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I have a TASCAM M-106 6 x 4 x 2 analog mixer that I used for many years as the 'brain' of my four-track studio. It appears to have been designed for just that purpose. However, although small, due to patch programmability it is so flexible that I have to keep its flowchart handy.



This one is the same way, the more they do the bigger the learning curve. I'd have do gig the manual out to do a whole session just with it. I mostly use it for routing signals and monitoring. The mixer in digital performer does what today's pro mixers do and more with full automation and endless mix memories of everything you did on the session. Including effects. Those mostly come from a universal audio UAD 1 card in a pci slot on the mac. I couldn't afford the hardware version of one of these effects. Most are modeled on 50 and 60s recording gear made by the father of the guy who does the software modeling of the boxes that live on the pci card.

Ron

`15 Audiophile, Toshiba17", 3Mhz, 4gig ram, 500gig HD, Win7, Tascam 122mkII interface, Tascam 16 track 8 buss recording mixer, 2 Avalon747sps,CAD VX2 mic, AKG C1000s, mac and Digital Performer.