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#179747 11/22/12 09:17 AM
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Hey Ya'll,

Here's a new song I wrote about a month ago called Girl It's Gone. All real tracks and vox recorded in RB and mixed in Tracktion. Lyrics in link.

I appreciate your time listening and all your comments are welcome - especially regarding the mix.

Hope you enjoy it.

Thank you,

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Josie - nice song. sounds great. love the piano that starts and ends it. your vocals sounds really good. and a nice mix. great job!

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I agree with floyd jane. That was a beautiful song.
good stuff, sounds OK on my set up

Alyn

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You're a great singer. I like the harmonies and the mix. Well done.

Guenter

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Josie,

Great piece of work!

Ditto+ for Floyd, Alyn, and Guenter.

Love your vocals, they really standout nicely.

Thanks for sharing!


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I love the vocal. Great stuff!


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I always love your songs, this one is no exception! Great Job!

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What a lovely song. I love your vocals and the melody you created. Superb writing too. Outstanding use of BIAB.

Great tune!


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Josie I love this. Great vocals and great mix. occ

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Hey Josie!



I've now got a new favourite song of yours. This is top notch in every way!

There were some things that really stood out to me as exceptional crafting. Firstly was the use of the second-person-narrative point of view (that's what Pat Pattison calls it when one uses all pronouns except me or I and their related derivatives). To my ears, second person narrative is a very intimate form of story telling. In this instance, it's like the singer is taking a friend aside and giving heartfelt advice. When second-person-narrative perspective works, it works brilliantly. In these lyrics of yours, it's a hand-in-glove fit; perfect.

The second thing that stood out to me was your amazing lift. The two similes about a train and a plane added just the right touch of philosophical content to the lyrics to push them forward into the chorus. To my mind, these lines really empowered the chorus no end. The music that underpins these lyrics is also first class! (I've got to say that the train and plane are both powerful "gone" images and a masterstroke choice.")

A third thing that stood out to me was how skilled you are at singing and mixing your vocals. The writing, the performance and the production of this song are a tremendous credit to your abilities.

All the best,
Noel

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nicely written, wonderfully performed, great mix...it has everything! very nice job!

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Floyd,

Thank you. I was on the fence about the ending for a while and then went with it. So glad you like it.


Gibson,

Thank you for listening and commenting. Makes me feel like all the time I spent on this was worth it.


beohm,

Thank you. Feels good when I can catch a vibe that moves someone.


Seeker,

Thank you for the kind words, I really appreciate it.

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Sundance, outstanding work! Lyrics, performance and production are all exceptional, thank you for sharing!




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Psalm 57:7 My heart, O God, is steadfast, my heart is steadfast; I will sing and make music.
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Joanne,

Thank you so much. Nice having another female pov.


Tommyc,

You are quite inspiring to me. Thank you Tommy.


jpt,

You made my day. Thank you.


occ,

Thank you. I'm glad it touched your heart.

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Noel,

Thank you, thank you and thank you. This was a tough song to write. When I went to my sad place in my mind, I was actually working on a different song. Then to my surprise I got stuck in some really heavy old pain that I thought was over long ago. You are right, I wrote this to my younger heartbroken self using the approach as if talking to my best friend.

Not going to say how many times I remixed it.

Thank you again. I really appreciate your time and the nice things you said.

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Robert,

Thank you. Appreciate that very much.

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If ya'll have a few minutes to spare, Bob made a really cool video of this song for me.


Girl It's Gone video

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Hey Josie,

Another pretty good song, I thought. I also thought the backing vocals could have been more present, and that the lead guitar was a bit too busy. It's my personal preference but I tend to not let the lead guitar compete with the vocals, unless, it is mimicking the vocal, and even then, only rarely. Good job..

RG

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RG,

Actually, believe it or not I tried several mixes with less busy lead gtr and louder bgvs but this one best captured the vibe I wanted.

Thank you for the nice comments and suggestions, I appreciate it.

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WOW that video is excellent!!! How did Bob do that???????? What program did he use????
It really adds to the lovely song

Alyn

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Hi Josie,

Any chance you would elaborate on your process and setup? I've listened to some decent songs here in the showcase but this one seems really special. It truly sounds like it came right out of a pro studio ready for CD!!

