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RealBand
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Joined: Dec 2003
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Joined: Dec 2003
Posts: 86 |
I guess when I read this I am starting to get confused on PG Musics vision and goals for their software. When I first started using the software it seemed to be the goal to allow musicians of all levels to have a simple to use music program that facilitated creativity and increased the enjoyment of the process. Maybe that was a misunderstanding on my part but that is what it felt like as a customer.
I am always amazed at the creativity of the software developed by this group when they focus on something. The whole concept of RealBand took software generated accompnient to a whole new level for an entry level price with a relatively small learning curve. It produces tracks that can only be obtained by purchasing keyboards or sound modules of significant higher pricing. The great thing about PG music is that it is one of the few software packages that has real strong support for acoustic based music. Loops are great but the control factor RB is starting to give is a pretty neat feature and lacking in the music software industry.
I am not sure what Rewire adds unless it is to expand the market available. I understand that concept and it is critical to any business. I guess my fear is you can try to be too many things to too many people. Is it time to take a step back and ask the question at a business level of "Who are we?" and Who do we want to serve in the music industry?"
To me Rewire would just add a level of complexity. I have all I can handle with BIAB, RB, PT and Sonar.
Please don't take this post as a negative to the PG software family. I love and use this software often and it has taught me a lot. I want nothing but continued success for the company. It is just sometimes in this age of information overload simplicity can be a strategic move in and of itself. Maybe since I am not Rewire user I am just missing the great features it could add. I will continue to read comments to see if my mind changes.
Thanks for asking though as that is a great trait of PG.
Terry
TerryB
Windows 10, Dell 8700 XPS i7, 12MB Ram.
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Not all users will be likely to use all features in a program such as this one anyway.
The real world scenario is that different users see the program in different ways and thus will use the program in different ways.
Some may not need a certain feature at all, others may demand it as a necessity, still others may *discover* it simply because it is there or be directed to it in order to solve a problem they have encountered.
The assumption that adding more features detracts from squashing bugs or better implementation of existing features is not accurate. If you have been here following development and beta testing as long as I have, you'd know that.
Musicians can be an emotional lot.
--Mac
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RealBand
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Joined: Jun 2008
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With Reaper for example. You could Rewire Biab on a track and do everything you currently can. Next track you could open with any vsti. for example Jamsticks. Reaper handles so many tracks I cant even start to use them all. Each track could be another voice, synth or whatever.
Effects could even be added to the Rewire Biab track that wouldnt be available in its present form.
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RealBand
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For one hting i do not think this is being done so one can benefit in Reaper, but would be done to benefit with the integration of BiaB and RB together. I douybt Adding BiaB as a feature inside Reaper ever crosses there minds. RB is a direct competitor to Reaper.
And i think the discussion here should be the benefits to PG's software with REwire. I get personally kind of tired of every forum on the net becoming a Reaper promotion. I get that those who use are almost rabid with desire for everyone else to jump on it's band wagon. I tried it and it did nothing but crash for me and that was several different builds.
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB/RB 2026, Reaper 7, Harrison Mixbus 11 , Presonus Audiobox USB96
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RealBand
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Joined: Jul 2004
Posts: 157
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Please focus on making RB fully VST/VSTi compatible first (I think it is a Rewire requirement?). If possible phase the implementation in - something like mid 2009 for full mVSti and Rewire during 2010. It would be great if the drum plugin programs could function correctly as well as programs like Waves GTR etc (the drum programs will supplement RealDrums so should not be seen as a threat to Realdrums).
RB will then be a fantastic application instead of an extremely good application!.
Roy
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RealBand
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RealBand -> Rewire -> Program Host that handles those VSTi's well...
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RealBand
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So I am still trying to see what the benefit to Rewire is. Is the idea to make RealBand the host? If so do you have to use Reason products as the slave program? I am sorry but I am just not getting it. Can someone take what Mac put up above and put some actual programs or VSTi's in the diagram to help understand the benefit?
Terry
TerryB
Windows 10, Dell 8700 XPS i7, 12MB Ram.
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RealBand
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Joined: Nov 2008
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PG Music Staff
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PG Music Staff
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There are tons of programs that support ReWire, including those not made by Propellerheads (the guys who make Reason). I Rewire Reason through Cubase all the time so I can use Reason's synths and still be able to handle VSTs and manipulate audio with Cubase. It's a great tool. Here's a few... Ableton Live, Cubase, Torq, Sony Acid Pro, Renoise, ProTools, Fruity Loops, there's a more complete list (and more info) here: http://en.wikipedia.org/wiki/ReWire
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So many people including me have been asking for the VST tempo lock issue to be fixed for so many years now that I'm beginning to think it just can't be done because Peter has said for a long time that they're working on it yet nothing has been announced. Something in the base code is preventing it.
