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Hi all. Recently picked up a couple of Roland JV-1080 external hardware synths.
GM Bank works great with BB 2011 - Really low cpu useage and zero latency, my main reason for adding harware synths.
Having problems accurately playing upper bank patches and expansion card patches.
If you're using JV-1080 upper bank patches and expansion card bank patches successfully with BB, please read and reply.
Have tried all the Roland .pat files for the JV-1080 - as well as .pat for Roland GM, JV-2080, JV-1010.
Have read through the .pat files for info and tried writing my own .pat for the JV-1080. I've read all the .pat help and tutorials I can find. No joy.
Reading through the forums, there was a problem a while back with BB playing upper bank patches (which was reported solved with a patch update over a year back). Is it possible this problem still exists for some synths (JV1080)?
I've been trying to work through this for several weeks without success.
I'm wondering, is BB 2011 actually capable of playing the upper patch banks and expansion cards or do I misunderstand?
If someone has a working .pat for the JV-1080 which accurately accesses upper bank and expansion card patches I'd be most grateful to receive a copy. Any advise is welcomed! Thanks
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Yes, BIAB should be able to play those upper banks once you have a patch map that includes them. I can address them on my Roland Fantom.
If you can find a SONAR patch map, BIAB can convert it.
Otherwise, if you have the manual for your unit listing the patches in the appendix, it is not that hard to modify a similar Roland unit's patch map to make your own. It is tedious work, but not difficult work. Many of us had to do it in earlier days.
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Thanks for the reply, Matt.
The cakewalk tip was a good source to google. I found the .ini files for my jv's and the expansion cards.
I'm away from my DAW right now, but I'll have a go at converting the .ini files to .pat files and try them.
I did manually modify/write some .pat files for the JV1080. Yea, tedious. When selecting the higher patches through biab, sometimes they changed and the instrument sounded as expected (GM and User), most often the instrument which played was obviously not the instrument selected in biab from the "+" pull down menu.
Reading through a sonar forum from a google hit, they were writing that - in sonar - one needed to create a default multitibral template on the first performance bank within the JV-1080 unit itself to access the higher banks. And making some sonar specific setting and some JV specific setting for the two to communicate.
Is this also the case with biab? Any clue what setting are needed in biab or on the Roland?
The documentation on GM with desktop daw in the Roland manual is sketchy. It states to place the JV-1080 on GM mode (shift > GM). I get all the familiar GM patches and (many, not all) GS patches selecting those from the "GS" button on biab gui.
Does the JV-1080 need to be in a different (Performance?) mode to access the higher patch banks and expansion card patches and select the instruments through the biab gui interface ("+" pull down menu)?
....I'm not even going to ask about getting the JV-1080 working with RealBand. Yet.
Thanks in advance.
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Since I don't know the JV-1080, I can just comment based on my experience with the Roland Fantom and the Edirol units I have used. If you are able to hear MIDI chords in GM mode, then you have set the correct mode for the higher patches as well. The other mode is for solo use (one voice alone). On my Fantom, the correct mode for BIAB is Performance.
In BIAB, I do NOT send GS or XG on startup (in the GM menu, Roland GS or Send MIDI Message). Nothing is checked for Send or Auto-send.
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The JV-1080 may indeed need to be set to a certain mode to work reliably. I'd try paying attention to that.
As for Realband -
You may actually find Realband easier for this. Some users appreciate the Classic Tracks window where it is possible to simply enter the bank and patch numbers in a box. Also, RB patchmaps are in a different format than BiaB (especially when converted to the actual binary file patches.bin). So it's also possible you'll see different performance in RB in this respect. The two programs share a lot of features, but they are quite different in the programming. Don't be afraid to try it.
I know BiaB is better for certain approaches to creating a song and in some other aspects. But RB is just as capable in many other ways. RB, for instance, offers a much more intuitive editing of MIDI and Audio, and many more routing and FX options. MUCH more intuitive mixing. More control over the tracks. More Flexible Realtracks editing and generation.
So they are alike in some ways, but very different in many respects. They work hand in hand to get you from creation to finished product. Create in BiaB, finish it in RB. Lots of us go that route.
The cool thing is you get them both when you buy BiaB.
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Thanks, rharv, it's encouraging that using the JV-1080 with RB may be easier!
Matt, thanks again for your insights. Hoping for a JV-1080 user to come along with a little more specifics on how to get the 1080 to play nice with BB!
cheers
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I'm sure there are people here who have knowledge on this. Hopefully they show up. Accessing 1080 patches should be easy enough.
How (exactly) are you trying to access the patches now?
Last edited by rharv; 04/29/11 04:30 PM.
