|
Log in to post
|
Print Thread |
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: Nov 2009
Posts: 33
Enthusiast
|
OP
Enthusiast
Joined: Nov 2009
Posts: 33 |
As an experienced instrumentalist I'm only interested in purchasing rhythm section real tracks rather than the soloist real tracks. Is there any way the rhythm section tracks can be purchased without the soloist tracks?
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: Nov 2009
Posts: 33
Enthusiast
|
|
OP
Enthusiast
Joined: Nov 2009
Posts: 33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: Jul 2000
Posts: 5,261
Veteran
|
|
Veteran
Joined: Jul 2000
Posts: 5,261 |
Which rhythm section RealTracks do contain soloist RealTracks?
Martin
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: Nov 2009
Posts: 33
Enthusiast
|
|
OP
Enthusiast
Joined: Nov 2009
Posts: 33 |
All of the Jazz real tracks packets contain at least one soloist real track as far as I can see. It would be nice to be able to be able just to purchase the rhythm section real tracks.
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: May 2000
Posts: 38,502
Veteran
|
|
Veteran
Joined: May 2000
Posts: 38,502 |
What they've listed is what they offer as the package, I guess.
You could put this on the Wishlist forum, though.
But I gotta tell you, holding back for that reason, well, don't do it.
Get started having fun!
Who knows, you might be able to use that Soloist once in a while, if for no other reason than fills or coppin' some licks in practice or the like.
Make Lemonade,
--Mac
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: Nov 2009
Posts: 33
Enthusiast
|
|
OP
Enthusiast
Joined: Nov 2009
Posts: 33 |
Thanks Mac. The soloist tracks seem next to worthless in my opinion. I try to concentrate on the finest artists as models for improvisation and it seems to me that a computer generated solo track pieced together from some studio musician's favorite licks is nowhere near a stellar performance from Sonny Rollins, Charlie Parker, Chet Baker et al. My advice to students would be to ignore the soloist tracks and spend their time paying attention to the great Jazz artists who were able to tell a story when they recorded. Wouldn't it make sense for PG Music to make available sets of only rhythm tracks for discerning customers?
Last edited by bonecall; 11/30/09 07:40 PM.
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: May 2000
Posts: 38,502
Veteran
|
|
Veteran
Joined: May 2000
Posts: 38,502 |
Marketing never makes sense.
But overall, I think PGMusic is out in front of most.
There is plenty for students to learn from the RealTracks soloists, though, depending on the level of the student, of course.
And Sonny was, well, Sonny. Chet ditto. Bird? Word.
But that's why we know their names, Right?
Put it on the Wishlist, mah man, this company often responds to that Wishlist. If you leave it here, they might not see it, because they head to the Wishlist when the time to make new things comes.
--Mac
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: Nov 2009
Posts: 33
Enthusiast
|
|
OP
Enthusiast
Joined: Nov 2009
Posts: 33 |
Thanks for your opinion Mac. I will make the suggestion but I could imagine that the company would prefer to unload the soloist tracks seeing as how they (hopefully) paid the musicans to make them. I'm afraid I can't agree that any student would benefit from a study of the soloist real tracks. Concentrating on a lick-based solo ESPECIALLY on one randomly generated by computer is focusing on "Jazz" at its most perverse. At first listening some of the real track solo creations almost seem to make sense but its the kind of sense one hears from badly put together Musak. Students deserve the best models, not hash served up by butchering the meanderings of some studio hack.
That said (admittedly a bit harshly but there you go) I can imagine the real track * rhythm backgrounds * would make a nice tool for my students. I myself practiced many years ago with Music Minus One play-alongs which featured entire performances from some of the great mainstream players (Hank Jones, Osie Johnson, Barry Gilbraith, Milt Hinton etc.). However with the advent of real tracks BIAB has evolved into a very acceptable comping tool which can accommodate different keys, tempos and rhythms. Unfortunately Hank, Osie and company were unable to record every song ever written in every key. If they had, I think its self evident that playing with those recordings would be far superior to practicing with music generated by a machine, no matter how closely that machine approximates human performance.
Last edited by bonecall; 12/01/09 06:08 AM.