Maybe that's the primary reason they're thinking of ReWire. It's a workaround for that problem as well as adding another wow factor.
Bob
Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
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RealBand
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Joined: May 2000
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Second-guessing a development team isn't worth the time, man.
We aren't privvy to *any* of the hard facts behind the scenes, all we know is that XX doesn't work with YY. Frustrating for some, so the emotions come out.
--Mac
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RealBand
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Joined: Dec 2008
Posts: 226
Apprentice
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Apprentice
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Wow this is funny! I actually converted quite a few of the BB styles to midifiles to try out the gm bank of sounds I made for subtractor. I don't know how good they sound with the rhythms. But I can send you my gm subtractor bank. I intentionally don't make them perfect because arrangement of parts and studio recording wear seperate hats. I will test tomorrow and post my results. There are two seperate threads. BIAB is a practicing program to make you a great musician. Reason is a fun studio with lots of gadgets. They now have mimicked most of the various synthesizer models made. But your programs are really the core of music education. Yes people want the world. Would Biab work with Orion as well. A lot of reason type music is made with arpeggiators and delays and toys that most school trained musicians; ie my music program here is classical. The school owns Reason but they teach no classes that incorporate any of their software including Finale. So the people who are using it are wierdly enough not the music students. Who are extremaly sheltered when it comes to the Jazz and even classical traditions. They seem seperate. I also have over time practiced with the Pianist Series ( What happened there? Why was that not kept going?) and piano unlike guitar is a much more specialized hand instruments. I think peoples hands really allow them to play or not play a lot of things well. What about Sonar? How much of Dr T's KCS Level 2 is still not implemented in Biab or is it all there? I was 19 when I got that with no background. Did you folks play with that. There were no presets for anything Everything was like visiting Aristotle Galileo had not come along and combined the benefits of Aristotles endavors. That is no longer true. Your programs are made the best you can do. I love this company. I will blog about my sucesses or why I think things get hard and I lose my focus. There are so many persuits that how do developers keep their sanity. I am a disabled student with a somewhat solid grasp of the different lines of musical orginization and I drive the dedicated instrumentalists up the wall. They are so confused with what I do and they seem to make excuses for not making the time to respect their Foreign language tempo terms and marks and stuff like that we hate talking about it. but it conveys what we do to our friends. Developers should talk more freely altogether most programs are produced for a very fair price. Heck call Dr T ask him what he thinks? Anyways thanks for sharing Love
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RealBand
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Joined: Jan 2002
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Quote:
RealBand -> Rewire -> Program Host that handles those VSTi's well...
While this is perhaps a work-around PG's current lack of real VSTi support, I don't think this is a solution most people are looking for. It is an option, but not a tidy one typical PG users are likely to work easily with.
Reason users are a minor sized lot here compared to those that have either current frustration with lack of complete VSTi support within PG products; or those like me that have left off using PG products because of the lack of VSTi support.
It also requires basically 2 hosts.
If I knew that I didn't have to have two hosts running in order to get Jamstix and other tempo-locked VSTi inside of RB, I would be signed up right now.
But alas.
So - Peter, if you are still reading all the posts in this thread......
My request: Get VSTi working in all it's glory as with other hosts in RB. Finally make that a top priority.
Then when that is in the box and only then move on to ReWire.
And for those that might still be confused as to what ReWire is:
Think of it as an audio and midi interface that works internally inside your computer so in real-time, one music program sees and interacts with another, in a master-slave relationship.
Respectfully submitted, as nearly countless times in the past on the Wishlist forums,
-Scott Lake
Last edited by rockstar_not; 06/02/09 08:12 PM.
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RealBand
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Quote:
It also requires basically 2 hosts.
If I knew that I didn't have to have two hosts running in order to get Jamstix and other tempo-locked VSTi inside of RB, I would be signed up right now.
Scott,
I'm not following you on the 'two hosts' thing. Both Rewire and VSTi implementation require a host and slave/client. One each. I want to be certain I understand you completely. Please say more.
R.
"My primary musical instrument is the personal computer."
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RealBand
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Quote:
Quote:
It also requires basically 2 hosts.
If I knew that I didn't have to have two hosts running in order to get Jamstix and other tempo-locked VSTi inside of RB, I would be signed up right now.
Scott,
I'm not following you on the 'two hosts' thing. Both Rewire and VSTi implementation require a host and slave/client. One each. I want to be certain I understand you completely. Please say more.
R.
Ryszard,
Let's take for example a very simple delay VST that I use called Bionic Delay. It is a wonderful tape-delay emulation that locks to tempo - that is, I can set the delay parameters in terms of note duration, not milliseconds, in a host that passes this information along through the VST interface. It makes delay setting for tempo a no brainer. PG products do not do this. Hosts that do pass the tempo information along through VST/VSTi are most of them out on the market besides PG products.