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Hi rharv. Yes, hopefully, someone that's using the JV-1080 with biab will come along. I have a hunch I'm just missing something very simple here. I've been using softsynths previously and have just recently ventured into the hardware synth realm.
The scant 2 pages of instruction in the Roland manual about using the JV-1080 with a desktop computer system states to initalize the GM mode (press >shift>GM) "to play midi scores". This works fine for selecting the limited GM patch bank - 128 patches - through the biab gui. Of course, I'd like access the higher bank patches and expansion card patches through the biab / rb gui for another 1000+ patches.
All the JV's bank and exp card bank patches can be "demoed" directly from the JV's headphone output (or the audio outs into an amp) and pressing the vol button on the JV. Every 4 note demo plays ok. So they all work.
As mentioned before, I've tried all the appropriate Roland .pat files in the bb folder and on pg's .pat file page without higher patch joy. Some of these .pat files are written for a different exp card configuration, so I've also dabled with editing these. No joy in GM mode.
Don't know if it matters, but in configuring the synth in preferences, biab asks to select a .dk file from the pull down menu. There isn't a .dk for the JV-1080, so I've used "Roland Gen MIdi", "JV-1010", "JV-2080" and some others.
Recently, I downloaded and converted a cakewalknet .ini file to .pat. Essentially, the same result in GM mode.
(The converted cakewalk .ini > > .pat doesn't match my expansion card configuration, either and looks to have been somewhat edited/customized, so I know it will need further editing. Also, opening the converted patch file in notepad, it is formatted differently than the .pat available in the bb folder. It appears that there are several formats used for a .pat file.)
BUT, in a "Performance" mode setting on the JV, I CAN select higher patches through biab gui ("+") and many of the patches change - some sound close to what is expected, others are obviously not correct and some change (by default, I guess, when there is no valid higher patch?) to a regular GM bank patch.
At this point, it appears that I need to have the JV in "Performance" mode to access and select the higher banks through the biab gui. There are 64 "performances" that can be scrolled through with the JV value dial. They're all preset with different patches but I CAN select and change the instruments through bb gui - except the drums - though many of them are obviously wrong.
If I am on the right track with this theory, then what I need are JV-1080 settings required and how to enter those settings on the JV.
Google returned hits from a sonar forum where they were talking about setting up a "default performance mode" on the JV itself to use the JV with the sonar gui patch selection. If something similar is required for biab (/RB), that's the info I need.
Again, any advice will be appreciated, especially from JV-1080 users.
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Hmm.
I would also like to know the answer to Bob's (rharv) question: how exactly are you trying to access the higher patches now?
I select an instrument button in BIAB and then click on the little plus sign to the left of the volume box. First, you load the .Pat file (once) and then you should be able to select the desired patch from the pull-down menu at left. Do the same for each instrument.
I do NOT set GM mode on in BIAB or the Roland.
I DO set Performance Mode (not Patch Mode) on the Roland, and it can be set to boot up that way.
I do NOT select anything special for the .DK in BIAB; I just let it use the General MIDI. Granted, it has been many years since I cared about MIDI drums when I have RealDrums.
The Roland JV-1080 was very popular but was last produced ten years ago, about the time I started using Roland synths, so my knowledge that is based on their newer units may not be applicable.
Hope that helps.
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Quote:
The scant 2 pages of instruction in the Roland manual about using the JV-1080 with a desktop computer system states to initalize the GM mode (press >shift>GM) "to play midi scores". This works fine for selecting the limited GM patch bank - 128 patches - through the biab gui. Of course, I'd like access the higher bank patches and expansion card patches through the biab / rb gui for another 1000+ patches.
That is probably old info on using it in GM mode. Most Roalands need to be in performance mode to access extra banks.
If that synth needs a special performance mode set up to work correctly, you'll need another JV1080 user to help.
Accessing higher banks is most reliable using the MSB LSB changes to 'force' the synth to change. This info will be in the MIDI section of the manual. It may not be fun to read, but it is invaluable info. Labor thru the MIDI section of the manual and find what you need to make it work. Like I said earlier, some users like using the 'Classic Tracks' window because you can enter the MSB LSB info there easily.
Reading the manual should help make sense of this. There are two numbers that call up a bank (MSB and LSB - most significant byte and least significant byte) then the program number for that bank.
For example a patch in Bank 22 may use MSB 22 and LSB 1 plus the program change number needed for that patch. All this info will be in the manual if it's a Roland (in my experience anyway).
You can also enter MSB and LSB using control changes in the event list ... but you'll still need access to the info on the numbers needed from the manual.
I do not work here, but the benefits are still awesome
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Quote:
How (exactly) are you trying to access the patches now?
Quote:
I would also like to know the answer to Bob's (rharv) question: how exactly are you trying to access the higher patches now?
