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#12698 02/01/09 10:57 AM
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MikeK Offline OP
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This is one I am too proud of to not post. This track is MOSTLY RD/RT's, but my friend Kephas added some awesome guitar to this tune.

It's called Jazzy Blues

Mixed this one in Sonar... hope, you will give this one a chance and a listen!

Thanks so much, Peter Gannon! You made it possible for me to create some (what I consider) AWESOME music!!!

Cheers,
Mike


Cheers,
Mike

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Good stuff Mike....Guitar is HOT!
Dave.

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Quote:

Good stuff Mike....Guitar is HOT!
Dave.




Thanks a million, Dave Appreciate the listen and the nice comment!

Cheers,
Mike


Cheers,
Mike

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Mike, I really like this one! Super mix.

Tell your soul brother that he has some massive chops going for him!

BTW, what RT did the sax come from?


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Mike,
The guitar playing is superb, but the choice of instrumentation and chord progression are setting the scene right for your soul brother to shine. The mixing sounds perfect to me. Thanks for sharing!

Cheers,
- Jepster

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Man that was awesome!!!!!!!!

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Nice.

Try sliding the sax and the guitar track very slightly forward in time, so that they are a bit behind the beat for a laid back feel. Highlight the entire track and shift forward in time by a few ticks. I like to use odd numbers for this, like maybe try 11 ticks to 25 ticks to start.

Get them off of being dead on the metronome, bro.

Most jazz/blues soloists do indeed play "behind the beat" -- which is a way of describing the technicals I describe above.

And don't shift both by the exact same amount, try a slightly different amount for each. Personally I'd try putting the sax a bit further behind the beat than the Rock Guitarist(s).


--Mac

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I like the tracks very much, also good advice above for that true laid back blues sound.
Very hot guitar licks!

Later,

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Quote:

Mike, I really like this one! Super mix.

Tell your soul brother that he has some massive chops going for him!

BTW, what RT did the sax come from?




Thanks a ton, Mario. Related your comments to Kephas. Much appreciated.

I'm currently on the road and not near my computer... I'll have to reply back with the RT that the sax came from!

Thanks again!

Mike


Cheers,
Mike

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JEP #12707 02/03/09 04:20 AM
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Quote:

Mike,
The guitar playing is superb, but the choice of instrumentation and chord progression are setting the scene right for your soul brother to shine. The mixing sounds perfect to me. Thanks for sharing!

Cheers,
- Jepster




Thanks so much, Jepster.... it's amazing how well it all fit.

Cheers,
Mike


Cheers,
Mike

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Quote:

Man that was awesome!!!!!!!!




Muchas Gracias, Amigo!!!


Cheers,
Mike

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Mac #12709 02/03/09 04:22 AM
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Quote:

Nice.

Try sliding the sax and the guitar track very slightly forward in time, so that they are a bit behind the beat for a laid back feel. Highlight the entire track and shift forward in time by a few ticks. I like to use odd numbers for this, like maybe try 11 ticks to 25 ticks to start.

Get them off of being dead on the metronome, bro.

Most jazz/blues soloists do indeed play "behind the beat" -- which is a way of describing the technicals I describe above.

And don't shift both by the exact same amount, try a slightly different amount for each. Personally I'd try putting the sax a bit further behind the beat than the Rock Guitarist(s).


--Mac




Thanks, Mac. Appreciate the tips! I will try that as soon as I get home... and you're probably right... in Jazz and Blues, there's not such thing as being 100% on time when soloing!!!

Cheers,
Mike


Cheers,
Mike

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Quote:

I like the tracks very much, also good advice above for that true laid back blues sound.
Very hot guitar licks!

Later,




Thank you as well, Danny! Appreciate the nice comment!

Yep, gonna have to try what Mac suggested for sure.

Cheers,
Mike


Cheers,
Mike

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Mac #12711 02/04/09 05:26 PM
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Quote:

Nice.

Try sliding the sax and the guitar track very slightly forward in time, so that they are a bit behind the beat for a laid back feel. Highlight the entire track and shift forward in time by a few ticks. I like to use odd numbers for this, like maybe try 11 ticks to 25 ticks to start.

Get them off of being dead on the metronome, bro.

Most jazz/blues soloists do indeed play "behind the beat" -- which is a way of describing the technicals I describe above.

And don't shift both by the exact same amount, try a slightly different amount for each. Personally I'd try putting the sax a bit further behind the beat than the Rock Guitarist(s).


--Mac




Ok, Mac - followed your advice ... see it this sounds more like it, if you please...

Jazzy Blues - Laid Back, but still with Kephas!

Hope, this is it ... I definitely hear the difference!

Cheers,
Mike


Cheers,
Mike

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That's more like it.

Good job.

Isn't it something what a difference a few milliseconds here and there can make?


--Mac

Mac #12713 02/04/09 07:04 PM
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Quote:

That's more like it.

Good job.

Isn't it something what a difference a few milliseconds here and there can make?


--Mac




Thanks, Mac ... that was some great advice! I will use that method on another couple of tunes that fall in this category.\

Thanks so much!!!

Cheers,
Mike


Cheers,
Mike

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It is a pleasure, Mike.

Because you listened and you worked it out. Totally befitting a Dynaco owner.


Have fun,


--Mac

Mac #12715 02/04/09 07:23 PM
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Thanks a bunch, Mac! [stupid mode on] what's a Dynaco owner? [/stupid move off}

LOL!

Anyway, yeah ... Huge difference!!!


Cheers,
Mike

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