I'm kinda struggling with getting my vocals to "sit in the mix" along with my exported RealTracks accompaniment. I tried the demo of iZotope Nectar and while that tool did some interesting stuff on my vocal tracks it still seemed to not match up that well. Plus, I sometimes manage to get a mix that sounds good on one player/system but then it sounds bad on another.

I understand that the answer might be I just need to keep plodding along and gain some experience. I'm pretty sure there are no easy buttons! But man on man I'd sure welcome any tips from someone like yourself who just produced such a nice song!

John

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Great song and vocals Josie its all been said on here.

When I first listened to your song my initial reaction was this is as good if not better than a lot of the commercial recordings out there.

Keep up the good work.

Musiclover


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Your songs never disappoint me and this is no exception.

I believe this is your best to date! My only question is why hasn’t a record company signed you yet?

Two thumbs up on a perfect song.


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I have been reading your contributions to the latest mixing and mastering series of threads and I have appreciated your comments. So it was a pleasure to see one of your new ones here. I think you are doing a top notch job on your recording and mixing, Everything is clear and well and positioned. What lead guitar part is that over there on the left side? I like that tone a lot.

The only thing that stood out a tad was that acoustic guitar continuously strumming away in the right speaker -- some variation is needed there, I think. Either add your own guitar back in or different styles maybe. The piano parts also get buried a little here and there (or maybe you turned it off?)

In any case, a very well done tune.


Now at bandcamp: Crows Say Vee-Eh @ bandcamp or soundcloud: Kevin @ soundcloud
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Josie,
I'll echo Noel's comment... this is my favorite Josie Beck song to date! I liked everything about it, very pro sounding! I've got to run off so I don't have time to watch the video too, but I'll comment on that later

(Two enthusiastic thumbs up)

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Josie,

Hey I'll 2nd Noel's comments.

I think this is your best work to date! The song, vocals, mix... I thought everything was top notch!

Really like Robert's video too.

Just a fine job all around!

Greg

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Alyn,

Thanks. The video was produced with a combination of Apple's Final Cut and iMovie. It was a lot of fun putting this together - Josie really knocked it out of the park with this song...

Bob

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I, too think this is your best vocal to date.... just perfect. And the composition is advanced, better than ever. The flight, the vocal "taking off", is the way songs are supposed to be written... poetry.

The intro is marvelous. The outtro might be edited a little.

I like that your panning is a little wider than it used to be... mixing in general is getting just fine. Lead vocal in the chorus might be a little crisper, but that might be just my taste... or my old guy hearing.

As someone else mentioned, the lead guitar back might be a little busy... you think of maybe using a tasteful RealTrack fiddle in parts?

Looks like you are on your way to a pro career.


Brad -- My FAWM
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Nice work - catchy tune, good mix, excellent vocals. I love the harmony.

A caveat to my mix comments: I'm listening to the mix through a pair of inexpensive headphones, so it might be coloring things.

I think the bass could be dialed back a bit. But I don't listen to contemporary country, so that that with a huge grain of salt. But I kept noticing it, which (to me) isn't a good thing if it's not doing something (like a riff or accent) that should be calling attention to it.

And while I love the rhythm guitar - nice EQ, punchy and bright - I agree with Kemmrich. The constant chugging quickly gets wearisome, especially since it's at (what sounds like) the same level throughout the song. If it was backed down (or the high end rolled off) except for key parts in the song, I think it would work. As it is, it's so prominent in the mix that it kept drawing my attention away from the vocal. For a rhythm support part, it seemed awfully forward in the mix.

But those are minor nits. This is really, really well done.


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Nice work Josie, I really enjoyed this one. A smashing song, your voice sounds brilliant and the arrangement and mix are spot on.

I'd echo one point from earlier posts, re. the lead guitar panned left. It sounds excellent when it drops occasional licks in. And when it plays in unison with your vocal on the first line of each chorus that makes for a great hook, but then it should drop out and not step on your vocal, only heard in gaps in your vocal and again at the end of the chorus.

Thanks for making my sunny Sunday morning sunnier!

John


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Quote:

Alyn,

Thanks. The video was produced with a combination of Apple's Final Cut and iMovie. It was a lot of fun putting this together - Josie really knocked it out of the park with this song...

Bob



Hi Bob,
the video was was very professional in appearance. Exactly how does that work? Did you create the characters and animate them? Or are there library elements that can be combined according to the needs of a project? Either way, it looks like a powerful set of tools for vizualizing ideas.