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: May 2005
Posts: 1,992
Expert
|
|
Expert
Joined: May 2005
Posts: 1,992 |
bonecall
i dunno mate bout the hack comment.
that comment concerns me.
too definitive imho.
my dad was a jazz purist.
my familys got old one sided jazz records from decades back.
scared to play em actually cos many are pristine.
and i know he would have had fun with it all
includeing the soloists.
why not just not use the soloist if your dead set against it.
remember biab is meant for all sorts of users.
ie to reach a wide user base.
Last edited by manning1; 12/01/09 05:48 AM.
retired puter engr....powertracks on amd......NICE !
"what is the black art of audio engineering ?"
my silly songs...motagator.com/bmanning
see my tips in the tips section.
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: Nov 2009
Posts: 33
Enthusiast
|
|
OP
Enthusiast
Joined: Nov 2009
Posts: 33 |
Yeah, "hack" was a little strong, how about "local hero"?
The point was that I would rather pay for only the real track tracks I am interested in using. Perhaps PG Music would consider making tracks available for purchase on a one by one basis or in lots of rhythm section only packets.
By the way, whats the difference between jazz real tracks in the 50s sets and those that appear earlier in the catalogue?
Last edited by bonecall; 12/01/09 06:12 AM.
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: Dec 2000
Posts: 12,674
Veteran
|
|
Veteran
Joined: Dec 2000
Posts: 12,674 |
If you go to the RealTracks page, you'll see a box on the left side of the screen that says "RealTracks Video Demos by Genre". If you click on the number of the set you are interested in, it will bring up a demo of the RealTracks found in that set. You'll notice that they are broken down by musical genre. So to tell the difference between the jazz sets numbered in the 50s and the earlier ones, I would suggest taking a little time and listening to them.
John Laptop-HP Omen I7 Win11Pro 32GB 2x2TB, 1x4TB SSD Desktop-ASUS-I7 Win10Pro 32GB 2x1.5TB, 2x2TB, 1x4TB SATA BB2025/UMC404HD/Casios/Cakewalk/Reaper/Studio One/MixBus/Notion/Finale/Dorico/Noteworthy/NI/Halion/IK http://www.sus4chord.com
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: May 2000
Posts: 38,502
Veteran
|
|
Veteran
Joined: May 2000
Posts: 38,502 |
Quote:
Thanks for your opinion Mac. I will make the suggestion but I could imagine that the company would prefer to unload the soloist tracks seeing as how they (hopefully) paid the musicans to make them.
I've been a happy camper with pgmusic products for over a decade now. In all that time, I've always had simpy GREAT response from PGMusic Sales, Support and Service.
This. Company. IS. Different.
They don't approach marketing with that "unload" philosophy.
And I guarantee they pay the musicians.
PGMusic staff are mostly musicians, BTW. And they boast some damn good ones up there, too. Peter Gannon's brother, Oliver Gannon, who does the Styles dept. at pgmusic, is also Canada's leading Jazz Guitarist. Cat can play. Miles Black is in there, too. Bad cat. Trust me on that, Miles can blow some piano in a whole lot of different styles, perfectly every time. Backbeat is understood at PGMusic. Don't expect that at Cakewalk's Twelvetone Systems, 'k?
Quote:
I'm afraid I can't agree that any student would benefit from a study of the soloist real tracks. Concentrating on a lick-based solo ESPECIALLY on one randomly generated by computer is focusing on "Jazz" at its most perverse. At first listening some of the real track solo creations almost seem to make sense but its the kind of sense one hears from badly put together Musak. Students deserve the best models, not hash served up by butchering the meanderings of some studio hack.
In some cases, I can agree about that. Sometimes, though, I've had BIAB generate something interesting and useful, if not as an entire solo, which has happened from time to time, an interesting approach to a change that I'll say to myself, "lemme grab that" -- and then incorporate into a fuller solo at some time once that particular device is learned and available on my personal pallette.
This is new technology in its infancy. I expect to see and hear improvements as time marches on.
Quote:
That said (admittedly a bit harshly but there you go) I can imagine the real track * rhythm backgrounds * would make a nice tool for my students.
