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Joined: Apr 2008
Posts: 1,122
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Joined: Apr 2008
Posts: 1,122 |
The forum seems rather slow lately, so I'll ask again if a few of you might have the time to review my version of "I Left My Heart In San Francisco".
Please see my earlier post "Final Touches For San Francisco" for the link. Aug 4
I've decided to put together a collection of tunes for my Father-In-Law's birthday coming up in October. This is the first of however many I can get done before the big day. It's an arrangement of "I Left My Heart In San Francisco". If you have a few minutes, please give it a listen and advise me of any changes that you think would benefit the song. Mostly I'm looking at levels, compression, reverb, that sort of thing, but any other glaring issues may still be able to be corrected before I get any further into it.
Many thanks
San Francisco
Last edited by toucher; 08/06/09 07:30 AM.
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Joined: Dec 2002
Posts: 1,199
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Joined: Dec 2002
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Hi toucher, I don't have the technical knowledge to tell you how to "mix" the mix, but I can hear that you are too far ahead in the mix. Perhaps you could use some slapback echo on your voice and reduce ever so slightly the volume, see how the mix goes from there. I would also increase the drums slightly (but by reducing your voice that may take care of that) just trying to help.
Regards Michee
Windows 11 64 bit, Biab 2024 1111, Realband 2024 i7 Desktop Computer 16Gb Memory
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Joined: Feb 2005
Posts: 2,646
Veteran
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Veteran
Joined: Feb 2005
Posts: 2,646 |
I do not see San Francisco on the list. Maybe the link has not appeared yet. I will check back later. I listened to wayfarin stranger. Sounded nice. Listen To My MusicRead My BlogMy Web PageReverbnation
My TunesPsalm 57:7 My heart, O God, is steadfast, my heart is steadfast; I will sing and make music.
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Joined: Apr 2008
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Joined: Apr 2008
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Thanks George, thats the kind of info I'm looking for. I will make a few adjustments later today and repost the song. I want it to sound like a raw jazz club combo, not to over processed, but clear and definable. I kinda figured the vocal was to far out front, but I don't have good monitors, just working with some little KLH bookshelf speakers as I always have, so critical evaluations are not always best done here at home.
Thanks for the info and feedback.
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Joined: Mar 2007
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You might want to reconsider the two total stops in the piano-intro; it seems to my ears that they should ring out (never have heard the song before though) Just a tad verb on the vocal and the sax and bring the vox down just a tiny, tiny bit.
Very good performance, great job!
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Joined: Apr 2008
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Thanks Mike, I combined a midi piano part with a converted audio part, so I think I can still manipulate the midi piano to let it ring a bit and see how it sounds. Might work out well. I'll try the more reverb on the vox, but my wife gives ge hell for too much reverb on almost every vocal I do, which isn't too many.
Thanks
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Joined: Jan 2009
Posts: 177
Apprentice
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Apprentice
Joined: Jan 2009
Posts: 177 |
I agree on the key intro and a touch of verb on the vocal. Nice job!
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Joined: Oct 2008
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Overall I really like the arrangement. The sax sounds about right to me. I realize that you want a slow intro because you increase the tempo at the main chorus, but it's too slow for my taste; It seems to drag. The voice is slightly too loud when the sax is playing, I realize that it's the lead but it seems to over power the sax a little too much, again for my taste. It's refreshing to hear the sung notes held as compared to most of the leading pop singers of today. I really like the sax tone, too. Please realize that I'm an amateur musician so my comments may not be at a very high level.
Stan
Cornet Curmudgeon
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Ask sales and support questions about Band-in-a-Box using natural language.
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Band-in-a-Box 2026 Video: The Newly Designed Piano Roll Window
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Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
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All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
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