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THANKS to everyone for your varied and INTERESTING comments. My wife is a GREAT jazz/blues singer who has been singing professionally since about age 12.

I'm a blues dog guitar and harp player.

Luckily, we don't have to gig for the money but want to present an AWESOME show...which can happen if I turn down! (-: (Actually, I can hang with the better cats on the harp...after 20 years of maniacle study and practice!

But my wife's first exposure to BIAB gigging was before we met and was therefore BIAB circa 1990-95 so you can imagine why she hasn't been overly excited about trying it out on gigs.

But I'm WORKIN' on it and will ask her to read these posts.

The comments about letting BIAB regenerate its tracks every time rather than freezing or burning CD's is INTERESTING. Maybe a little dangerous but interesting. (Sometimes...not too often... the tracks gulp a little when being newly generated. Maybe a PC issue, not a software issue...but a gulp is a gulp soundwise regardless). (-:

Again....THANKS!!!!!

Jim

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Quote:

The comments about letting BIAB regenerate its tracks every time rather than freezing or burning CD's is INTERESTING. Maybe a little dangerous but interesting. (Sometimes...not too often... the tracks gulp a little when being newly generated. Maybe a PC issue, not a software issue...but a gulp is a gulp soundwise regardless). (-:




Exactly. This is what I meant when I said working with Biab live was a chore. It can be done seamlessly because Mac and others have posted they do it all the time but man, you've got to be a real expert with the program and pay attention to a lot of moving parts to do it. It's not just be an expert with Biab, it's also being an expert with your laptop. I can't emphasise that enough. We're dealing with computers here and you MUST understand how they work intimately. It's knowing the drivers, latency, MME or ASIO, midi input/output, audio settings, etc. When something burps on a gig under pressure, you have to know what happened, how it happened and how to fix it RIGHT NOW and move on. As a keyboard player I always had my bass/keys split patches ready to go in case of emergency and I'll just play live and worry about the laptop problem at the break.

Now to be fair, part of it was this was 5 years ago and things have improved a lot since then. My new laptop is much stronger than the old one, Biab has a lot more features now but the basic concepts are the same. If you're using the new freeze tracks feature, the Conductor still works so you can rearrange your song on the fly and the song starts in just a couple of seconds because frozen tracks don't have to regenerate but then you're losing that cool "slightly different version" thing Mac and others like so much. And so it goes, everything is yes, but, yes, but.

Remember, if you're just doing songs beginning to end the same way all the time then you don't need Biab at the gig at all. It's just a song playback player at that point. Take a MP3 player that has good playlist functions and plug it in to your PA.

So, this is my convoluted way of answering the question, can Biab be used live? Answer: Yes, but...

Just try these different things out and find the best way that works for you and your lady.

Bob


Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
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On the other hand, running BiaB from a laptop on the piano's music rack is a LOT easier to get right than say, flying the F102.

Just sayin'


--Mac

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Quote:

On the other hand, running BiaB from a laptop on the piano's music rack is a LOT easier to get right than say, flying the F102.

Just sayin'


--Mac




HA! You're dating yourself. The F102 was an interceptor introduced in the late 1950s. (-:

And as my screen name suggests...I'm a pilot and can attest that FLYING the F102 would be easy enough. LANDING it....not so much!

(-:

Jim

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I still like using my laptop for live gigs, but I also make higher quality mp3's, through adobe audition 3, and save them on my iPhone. There is a great app called "Backtrax" that allows you to play tunes one at at time and edit the order of your set list. It also has a show lyrics function, but that doesn't seem to work on my 4g phone (I probably need the new iPhone). I'm using a Bose L1 compact PA and the sound is great. I'm thinking of getting another one just for the stereo effect (for me, not the audience). I have two L1 mdl II systems at school that fill a very large auditorium with an amazing stereo sound, even using mp3's.

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Quote:

HA! You're dating yourself. The F102 was an interceptor introduced in the late 1950s. (-:

And as my screen name suggests...I'm a pilot and can attest that FLYING the F102 would be easy enough. LANDING it....not so much!

(-:

Jim




Hi Jim,

Then you should also know that the '102's not so affectionate nickname was, "The Flying Brick".

Takeoff and certain lowspeed maneuvers could kill ya faster than mere landing attempts, as a matter of fact, the first thirty some pages of the operation manual consisted of a list of to never attempt under any circumstances.

Quite a few died trying to fly the @$#%^ thing...

But once a pilot got past those issues, she was a joy of a bird for her intended purpose, which, indeed was supersonic interception.

I picked that model intentionally because she could be so hard to learn to fly.

Wasn't no F-16 fly-by-wire where the computer keeps a yanker-banker from doin' anything that might result in augerin' in, dontcha know.

Check Six,


--Mac

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That was Greek 2 me ok?

Practice makes perfect.

My son replied no one is perfect why try then.

I remember feeling speechless.


John Conley
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When my kids said that, (Don't we all at a certain age?) I told 'em just like my Daddy told me: "Excellence may be unachievable for mortals, however the PURSUIT of Excellence should always be your goal in all things."


--Mac

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Or, as my former business partner said who was a major in the Air Force and flew F4's, you lose power in an F4 it takes on the flight characteristics of a set of car keys (pulls them out of his pocket and drops em for effect). You've got maybe 3 seconds to decide if you're gonna pull the curtain and punch out or not and as everybody knows punching out is no picnic either. I was AF intel he was the pilot, lots of stories between us. The 102 was a brick but the F4 was a bigger brick as in put those two big honkin engines on it you can make anything fly.

Bob


Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
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While we're talking about live playing with MIDI, what DXi (or hardware?) synths do you use (either for live or in creating the audio files)?


BIAB 2012.5 (upgraded from 2006), Windows 7 64-bit.
Guitarist and Worship Leader from Townsville, Australia
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Hey Jim, I just realized, your handle. It is AV8 as in Harriers?

Lindsay, I probably wouldn't use midi tracks any more. The Real Tracks sound too good even if I'm missing the occasional song specific lick here and there. I did a couple of small gigs two months ago and I was told that our regular drummer couldn't make it after I was also told there would be no bass player. I'm ok with playing left hand bass but not without a drummer. I was planning to bring my laptop and use Biab just for bass and drums but the drummer was able to make the gig anyway. I was practicing some of the tunes at home using my Kurzweil PC3 and Biab going through one of my EV 12" powered monitors. It sounded really good using a RT bass and a RD drum track. I would have had a guitarist and sax along with me so it would have been a trio with Biab.

If it was just me and a sax and/or a vocalist I would use Biab as the full band and probably use all RT's. If I did need a few midi tracks to fill in the Forte DXi is plenty good enough for that but I could also use the Kurz for midi. I would depend on what I think sounds best.

Bob


Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
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New RealTracks Released with Band-in-a-Box 2025!

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These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!

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This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.

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We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles

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  • Look Ma! More MIDI 13: Country & Americana
  • Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
  • MIDI SuperTracks Set 44: Jazz Piano
  • Artist Performance Set 17: Songs with Vocals 7
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In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!

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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.

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We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!

We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!

If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!

Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!

Learn more and listen to demos of XPro Styles PAKs.

Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!

XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.

Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support

Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.

Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support

Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins

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