Quote:

FrankK, that is a technique I've passed along here every so often, having discovered it in BIAB by accident. The more detail you specify in the chord, the fewer choices BIAB has to guess what you might want.

If you just say "D", you could get a major seven or even a minor seven or a sixth added in, or a second, or a ninth, or a 6/9 or a Major 9 or ... depending on the style and somewhat on the "jazz up the chords" setting.





so how do I avoid a major triad playing back as a LYDIAN triad, as it has happened many times? You tell me. How do I avoid having BB mixing chords from the NATURAL minor and MELODIC minor? That happened quite a few times ,too.

As for the stylemaker, as I said before, I am all for learning, but the least I could expect is PG to make a video tutorial about that, in order to minimize all these problems. But I want to see that in a video. I don't think is too much to ask?