I select an instrument button in BIAB and then click on the little plus sign to the left of the volume box. First, you load the .Pat file (once) and then you should be able to select the desired patch from the pull-down menu at left. Do the same for each instrument.
Good morning. As you do; select an instrument button in BIAB and then click on the ("+") to the left of the volume box. Selecting an instrument in the resulting dialog box changes the patch. Also, entering the MSB, LSB and patch numbers changes the patch.
They are just obviously wrong in with the JV-1080 in GM mode. i.e., selecting a wurly results in a helicopter.
Quote:
Most Roalands need to be in performance mode to access extra banks.
If that synth needs a special performance mode set up to work correctly, you'll need another JV1080 user to help.
Yes, got that now, many thanks to you both, Matt, rharv. On the right track, now. At least, no longer beating my head against a wall trying get a pig to fly, e.g. higher banks working in GM Mode.
No JV user help yet, but I did find some useful info on the web also suggesting the JV must be in a "Performance" mode during 'multitimbral sequencing' to access upper banks.
That info was about recording each part of a new performance from a controller keyboard and saving that performance to a user performance preset. The writer stated it was best to select an existing preset performance which already has one patch to each midi channel, no layers, and modify and save it to a user preset. PRA-12 Pop Set was suggested as an ideal preset performance to modify.
I was able to adapt some of that info to modify PRA-12 to create and name a user preset and save it to a user destination. By changing another setting, the JV now boots to that preset if it was the last one used at shutdown.
With this modified preset, patch selection was more successful. (The .pat file I'm using still needs editing to match my configuration.) Navigating through different songs, many patches were changeable through the ("+") dialog.
Very encouraged with the progress, but......
Unfortunately, after turning the JV off and back on, it didn't work.
I overwrote USER Performance 1 (Techno). When I turned the JV back on, it did boot to the modified User Performance 1 preset and it did display the name I had assigned, but the instrument patches playing were back to the overwitten USER1 Techno performance.
$%^#*!
Ok. Each patch/part may need to be saved individually on the JV before saving the performance preset (?). I'll try it again today. I must have missed something.
Question. When opening a new file, the patches playing are the old Techno. Once (if) biab and the JV are correctly set, opening a new file should send a control change for those instruments saved in the biab song file, right? I have just assumed this is so....
Is there a setting for this I'm missing in biab?
I'm getting dizzy.
Seems like this may work, eventually, but if anyone out there has another (*easier*)method, I'd appreciate the course correction.
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Quote:
Unfortunately, after turning the JV off and back on, it didn't work.
In case it matters, you must also restart BIAB after turning off and on the Roland. BIAB must 'see' the synth when it starts, to have it listed in MIDI devices available. If you turn off the synth, you must restart BIAB.
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Quote:
Quote:
Unfortunately, after turning the JV off and back on, it didn't work.
In case it matters, you must also restart BIAB after turning off and on the Roland. BIAB must 'see' the synth when it starts, to have it listed in MIDI devices available. If you turn off the synth, you must restart BIAB.
Thanks Matt! Yes, that does make a difference. Solved one issue. Still working on the others. Thanks again.
Still open for additional guidance.......
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Quote:
Question. When opening a new file, the patches playing are the old Techno. Once (if) biab and the JV are correctly set, opening a new file should send a control change for those instruments saved in the biab song file, right? I have just assumed this is so....
Is there a setting for this I'm missing in biab?
You likely will not see the patch changes on the synth until you hit 'play' on BiaB. This is when it would send the patch changes via the MIDI out, not when it loads the file.. which is standard for any sequencer/DAW/accompaniment software. Makes sense, you may be loading one song while playing the synth as a segue, or still using it for another song in a live setting, etc. You wouldn't want the patches to change until the new song starts. As an even more 'in-depth' reason for this read on -
Say the patch in the synth has a flange effect to the sound. If it launched the sound when loaded, the flange may start it's cycling then, and depending when you hit play the flange may be at the top of a cycle or the bottom. Having the flange start when triggered by the sequnce ensures the cycle is replicated as desired.. even more true when you use the sequencer to contol an effects module. Nice to know how that effect is going to sound when you need it. We used to 'time' the patch change on both a Boss SE-50 and Yamaha FX-500 effects modules for this reason when using a computer for the click (and lights and video etc).
Last edited by rharv; 05/01/11 10:56 AM.
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Quote:
You likely will not see the patch changes on the synth until you hit 'play' on BiaB. This is when it would send the patch changes via the MIDI out, not when it loads the file..
