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Band-in-a-Box for Windows
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In MIDI there are 3 ways to control volume. Which one is best for your MIDI track depends on whether it was created correctly or not.

  1. Velocity. This is the relative volume of each individual note. It corresponds to how hard the note is attacked (how hard a guitar string is plucked, how hard a piano key is struck, etc.). It is called velocity because in the early days of synthesis, the interval of time between the initial striking of the synth key and when it bottomed out related to the speed it was depressed and therefore how hard the key was struck. You shouldn't have to mess with this to equalize track volume.
  2. Continuous Controller 7 (cc7) This controls entire track volume, like the volume knob on an amplifier. This should be set at the beginning of the MIDI track and then used to balance the entire track with the other ones. Warning, some people use cc7 for the function of cc11 (next entry) so check before you adjust it
  3. cc11 This controls global volume changes within the track. It relates to the volume pedal on a keyboard or attached to a guitar. Do you want a crescendo, diminuendo, swell, fade out, or anything else, this is the cc to use. Some people use cc7 for this function, so check out the event list or controller window to see what was being used before making any adjustments.


If someone used cc7 for the changes that are supposed to be done with cc11, most sequencers will allow you to change all cc7 events to ccc11 events, and then you can use cc7 the way it is supposed to be used. If someone used both cc7 and cc11 in the track for volume adjustments, it gets trickier and you have to evaluate and decide what to do. There are more variables than I have time to go into here.

So with the use of all 3 volume devices, you should be able to balance your tracks with some patience, understanding and a bit of time.

Insights and incites by Notes


Bob "Notes" Norton smile Norton Music
https://www.nortonmusic.com

100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
Band-in-a-Box for Windows
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Think of CC7 as being like the Master Volume on a mixer board or PA system.

Think of CC11 (Expression) as being like one of the single channel faders.

You can turn CC11 all the way up to 127, but it can not go past whatever overall point that CC7 has already been set to.



--Mac

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Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support

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Band-in-a-Box 2025 Italian Version is Here!

Cari amici
È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.

Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.

Band-in-a-Box 2025 - Italiano
RealBand 2025 - Italiano

Band-in-a-Box 2025 French Version is Here!

Bonjour à tous,

Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music

Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:

BIAB 2025 - francisation
RealBand 2025 - francisation

Voilà, enjoy!

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Band-in-a-Box 2025 für Windows Deutsch ist verfügbar!

Die deutsche Version Band-in-a-Box® 2025 für Windows ist ab sofort verfügbar!

Alle die bereits die englische Version von Band-in-a-Box und RealBand 2024 installiert haben, finden hier die Installationsdateien für das Sprachenupdate:

https://nn.pgmusic.com/pgfiles/languagesupport/deutsch2025.exe
https://nn.pgmusic.com/pgfiles/languagesupport/deutsch2025RB.exe

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