing here?
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RealBand
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Joined: Feb 2008
Posts: 61
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Enthusiast
Joined: Feb 2008
Posts: 61 |
My tip is that the plug-in included with RealBand is not sufficient by itself for most mixes, but read on...
Vocal removers can only work on stereo files. There's different ways to do it - the classic way is to reverse the polarity of one of the channels and then combine the channels into mono - this will cancel out whatever what was in "the middle". This will be mainly what the plug-in is doing. This works because (in theory) the lead vocal is effectively a mono recording panned into the center of the mix. It is also possible to digitally remove the central part of the stereo image - this may work better than the classic vocal removal technique in that you will be able to remove a "wider" chunk of the center of the mix if you need to, but you may end up with nasty digital artifacts. There are also various vocal removal plug-ins you can buy - luckily many of them can be demoed for free first so you can try them and see whether they will work for you. Another method of removing the "center" of a mix is to use a Dolby ProLogic surround decoder - you'd have to run the mix out of your computer and into a surround receiver to do this, which might be more complicated than you'd like (and the final results will still likely be no better without further processing).
Of course, many vocals are recorded with stereo echo/reverb which will not be fully removed. Also a lead vocal may consist of more than one track - ie, the lead vocal may have been overdubbed multiple times to give a fuller sound and those overdubs may be panned somewhat left and right and hence won't be removed.
Also, even if the vocal removal does work then everything that was in the middle of the mix will have been removed - in particular the snare and kick drum in most mixes and also the bass guitar. Of course, many vocal removal tools allow you to tune the effect somewhat by only including some frequencies, but the final results may still not be so great. You can use the "Lo Limit" and "Hi Limit" parameters in RealBand's Vocal Remover to limit the range of frequencies in which the vocal will be removed. However, with some tracks you will need to do a lot more work.
One technique that I have used is to grab a sample of the snare from a part of the song with no vocals (and preferably not much else going on) and pasting it on an adjacent track at all the appropriate moments in the song. Of course, that's a lot of work, as a typical song might have 200 or more snare hits, but it can make a big difference. You may need to do some EQ'ing on that snare sample to make it work better. It can be useful to also have a copy of the song, with no vocal cancellation, on adjacent tracks - you may be able to use part of these tracks in order to keep some of the drum fills or other elements that might otherwise be lost due to the vocal removal. This will require some creative mixing, but it can improve the final result significantly.
A little creative use of EQ may also help. You may find that using some parametric EQ can help to remove the "ghost" of a vocal. You may also be able to partially restore an instrument that has got lost in the mix by boosting a critical frequency with some finely tuned parametric EQ.
Note that if the file you are trying to remove the vocal from is an MP3 (or other "lossy" file) then you may have limited success because most MP3 encodings handle each channel separately and so the phase-reversal technique will not work as well as it would with a lossless file (eg, a WAV file). Lastly, if you use the "classic" method (polarity reversal) then the resulting file will be mono, but some digital vocal removers can preserve some stereo information.
Last edited by pinglis; 07/25/12 01:23 AM.
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RealBand
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Joined: Nov 2006
Posts: 157
Apprentice
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OP
Apprentice
Joined: Nov 2006
Posts: 157 |
Thank you for the responses, particularly your comprehensive information Pinglis.
The track I am trying to remove the vocals on is a Frank Sinatra track which has been converted to MP3. It was just a fun project where i was trying to overdub my voice onto something with a big-band backing just to see how it sounded.
It seems that it is much more complicated than just using the supplied plug-in and rerecording the vocals. The actual band sound suffered as well so I don't think I'll pursue it.
thanks again for the info.
Cheers
Andy
Macbook, 2.4 GHz, Lion OSX, 4mb RAM running Windows 7 through a Bootcamp partition, 750Gb 7,200 RPM hard drive, Ultra Pack fully installed on HD
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Introducing XPro Styles PAK 11 – Now Available for Windows Band-in-a-Box 2026 and Higher!
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XPro Styles PAK 11 for Mac & Windows Band-in-a-Box® version 2026 (and higher) is here with 100 brand new RealStyles, plus 31 RealTracks/RealDrums!
Guess who’s back again? That’s right! It’s our XPro Styles PAK’s triumphant return with the 11th edition in this series! 100 new styles are coming your way spread across the rock & pop, jazz, and country genres. And this edition's wildcard genre explores the immense and far-reaching catalogue of electronic music! The included 31 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Special offers available until August 31st, 2026!
All the XPro Styles PAKs 1-11 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 11 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2026 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 22 – Now Available for Mac Band-in-a-Box 2026 and Higher!
Xtra Styles PAK 22 for Mac & Windows Band-in-a-Box version 2026 (and higher) is here with 200 brand new RealStyles!
It’s time to celebrate! Xtra Styles PAK 22 for Band-in-a-Box® is here, and we've got 200 brand-new styles coming your way!
No Xtra Styles PAK is complete without the classic rock & pop, jazz, and country volumes you know and love, and we’ve got plenty to share, with 150 styles spread across too many genres to list! Of course, it also wouldn’t be complete with our special wildcard volume to add a little spice and pizzazz to the mix. This year, because we loved it so much the first time, we’ve decided to make the second iteration of our SynthMaster volume, full of new sounds, interesting genres, and 50 engaging styles, all making use of the diverse SynthMaster plugin! Here you can find genres such as airy yacht rock, sultry electrotango, and even some synth soca funk. Don’t wait, pickup up Xtra Styles PAK 22 today!
In this PAK you can find: dulcet folk ballads, funky gospel country, Brazilian jazz fusion, upbeat 1980s pop, classic Americana, a plethora of breezy bossa novas, indie singer-songwriter, scintillating synthwave, exuberant electronica, and many, many more!
Special offers available until August 31st, 2026!
All the Xtra Styles PAKs 1-22 are on special for only $29 each (reg $49), or get all 22 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 22.
Video: Xtra Styles PAK 22 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 22 requires the 2026 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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