Originally Posted By: sixchannel
Hi All

Is it just another way of playing B7 or are there specifics or nuances to the chord as to where it can be placed?
cheers
ian


Matt's explained the rest, I'll just add that you are on the right track with the idea of replacing a B7 with Balt, good idea to start out by replacing "turnaround chord" which is usually going to be the V7 chord of the key, right before it returna to the root, often at the end of a chorus and heading back to the beginning.

The Tension likely won't be heard or realized until you have mastered hearing the Tritone Subs.


--Mac

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