Well, if I wanted to do so, being a rather skilled old Trumpeter, Keyboard and Guitar player, i could take the same position regarding what you call the, "rhythm backgrounds". BB can only get so close to the kind of groove Barney Kessel could lay down. And I could go on forever about the constant need for more Piano Comping in jazz styles that yields the kind of variety that a Live Player can bring to the process. But we also have to deal with the technology *as it exists today* -- which rules out the program being able to *hear us play* and respond to that at the same time as a live player can do. So I take BIAB for what it is and don't focus on what it isn't. My personal private students have learned quite a bit from the lesson mp3s and drills I've worked up using BIAB. Matter of fact, the program pays for itself here in just that instance, although I use it for a lot more, production work of jingles, underscoring, industrial musics, arrangement of parts and layouts, the harmony generator alone and its ability to quickly generate section parts for bigband has saved many and hour (and pencil point!) here over the way I originally had to do arrangements. The BATS for the saxes is now a matter of a button push. Export over to Sibelius and a bit of human intervention, note edit and cleanup and its on to the bone parts. That is like a 90% reduction in time for this old arranger.
Quote:
I myself practiced many years ago with Music Minus One play-alongs which featured entire performances from some of the great mainstream players (Hank Jones, Osie Johnson, Barry Gilbraith, Milt Hinton etc.).
Man, so did I. MMO was good stuff when I needed it. Aebersold is good too, but a lot more "generic" in the sense that you seem to want.
You know, back in the sixties, when I was kid with the MMO albums under one arm and the trumpet case under the other, I recall some musicians who were older than me poo-pooing the use of MMO records and saying much the same as you are saying here about BIAB. Hmm. One in particular was upset because he wanted them to sell 45's with single songs on them so he wouldn't have to purchase other songs he already knew or had no interest in. He also viewed the MMO marketing as a conspiracy against him personally. Maybe it had more to do with the cost of toolup to cut 45's or maybe the company had done a market study and the demographics showed that 45's for the purpose would be the kiss of financial death or maybe it just never came up. So what? I did notice that he wanted to borrow my MMO records so he could record some tracks. For free. THAT really supports other artists, right? 
Quote:
However with the advent of real tracks BIAB has evolved into a very acceptable comping tool which can accommodate different keys, tempos and rhythms. Unfortunately Hank, Osie and company were unable to record every song ever written in every key. If they had, I think its self evident that playing with those recordings would be far superior to practicing with music generated by a machine, no matter how closely that machine approximates human performance.
i very soon tired of the same arrangement behind my solo practice every time, as the MMO and Aebersold records do. BIAB generates a slightly different accompaniment every time the song is loaded. Depending on the Style chosen, that alone is a VERY refreshing thang. And it really does help the student of improvisation to have that happen or they get stuck in the same thing pretty quickly and may not even realize that is taking place. The Aebersold Soloist. That kid with a Realbook under the arm, ready for open night, but must have the backing played pretty much like the record. And if the kid puts that Realbook up on a stand, well, this pianist wants ta puke. Go home and learn the song, kid. Internalize it. Play it in all keys around the circle until you can nail that suckah in yo' sleep. Because we cut heads here.
Cherokee in Db is up next. I've always wanted to hear Clifford's famous solo on a 'bone, how bad are ya?
--Mac
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: Nov 2009
Posts: 33
Enthusiast
|
|
OP
Enthusiast
Joined: Nov 2009
Posts: 33 |
Requesting MMO to make 45s available isn't comparable to asking PG Music to enable the purchase of individual tracks as I'm sure you agree. Lets hope that PG Music is "different" enough to make that happen. After all, choice is good isn't it?
Clifford was great. Lennie wanted me to concentrate on him ("Clifford is for you") but I enjoyed Bird more. Different strokes...
We all have a limited time on this earth to live and to practice. I tell my students to choose their models carefully.
Choose the very best.
Last edited by bonecall; 12/01/09 08:16 AM.