In order to make this particular delay work with RB through Re-Wire, I have to host that particular VST in another DAW program that communicates over ReWire. Most VST/VSTi plugins are NOT ReWire slave units. They are designed just to work within the VST/VSTi interface - which is exactly what they should do. Tempo communication in the VST/VSTi interface is bog standard for most DAW software. Because PG wraps VST/VSTi to look like DX/DXi, one of the things that gets lost in the wrapping is the tempo information.
Moving to VSTi we have all of the latest drum software plugins like Jamstix and EZdrummer that require tempo locking between host and VST plugin. In my current host, the sequence tempo information is automatically passed into Jamstix via the VSTi interface within the host. Jamstix 'jams along' with the intensity of either MIDI data or audio data being fed to the Jamstix brain. It is quite magical how it works - and it does work, again with nearly every other DAW software on the market.
Reason is a fairly unique bird. Many people in the electronic & club/dance music world construct their songs within Reason because it is also is a MIDI based sequencing program, but with concentration/specialty in making beats and synth-based music and effecting them. It excels in this arena. Because it does not handle audio recording, many people slave or master it to another DAW program that does accommodate audio, using ReWire. ReWire was likely born out of this necessity to combine MIDI and Audio with Reason users.
For the most part, nobody really needs ReWire support from PG products; excepting those using Reason. On the other hand, VST/VSTi users could all benefit from better VST/VSTi implementation in PG products without needing ReWire whatsoever.
Mac pointed out a way that ReWire support could help - but it does require another DAW or at minimum VST/VSTi host that has both ReWire AND VSTi support.
Mac's chain that he pointed out was right on the money - but it involves a rather expensive and unnecessarily complicated middleman in the additional host/DAW requirement.
RB as the ReWire master - VST Host of choice as ReWire slave hosting Jamstix for example
instead of
RB hosting Jamstix directly
Or RB track getting effected with a delay that is tempo locked, etc.
Hopefully this makes sense what I've explained here. Perhaps send me a PM if not.
It would work - but it would involve purchase of another DAW software for most users of PG products.
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To add to this discussion, one could add a simple DAW as a slave like Cakewalks MC5, or Reaper to tempo lock the VSTi, and then send the midi data from RB to say MC5 thru rewire, and then out of jamstix.
Until MC3, and or Sonar 4 Cakewalk was also a DX based and therefore used a VST wrapper to make VST and VSTi plugs work as DX and DXi plugs, that was nice but kind of shakey.
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB/RB 2026, Reaper 7, Harrison Mixbus 11 , Presonus Audiobox USB96
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Quote:
To add to this discussion, one could add a simple DAW as a slave like Cakewalks MC5, or Reaper to tempo lock the VSTi, and then send the midi data from RB to say MC5 thru rewire, and then out of jamstix.
Until MC3, and or Sonar 4 Cakewalk was also a DX based and therefore used a VST wrapper to make VST and VSTi plugs work as DX and DXi plugs, that was nice but kind of shakey.
I think the point is that requiring a separate host to simply host VSTi and then needing ReWire support between RB and that host, seems to be a kludged way of getting VSTi tempo locking- and rather expensive, when nearly all other sequencing/DAW programs that claim VST/VSTi support do tempo locking to VST/VSTi as a matter of standard practice.
Which would you rather have?
1. RB-->Tempo Locking for VST/VSTi native
2. RB-->ReWire-->DAW that has tempo locking for VST/VSTi native
I'd rather have #1. Much less complicated from a user standpoint.
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And less CPU!!
This has been a big obsticle for me from day one. I love PG stuff but this takes me back to MC 2003 with cakewalk, and I did not use it much because of that.
Now I do use RB all the time, but not for original sequencing all that much. For me it is my backing "Real Band"
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB/RB 2026, Reaper 7, Harrison Mixbus 11 , Presonus Audiobox USB96
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Rewire and the proper application of VST technology are two different things and IMO should be treated as such.
No reason we can't have both.
--Mac
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Quote:
Rewire and the proper application of VST technology are two different things and IMO should be treated as such.
No reason we can't have both.
--Mac
I can agree with that with the hope that priority of effort is planned for proper VST application.
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I agree as well mac, but I also agree with RS fix what is lacking before adding a new feature. VSTi full implimentation would benefit far more people than Rewire, but ultimatey both would be very cool
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB/RB 2026, Reaper 7, Harrison Mixbus 11 , Presonus Audiobox USB96
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Ask sales and support questions about Band-in-a-Box using natural language.
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- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!
It's the perfect time to expand your Band-in-a-Box® style library with XPro and Xtra Styles PAKs. These additional styles for Band-in-a-Box® offer a wide range of genres designed to fit seamlessly into your projects. Each style is professionally arranged and mixed, helping enhance your songs while saving you time.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
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