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Joined: Jun 2006
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Playing's much the same. Myself & a friend recorded a number at a live venue for a mutual friend who we havn't met. She has a quadraplegic son who's 27 and is dying of cancer. Both of us had a heck of a hard job fighting the tears. I played a song for her on my gospel show last month and had to give myself a break as the emotions were too strong. I'm only happy it wasn't live radio. Emotion to me really helps when you're playing a ballad, when you're feeling happy, it'll come out playing a happy tune. I guess you need to play from the heart to feel it properly
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My aunt Bessie (Elizabeth) would always request that I play/sing this one from the Everly's album "Songs Our Daddy Taught Us" then she'd sob like a baby. My Dad called it a "two hanky" song. My Mom would sob in unison. http://youtu.be/ozOAasuG164Some other of Bessie's favorites were: 1. The Baggage Coach Ahead. 2. Hobo Bill's Last Ride. 3. Put My Little Shoes Away. 4. Shackles And Chains. 5. The Prisoner Song. 6. The Wreck Of Old 97. 7. The Wreck Of #9. etc. All of which moved my audience to tears. At least I hope it was the emotion of the songs and not my singing. Another tearjerker, tear-duct flusher I'd sing/play was Rocking Alone In An Old Rocking Chair http://youtu.be/MH_2fUcvbEU
Last edited by Don Gaynor; 05/19/13 04:59 PM.
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As far as "singing through emotion", it's always amazed me that Eric Clapton could sing "Tears In Heaven" in a live setting. I don't think I could have pulled that off considering the background for the song. http://en.wikipedia.org/wiki/Tears_in_Heaven
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Many years ago I recorded a track which was being sung by a girl session singer. She was very good and had done sessions for lots of big names. The song was about a relationship break-up.
She sang beautifully, but I felt the song was lacking the emotion it needed, so I asked her if she could immerse herself in the lyrics and imagine she was the one who'd written the song.
She asked if we would turn out the lights in the studio, so she could see us in the control room, but we couldn't see her and then she sang it again. As soon as she started it sent shivers down my back and when we brought the lights up again the tears were streaming down her face. Only then did she say that her boyfriend had walked out the week before after five years together.
Now, some thirty years on, it's still the best thing I ever recorded. Sometimes it just works like that.
ROG.
Last edited by ROG; 05/19/13 03:37 PM.
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Expert
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What impressed me was Elton John singing Goodbye English Rose at Lady Diana's funeral. I know he's a pro, but it still sent shivers down my spine when I heard it live on the radio.
Chris
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IMO Emotion really comes out when you're playing or singing your own material. When I recorded Farewell to Kintail ( The first tune I composed after getting into band in a box 7 years ago ) I had tears in my eyes. I was picturing the area as I was playing it and thoughts of holidays in my childhood were coming back. It's also the area we were in when myself & my wife did our first gig together. It's the same area where I played my first gig in public as a 17 yr old.
The only one that came close was a song I wrote years before I stopped playing. It's on you tube called The Highlands is the place for me. The singer is the Late Sylvia Marie Barber from California. A dear friend and one of the finest accordionists in the USA. Sylvia fell in love with the song after I sent her a copy from an old tape I'd recorded. She asked if she could record it with me. We had a load of laughs getting it done as she kspt getting her pronounciations wrong. Lots of good natured ribbing took place before she finished it. Sadly she died before she could hear the finished version, so I got a professional musician friend of mine to help out with the backing, along with our own Keith Scott on piano. The end result was brilliant and I must confess to having an eyes full of tears when I was recording my part.
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Conveying emotion to my audience through performance and feeling emotion myself from my own playing have always been two completely different things to me.
Over the years I have found that if I'm able to remove myself and my feelings from the situation that my audience feels the intended emotion more when I am feeling it less.
Therefore the goal here is to do whatever it takes to put my feelings aside when performing.
And that grinds down to the same old thing - PRACTICE - the repetition that breeds absolute familiarity with the performance.
In my experience, the repetition of good practice brings the desensitization required that makes the great performance where your audience's emotions are touched.
Unfortunately, it is all too often the case these days that the performer is all about their own feelings during performance.
I think that it is far more important to be all about your audience.
This means leaving yourself out of the performance in that sense.
When the musical performer allows their own emotions to come to the fore during a performance, I have noticed that the first musical aspect to suffer is their timing.
And timing is everything.
I type this with a bit of intrepidation, for I know that there will be many who will either misinterpret these words, take offense where none is intended, or otherwise respond to them emotionally.
But this is my way of solving the problem and experience has shown it to work very well indeed.
I think it is my job to entertain my audience.
The goal is not to entertain myself.
--Mac
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I usually just try to remember the lyrics. 
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Instead of giving you a pat on the back I will be constructively critical: 1 You need to use dynamics -right now it is all basically flat some parts need to be much softer others louder. 2 Same goes for tempo - need to slow down some parts. You might want to start with customizing here. Basically there are very few variables with which a musician can bring emotional expression to a perfomance and chief among these are dynamics and tempo variation. A lot of commercial performances fall flat because they sound fail to use these means of expression and therefore sound mechanical-monotonous. I hate to hear comments other than praise, but now and then someone says something useful and once I understand and learn from it I'm grateful. You get points for staying in tune mostly and for excellent enunciation - all of the lyrics are clear (singers often are impossible to understand) ! Dan
Last edited by Dan Tong; 05/30/13 07:59 PM.
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points understand and appreciated, thanks. 
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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New RealTracks Released with Band-in-a-Box 2025!
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
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These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
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This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
Check out all the 202 New RealTracks (in sets 456-467)
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
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- Look Ma! More MIDI 13: Country & Americana
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
- MIDI SuperTracks Set 44: Jazz Piano
- Artist Performance Set 17: Songs with Vocals 7
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- Instrumental Studies Set 23: More '80s Hard Rock Soloing,
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New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
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Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
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Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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