I'm just glad to see guitarists making good use of the Capo again.

For awhile there, many treated the Capo as some kind of "cheater" and looked at such with disdain.

Perhaps that came from those who may have really used it to take the place of learning and playing more chord forms, but the real truth is that the Capo, when used with taste, can add a distinctive thang to the ensemble or even the lone player.

And, as mentioned above, can yield two guitar tracks that are not fighting for the same sonic space in a recording.


--Mac