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From my hometown of Pittsburgh, a prodigy at the piano. Not a bad singer as well. Hey kid, you need a gig? --Mac
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Thanks for sharing Mac!
LLOYD S
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Definitely someone I'll follow. Thanks, Mac.
BTW, are you going to be my classmate at Berkley School of Music?
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I dunno where Berkley School of Music is, Don.
I know where Berklee is, fine school as I understand, but ah'm too doggone old and set in mah wrong ways at this point.
And then there's that case of inherited Irish Alzheimer's that's been flarin' up lately...
--Mac
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Mac, read Sundance (Josie's) post this morning Re: Free songwriting course that she posted this morning. I signed up and I'm certain that I'll need massive assistance from you. Besides, I don't think Berkley has met their ethnicity quota on old Irishmen yet. I think it will be great fun.
Check out their course catalog for free online courses. I saw many that were right up your proverbial alley.
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It has even progressed to Berklee College of Music.
My brother went there and I visited a lot. Even in the 1960s they accepted players of all levels from awful to pro, and placed them accordingly. It got worse over a few decades before getting better. Thus over the years when someone comes up to me and says, "Yo man, I went to Berklee, can I sit in?", I'm very tempted to answer, "You went to Berklee, but can you play?". In the end, it doesn't matter; you just have to hear them play to decide.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Matt, I noticed, straight away, that the songwriting course does not require a knowledge of music theory nor the ability to play an instrument. It merely builds upon whatever knowledge or understanding we each may have. I don't look upon it as a "credential" by any stretch. Being cyber elbow to elbow with young musical talent can't hurt. In intellectual circles its called "networking". Addendum: I've been following the BS/M students on YT. Some awesome talent and some obviously not-so-talented but witnessing the evolution of music is extremely enlightening to this tired ole Irishman. Here is their acknowledgement letter that you should receive after signing up. It promises nothing which is exactly what the cost of admission is. You must often make your own opportunities. Quote:
Dear Don Gaynor,
Thank you for signing up for Songwriting. I’m really excited that you have decided to take the first step toward learning the craft of songwriting!
If you haven’t written any or many songs, this course will show you an efficient, effective process for tailoring songs to express your ideas and emotions. If you have, you’ll look at your process differently, taking control of aspects of the process you may have not noticed.
The course will start by examining the tools available to you. You’ll learn to use your tools to enhance your message—to work compositionally at the same time you’re developing your ideas.
You’ll be working both lyrically and musically, though musically it’s not necessary that you either read music or play an instrument. If you play, great, and you’ll be encouraged to play and record your musical responses to the assignments. If you don’t play, the course offers you a number of musical loops to work with. All you’ll have to do is sing your melodies over the loops.
Most days you’ll post something for peer review in response to the assignments. Sometimes lyric lines or sections, sometimes melodies, sometimes both. None of it has to be polished. The course is about writing, not performing.
Most important, you’ll have a lot of fun.
I'll write again when the course begins.
Best regards, Pat Pattison Coursera and Berkleemusic.com instructor
If it was an unknown school or source, I would be extremely suspicious.
Last edited by Don Gaynor; 12/08/12 12:31 PM.
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Quote:
hometown of Pittsburgh
Now I see.....

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Since BS/M is, in fact, a tuition-based organization, I'm going in with presumption that I will be solicited with "upgrade" course offers. That's when the "no free lunch" cliche pops up. I'm willing to go that far.
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Eddie, I put away watching the overpaid criminals, er, I mean pro football, sometime back in the early 80's and haven't looked back since.
--Mac
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
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XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
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Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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