Right. So, just like using a vsti softsynth, it is expected that loading a saved biab song, then selecting "play" in the biab gui should load the correct instruments from the style (or the instrument presets previously saved in a biab song) into the JV? Same with "replay", right? (except that "replay" doesn't regenerate the biab arrangement) Thanks
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I do NOT set GM mode on in BIAB or the Roland.
I DO set Performance Mode (not Patch Mode) on the Roland, and it can be set to boot up that way.
I do NOT select anything special for the .DK in BIAB; I just let it use the General MIDI.
Check. Thanks Matt
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Quote:
it is expected that loading a saved biab song, then selecting "play" in the biab gui should load the correct instruments from the style (or the instrument presets previously saved in a biab song) into the JV?
If they were saved with the song, and in the performance mode of the JV, yes.
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Quote:
They are just obviously wrong in with the JV-1080 in GM mode. i.e., selecting a wurly results in a helicopter.
This sounds like there may be a numerical difference.
It might just be that your BiaB is set to send "Yamaha-based" Patch nubering scheme, which instead of the standard 001 (Grand Piano) to 128 (helicopter) uses 000 for the Grand piano and 127 for the heli.
If your BB is set to Yamaha or "zero based" patch numbers, it can be confusing as some patches will seem to be playing fthe right instrument but others will be as you have observed.
Inside Band in a Box, under the GM menu, make sure that you have it set to Roland based 1 - 128 and not to Yamaha Zero based. That might be what is happening.
BTW - the helicopter is part of the standard GM bank. If you have tried to invoke an Upper Bank and still are hearing the heli, that is a clue. Shouldn't be any heli on any upper bank.
--Mac
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Quote:
Quote:
They are just obviously wrong in with the JV-1080 in GM mode. i.e., selecting a wurly results in a helicopter.
This sounds like there may be a numerical difference.
It might just be that your BiaB is set to send "Yamaha-based" Patch nubering scheme, which instead of the standard 001 (Grand Piano) to 128 (helicopter) uses 000 for the Grand piano and 127 for the heli.
If your BB is set to Yamaha or "zero based" patch numbers, it can be confusing as some patches will seem to be playing fthe right instrument but others will be as you have observed.
Inside Band in a Box, under the GM menu, make sure that you have it set to Roland based 1 - 128 and not to Yamaha Zero based. That might be what is happening.
BTW - the helicopter is part of the standard GM bank. If you have tried to invoke an Upper Bank and still are hearing the heli, that is a clue. Shouldn't be any heli on any upper bank.
--Mac
Thanks for the advice, Mac. Yeah, the gobbedlygook that passes for a Roland Manual states to place the JV-1080 in "GM Mode" for midi score playback. Wrong. Wasted a lot of time following that instruction. The upper banks can't be accessed accurately in the JV's "GM Mode". The JV must be in "Performance Mode" for multitimbral playback from higher banks.
None of the .pat files or converted .ini files I found worked correctly in my JV (most appear to have been customized by their creators for their own patch / expansion card configuration). Some ZEROBASED, some "1" based. With trial and error, I spent much of the day yesterday creating a "1" based .pat file that works for my JV's 4 banks, and three expansion cards. I can now access all patches on each bank accurately from the "+" menu dialogue box. Finally.
A question for anyone - Matt, rharv, Mac - anybody.
Still apparently need to figure out how to correctly save the parts / patches in the default user performance I have created in the JV as a template for sequencing with Biab (Oh, NO! Back into the dreaded $#@%& Roland Manual).
When opening a bb song file and selecting "play" or "replay", the patches from my biab song file aren't getting to the JV:
Turn on the JV-1080 (set to boot to the "Performance Mode" template I created)>
Open Biab>
Select "Play"/"Replay =
The patches from the JV USER performance 1 play, not the patches I saved with my biab song.
I can select each instrument from the bb gui> select "+"> select the patch I need from the drop down> change the instrument patches manually one at time = plays fine.
I'm expecting the JV to receive and play the patch settings from my saved biab song when I select "play" / "replay". But it's not. Am I overlooking some setting in biab? Or some JV-1080 setting?
Thanks again, gentlemen. I very much appreciate your guidance.
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Take a look in BIAB at Alt+F2, which is File, Save Song with Patches and Harmony. Make sure all the left-hand column checkboxes are checked, and the Save All Settings With Songs checkbox in the upper right is checked.
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We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Mac®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
Upgrade your Band-in-a-Box for Mac® to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 Mac upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Holiday Weekend Hours
It's Victoria Day Long Weekend in Canada. Our Customer Service hours are:
Saturday, May 16: Closed
Sunday, May 17: Closed
Monday, May 18: 8:00am - 4:00pm
Regular hours resume Tuesday, May 19th!
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Don't wait - order today!
Check out all the new features in the redesigned Band-in-a-Box® 2026 for Mac®!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
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