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Hi Pat,

I did not build any of the animation. I have a rather large collection of animated objects and subscriptions to royalty free video. The most difficult part of making the video is selecting the right animation and then editing to fit/create the story. That's where the tools Final Cut and iMovie come in.

Bob

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Hi,

I'm a brand newbie to the forum. I just posted my first song, Out of the Blue, and started listening to a some good songs.

I really like the sound of your voice and your style.

Girl It's Gone is a very nice song. It has a great musical flow and lyrics. Really nice vocals although it would be nice to hear a version with harmony vocals on the chorus. Very professional, excellent job.

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hi josie well done awesome vocal and mix very nice production plus +1 thanks for sharing eric


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John,

Thank you. I'm so glad you liked it. Learning mixing is an ongoing process for me. What I do is watch, read and try most every tip I can to see how it works for my project. Never used Nectar. I have Ozone on this song. Sometimes I use Final Mix and a T-Racks compressor I like. The vocals here are double tracked. One track has a compressor, delay, and reverb. The other is dry. Both have a hpf and one has a little more eq.

Check out tips and tricks forum and read Steve Young and Floyd Jane's threads. There have also been some interesting discussions in OT and RB forums on mixing/mastering. Good videos out there from the recording revolution. And I always enjoy listening to Rob Chiarelli and Michael Laskow talk mixing on Taxi Music tv (on ustream) - you can find the shows in the archives.

A quick way to get direct specific help is to post your song and ask for mixing help. You'll get lots of advice. Then see what works for you. The guys here have helped me a lot over the years.

Thanks again.

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Josie,

I know it's all been said but I say it again . . . this is good stuff! I liked everything about it from lyric to production and performance. You are truly a song writing machine.

Great job neighbor!

Later,

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Musiclover,

Thank you very much. I appreciate that.


Mario,

What a nice thing to say. Thank you.


Kevin,

Thank you for listening. I appreciate your input. Guitar is either 1530 or 1526.


Pat,

Thank you. I'm so glad you like it.

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Brad,

Thank you. Really appreciate that. I wanted to keep a rock edge and tension build between the two guitars.


David,

Thank you. Glad you liked it. I'm going to keep that high rolloff in mind to try if an arrangement similiar comes up again. Hadn't thought of that. On my bassy headphones bass pushes it but I didn't think too far. Other playback here bass okay.


Skyline John,

Thank you so much. Yeah, I did try that but liked it this way better. What can I say.

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Austin,

Thanks for listening. I'm glad you enjoyed it. The harmonies are pushed back a little and weaved in and out.


Eric,

Thank you so much. I appreciate it.


Danny,

Thanks for dropping by neighbor. Appreciate that a lot. Glad you like it.


Alyn and Pat,

I'm thrilled with the job Bob did on the video. He's got the knack.

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Josie,
I can't find the words to say how much I liked this song. Truly outstanding! Thanks for sharing.
SD

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SD,

Thank you very much. I'm glad it touched your heart.

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Absolutely TOPNOTCH, Josie.


--Mac

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Thank you very much Mac. I really appreciate that.

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Great song Josie, loved the vocals. well done.


Chris
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Josie,

Don't know how I missed this one! You probably know I have been working way too many hours the past few months. I just stumbled across this one today. Glad I did. As always, I really enjoyed it! I am always impressed by your work. Both you and Bob continue to inspire me to be a better writer.

Glad I gave this one a listen!

Steve


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Awesome, Josie! Great lyric writing and interesting FX throughout. I especially enjoyed the unique outro. Well done!

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In the bluegrass world we have a phrase invented by Bill Monroe in which he refers to great heart songs as "True Life." And irrespective of it's bluegrass origins I would certainly apply it to your song. Thanks for sharing.


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Very nice job indeed.
Enjoyed your vocals especially


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Make your sound your own!
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Chris,

I appreciate that very much.


Steve,

Thank you. Hope your schedule allows for more music time this year.


Don,

Thank you, me Irish eyes are shining.


Bud,

What a thoughtful compliment, thank you.


rharv,

Thank you so much.

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Josie, I just realized who you sound like on this'n. Nancy Wilson of "Heart" and that's a sincere complement. Your Irisnness just further endears you t'me wee 'art, me wee colleen.

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Learn more and listen to demos of XPro Styles PAKs.

Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!

XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.

Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!

Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!

We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!

Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!

In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!

Special offers until December 31st, 2025!

All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!

Learn more and listen to demos of the Xtra Styles PAK 21.

Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!

Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.

Band-in-a-Box 2026 for Windows is Here!

Band-in-a-Box® 2026 for Windows is here and it is packed with major new features! There’s a new modern look, a GUI redesign to all areas of the program including toolbars, windows, workflow and more. There’s a Multi-view layout for organizing multiple windows. A standout addition is the powerful AI-Notes feature, which uses AI neural-net technology to transcribe polyphonic audio into MIDI—entire mixes or individual instruments—making it easy to study, view, and play parts from any song. And that’s just the beginning—there are over 60 new features in this exciting release.

Along with version 2026, we've released an incredible lineup of new content! There's 202 new RealTracks, brand-new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two new RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!

Special Offers
Upgrade to Band-in-a-Box® 2026 for Windows and save up to 50% on most upgrade packages during our special offer—available until December 31, 2025. Visit our Band-in-a-Box® packages page to explore all available upgrade options.

2026 Free Bonus PAK & 49-PAK Add-ons
Our Free Bonus PAK and 49-PAK are loaded with amazing add-ons! The Free Bonus PAK is included with most Band-in-a-Box® 2026 for Windows packages, but you can unlock even more—including 20 unreleased RealTracks—by upgrading to the 2026 49-PAK for just $49. Browse the full contents of each package and listen to demos here.

XPro and Xtra Styles PAKs Special Extended Until August 31st!

XPro & Xtra Styles PAKs Special Extended Until August 31st!

The XPro Styles PAKs and Xtra Styles PAKs special offers are now available until August 31st at 11:59pm PDT!

Ready to take your Band-in-a-Box® 2025 experience to the next level? Now’s the perfect time! Expand your style library with XPro and Xtra Styles PAKs—packed with a wide variety of genres to inspire your next musical creation.

What are XPro Styles and Xtra Styles PAKs?

XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-9 includes 900 styles!

Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). With over 3,500 styles (and 35 MIDI styles) included in Xtra Styles PAKs 1-20, the possibilities are endless!

Get the XPro Styles PAKs 1 - 9 for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Windows or for Mac.

Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.

Get Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 19 PAKs for $199 (reg $399)! Listen to demos and order now! For Windows or for Mac.

Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.

Don’t miss this chance to supercharge your Band-in-a-Box setup—at a great price!

Mac 2025 Special Upgrade Offers Extended Until August 15th!

It's not too late to upgrade to Band-in-a-Box® 2025 for Mac® and save! We've extended our special until August 15, 2025!

We've added many major new features to Band-in-a-Box® 2025 for Mac®, including advanced AI tools like the amazing BB Stem Splitter and AI Lyrics Generator, as well as VST3 plugin support, and Equalize Temp. Plus, there’s a new one-stop MIDI Patches Picker with over 1,100 MIDI patches to choose from, all neatly categorized by GM numbers. The MultiPicker Library is enhanced with tabs for the SongPicker, MIDI Patch Picker, Chord Builder, AI Lyrics Generator, and Song Titles Browser, and the tabs are organized into logical groups. The Audiophile Edition is enhanced with FLAC files , which are 60% smaller than AIFF files while maintaining identical audio quality, and now ships on a fast 1TB SSD, and much more!

Check out all the new features in Band-in-a-Box® 2025 for Mac® here:

Purchase your Band-in-a-Box® 2025 for Mac during our special to save up to 50% off your upgrade purchase and receive a FREE BONUS PAK of amazing new Add-ons. These include the 2025 RealCombos Booster PAK, Look Ma! More MIDI 13: Country & Americana, Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes, MIDI SuperTracks Set 44: Jazz Piano, Artist Performance Set 17: Songs with Vocals 7, Playable RealTracks Set 4, RealDrums Stems Set 7: Jazz with Mike Clark, and more!

Upgrade to the 2025 49-PAK for just $49 and add 20 Bonus Unreleased RealTracks and 20 RealStyles, FLAC Files for the 20 Bonus Unreleased RealTracks, Look Ma! More MIDI 14: SynthMaster, MIDI SuperTracks Set 45: More SynthMaster, Artist Performance Set 18: Songs with Vocals 8, and RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe.
Learn more about the Bonus PAKs!

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