|
|
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box for Macintosh
|
Joined: May 2000
Posts: 38,502
Veteran
|
|
Veteran
Joined: May 2000
Posts: 38,502 |
There was a time when the only improv chops I had on Trumpet was the ability to simply quote Bird solos note-for-note. Teenager, living at home with (off of?) the parents, man, those were the days. Not too many had the chops to play Bird on the Trumpet back then. But a funny thing, I began to notice that only the sax players would turn around on the bandstand when I'd pull that stunt. And all too soon I gave it up because I knew it wasn't truly improvisation, but I must say that, to be sure, putting the needle back and transcribing that stuff, then learning to play it, then jotting it down and analyzing it over the chord structures was and still is the best education on the subject to be had. I still find new things there, things not noticed before. The old Garard record changer. You could leave the record-arm up and turned away from the playing platter and the thing would repeat the record over and over. Used to do that at low volumes when going to sleep as a kid, internalizing so many great recordings. Dad would come up every night and turn the darned thing off, but I was asleep by then. My liddle brudder is an expert on The Bird. The two of us together used to KILL in the Pittsburgh, PA area at one time. Ah, where does the time go. We also had hair then. That cat is ALL BIRD when he wants to be. He can do Bird on the Clarinet, too, something I've always dug. Wish he'd do it more. Not to name drop, but when Marshall played in Lionel Hampton's band, Gates used to tell Marshall to play his clarinet more. So do I. Gates has gone on to the Pearly Gates now, I miss Gates but I bet Marshall misses him more. Gates used to call me, "Cheese". I will never tell you why. Marshall's Saxophone Website -- Doctor Sax Liddle Brudder's mugging is right up front on the artwork for last year's Tony Bennett & Count Basie Orchestra CD. Da MAN! Monty Alexander was in on this project, man. A mother-you-know-what if ever there was one, Monty is now sitting on OP's throne in my personal opinion. Man, TV plugs. The trumpet intonation wad'nt so hot at 9 AM, it seens. Scotty! get on 'em! Dat boy LOVES him some roast turkey! Always has. He'd be ambarrassed if I told everyone about the time, when we were younger than now, when he sat up all Thanksgiving night in front of the TV with the remainder of a 20 lb bird and a knife. And when we got up the next morning there was a platter with nothin' but the bones on it. So I won't tell ya. He loves touring. He's also as emphatic about many things as you seem to be, bonecall. I generally start singing, "Feelings, nothing more than Feeeeeeelings" at him when he's ready to rant. That really gets him goin' dontcha know. hee hee I'm a family man. I love my wife and the kids are grown now. But I elected to leave the road life and that led to the studio and the mercenary work of the jingles, etc. No regrets. And, of course, I have my Electronics Engineering. Marshall is ALL MUSIC. Don't give him a screwdriver unless its a drink, 'K? I guess the real thing is that I'm technical and he's art. But man can he be technical about his art. Great teacher, he is. Started out with me teachin' liddle brudder. Today, he's always splainin' some change to me instead. In detail. Ad nauseum. And I always learn something. One thing that has always intrigued me about music is the perception factor. There is no single right way to deal with this as there are many paths to the same goal. It is perception that drives music development. That's actually a bonus IMO. Marshall is also a Macintosh man, of course (grin). Peace, --Mac
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
New RealTracks Released with Band-in-a-Box 2025!
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
Jazz, Blues & World (Sets 449–455):
These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
Rock & Pop (Sets 456–461):
This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
Check out all the 202 New RealTracks (in sets 456-467)
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.
Plus, enjoy user-requested styles like Soul Jazz RealDrums, fast Celtic Strathspey guitar, and Chill Hop piano & drums!
The 2025 49-PAK is loaded with other great new add-ons as well. Learn more about the 2025 49-PAK!
Bonus PAKs for Band-in-a-Box 2025 for Mac!
With your version 2025 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Or upgrade to the 2025 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2025 RealCombos Booster PAK:
-For Pro customers, this includes 33 new RealTracks and 65+ new RealStyles.
-For MegaPAK customers, this includes 29 new RealTracks and 45+ new RealStyles.
-For UltraPAK customers, this includes 20 new RealStyles.
- Look Ma! More MIDI 13: Country & Americana
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
- MIDI SuperTracks Set 44: Jazz Piano
- Artist Performance Set 17: Songs with Vocals 7
- Playable RealTracks Set 4
- RealDrums Stems Set 7: Jazz with Mike Clark
- SynthMaster Sounds and Styles (with audio demos)
- 128 GM MIDI Patch Audio Demos.
Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- Look Ma! More MIDI 14: SynthMaster,
- Instrumental Studies Set 23: More '80s Hard Rock Soloing,
- MIDI SuperTracks Set 45: More SynthMaster
- Artist Performance Set 18: Songs with Vocals 8
- RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe
Learn more about the Bonus PAKs for Band-in-a-Box® 2025 for Mac®!
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
Join the conversation on our forum.
|
|
|
|
|
|
|
|
|
|
|
|
Forums58
Topics84,411
Posts778,896
Members39,650
| |
Most Online25,754
Jan 24th, 2025
|
|
|
|
|
|
|
|
|
|
|
|
There are no members with birthdays on this day. |
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean