I definitely like the Gladys Knight version of Grapevine better.
When Motown was courting us and we got to record in the newer Motown Studios I met the "Funk Brothers" but they weren't called "Funk Brothers" back then. Nice people and very accomplished musicians. Members of the Detroit Symphony used to come in for the string and other parts as well.
Elvis Presley's version of "Fever" is better than the Peggy Lee or the Little Willie John versions.
(disagreement) I like the original Jimmy Jones' "Handy Man" better than James Taylor's and Henry Mancini's version of "Peter Gunn" better than Duane Eddy (although I played the Duane Eddy version a lot) but I guess it comes down to personal taste.
Willie Mae "Big Mama" Thornton (December 11, 1926 – July 25, 1984) was an American rhythm and blues singer and songwriter. She was the first to record Leiber and Stoller's "Hound Dog" in 1952,[1] which became her biggest hit. It spent seven weeks at number one on the Billboard R&B charts in 1953[2] and sold almost two million copies.[3] However, her success was overshadowed three years later, when Elvis Presley recorded his more popular rendition of "Hound Dog".[4] Similarly, Thornton's "Ball 'n' Chain", had a bigger impact when performed and recorded by Janis Joplin in the late 1960s
I like Dwight Yoakam's version of Suspicious Minds better than Elvis's so I guess I'd better duck and hide as well lol.
And yeal, Joe Cocker had a bad habit of taking a song and making it his own with fantastic results (imo of course). Here's another good example: https://www.youtube.com/watch?v=Vrv9slgO7Ic
Of course it helps when the whole band is hotter than firecrackers. Stainton is killin' those Leon licks on piano.
Going off topic a little, but speaking of Stainton, this video is worth watching to the end in spite of bad sound just to see him in action. https://www.youtube.com/watch?v=hktxYR8dIPg
Hound Dog - Big Mama Thornton's is IMHO light years better than Elvis' version.
OK, here come the Elvis fans. :>
Later,
Elvis fan (more with each passing year) coming out of the woodwork!
I agree with you; Big Mama Thornton's version is light years better than Elvis' version!
Some info that I picked up along the way: (Many sources, but probably initially "Rockabilly Road Trip", a radio show.) Wikipedia has a detailed history of the song. (BTW, Wikipedia calls "Hound Dog" Elvis' biggest seller, ignoring the fact that the flip side was "Don't Be Cruel", which spent more weeks at #1, and was on the charts longer than "Hound Dog".)
"Hound Dog" was written for Big Mama Thornton by Jerry Leiber and Mike Stoller. One can argue that they had an emotional attachment because it was their first big hit.
They hated the Elvis version. Then the royalty checks started coming in. But more importantly they got entre to Elvis, something that worked out great for Elvis and Leiber/Stoller.
Turns out that Elvis didn't really cover Big Mama Thornton, per se.
When Elvis played Las Vegas the first time in 1956 (a massive failure, the older casino crowds weren't ready for him), he saw Freddie Bell and the Bellboys, a group from Philadelphia. He kept going back, many times.
Freddie played a rockabilly version of "Hound Dog"; it was this version that "got covered". Freddie had cleaned up the lyrics for radio. Elvis recorded it almost immediately.
"Hound Dog" Freddie Bell and the Bellboys (1956 ???)
This is not Freddie Bell's original recorded version. Included because who knows how they were performing the song in 1956 when Elvis saw them; also for a photo of the group.
This record had been out for 3 (!!!) years when Elvis recorded "Hound Dog". Big Mama Thornton didn't sell less because of Elvis; she sold far more. Freddie Bell, on the other hand...
Post-mortem (unrelated): I saw an interview with a very old guy, one of the Four Aces.
(The Four Aces had mostly ballad hits, harmonized, in the early 1950's. "Sin", "Stranger In Paradise", "Three Coins In A Fountain", "Melody Of Love", and "Love Is A Many Splendored Thing" were each #1 records for them.)
Elvis also went to see the Four Aces when he was in Las Vegas in 1956. He sat in the front row. He asked if he could sing with them.
Reluctantly they said yes.
This man spoke glowingly of Elvis. He said that Elvis knew every part to every song the Four Aces sang!
Elvis Presley was a musical sponge. He may not have had formal training, but he was an incredible musician nonetheless.
I am an Elvis Presley fan, he was a great natural singer, and did some great songs.
IMHO His "Reconsider Baby" is much better than Lowell Fulson's and he did a lot of other great songs. On the other hand, he did a lot of kitsch too; "Rock-a-hula Baby" will never be on my iPod but "Are You Lonesome Tonight" is. His English derivative take on "O Sole Mio" retitled "It's Now Or Never" is even a very nice cut.
But I tend to prefer the older Elvis cuts.
Bobby Darin turned the corny Tin Pan Alley song, "You Must Have Been A Beautiful Baby" into a damned decent rock song, and his take on "Mack The Knife" has stood the test of time to become the definitive version of that song.
I still tend to prefer the vast majority of the originals to the covers, but there are many delightful exceptions.
I agree about the Darin covers of "Mack" and "Baby". I think Bobby Darin also had great covers of "Lazy River" and "Beyond The Sea" ("Le Mer"). I'm probably in a tiny minority, but I prefer Bobby Darin"s cover of Nat King Cole's "Nature Boy", though I love Cole's too.
Originally Posted By: Notes Norton
... Elvis Presley's version of "Fever" is better than the Peggy Lee or the Little Willie John versions. ...
Yes! Yes! Yes!
Elvis does Peggy Lee's version (I think with one more verse), but the things that make it the Elvis version for me are the amazing percussion (Buddy Harmon, I guess) and the significant improvement in fidelity. The percussion sounds surprising and wonderful, each time, to me.
The Elvis recording was the last one I got. Oddly, I got Little Willie John's version first.
Here's a cover of "Fever" that I also love. It's one of the strangest recordings that I have. Though completely different, to me it is the equal the Elvis record.
Elvis and Peggy Lee have a "cool" fever. Ray Peterson is burning up!
"Fever" was Ray Peterson's first recording. A few years later he had success with "Tell Laura I Love Her", "Corrina, Corrina", and "The Wonder of You". He never showed this vocal capability on those records. (I got a Bear Family CD of him.)
The close of Ray Peterson's version is astonishing to me. I'm probably the only one, but that's OK! I've never heard anything quite like it.
I agree about Elvis being an outstanding cover artist!
Here are four that I think are amazing; each is so different from the original that the contrast is startling. The first was mentioned by Notes Norton.
"Reconsider Baby" Elvis Presley 1960
This was a jam session for fun after the session was over, at 5:00 or 6:00 AM. Note that there's no reverb on Elvis (not intended to be a record, but thankfully Bill Porter rolled the tape) and that Elvis is calling the shots. (One of my all-time favorite recordings.) Cover
"One Night Of Sin" was co-written by Dave Bartholomew, Fats Domino's band leader. I have Smiley Lewis' original, Fats' cover, and Elvis' cover. Love the song.
"One Night With You" Elvis Presley 1958 Paradoxically, the Elvis record has cleaned-up lyrics, but compared to the other two, is filthy! (One of my all-time favorite recordings.) Cover
Many songs are performed today (roughly) using Elvis' arrangement. It's unusual to hear "Blue Christmas" done today like Earnest Tubb did it.
"Blue Christmas" Elvis Presley 1957 I love Millie Kirkham's etherial vocal! Interesting info on the Jordanaires arrangement on wikipedia. Cover
"Blue Christmas" Ernest Tubb 1949 This version popularized the song, but strictly speaking was not the original. Original
Scads of Chuck Berry covers, deservedly so. Some are excellent. IMO, this one is the best, and the only one that crushes Chuck's original. An absolutely incendiary recording. This record should be played LOUD!
"Promised Land" Elvis Presley 1974 James Burton ("Suzie Q" lick at age 16, Ricky Nelson's guitarist) on guitar. (One of my all-time favorite recordings.) Cover
... Going off topic a little, but speaking of Stainton, this video is worth watching to the end in spite of bad sound just to see him in action. https://www.youtube.com/watch?v=hktxYR8dIPg
Wow! Chris Stainton's piano solo is long and complicated! (I bought the single of Eric Clapton's "Cocaine" (cover of J.J. Cale) when it came out, cause I couldn't wait!)
Here's a cover with piano play that I really like:
For me, easily Johnny River's best, and heck, to me, a perfect record!
"Rockin' Pnemonia and Boogie Woogie Flu" Johnny Rivers 1972 Larry Knechtel, pianist (One of my all-time favorite recordings.) Cover "Rockin" Pnemonia and Boogie Woogie Flu" Huey "Piano" Smith and The Clowns 1959 Original
Here are a couple of Bo Diddley covers that I really like:
"Love Is Strange" Mickey and Sylvia 1956 (One of my all-time favorite recordings.) Cover
Bo Diddley used his wife's maiden name on the copyright so Leonard Chess would not find out that he gave the song to Mickey and sylvia.
"Love Is Strange" Bo Diddley 1956 (unreleased) Original
"Before You Accuse Me" Creedance Clearwater Revival 1970 My favorite recording from CCR. (One of my all-time favorite recordings.) Cover "Before You Accuse Me" Bo Diddley 1957 Original
"Rockin' Pnemonia and Boogie Woogie Flu" Johnny Rivers 1972 Larry Knechtel, pianist
Knechtel was a marvelous example of what a Jazz/Bebop and gospel trained pianist could bring to sessions.
For the Rockin' Pneumonia thang he called up his knowledge of the New Orleans blues piano styles in between the original pianist's hooks and did it so well that it defined that tune, man. Larry added LEFT HAND BOOGIE to it as well...
He is also the guy responsible for Simon and Garfunkel's "Bridge Over Troubled Water" hit. The story is that Larry went home and worked out that "gospel church" piano part, which completely changed the thing from a strummed guitar tune that he heard Paul play into the classic in its own right.
I agree about the Darin covers of "Mack" and "Baby". I think Bobby Darin also had great covers of "Lazy River" and "Beyond The Sea" ("Le Mer"). I'm probably in a tiny minority, but I prefer Bobby Darin"s cover of Nat King Cole's "Nature Boy", though I love Cole's too.
Yes, Bobby D was a National Treasure AFAIC.
I always dug his kinda "cakey-pop" version of Nature Boy too, although I also always thought that the female background vox were a bit derived, but then along came Kurt Elling around 2000 and:
Another great Jazz Pianist, Laurence Hobgood, all over the arrangement that he likely had the most hand in creating:
Nature Boy was written by a rather odd egg, one Eden Ahbez, who lived outdoors underneath the big Hollywood sign, among other oddities. It was possibly the only song he ever wrote, certainly the only one to become any sort of hit or make money. Go figure.
Anything written by Leonard Cohen - get Jennifer Warned to sing it. As on "Famous Blue Raincoat" album.Awesome! The Beatles "Hey Jude". A great tune ruined by self-satisfyingly indulgent and stupidly unnecessary long, long, long Outro. Check out The Shadows version. Yeah, I am biased!!
Old Guys Rule.The older I get,the better I was! BB2023 ULTRA, 1013, Win 7 and 10
Many times it comes down to which you heard first (and most). I had a guy tell me, after seeing "The Buddy Holly Story", how Buddy did a lot of Linda Ronstadt songs...
I ran into an Eva Cassidy fan who almost wanted to fight because I told him "It Doesn't Matter Anymore" was written by Paul Anka in the 50s. He swore Cassidy wrote it. Meanwhile, the lineage of that song is Anka to Holly to Ronstadt to Cassidy so he heard it 4th generation and just didn't know any better. (I think Ronstadt's version was the best of them. Why? I heard that one first. The original uptempo versions seemed too "choppy" to me after hearing her folkier rendition.)
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!
It's the perfect time to expand your Band-in-a-Box® style library with XPro and Xtra Styles PAKs. These additional styles for Band-in-a-Box® offer a wide range of genres designed to fit seamlessly into your projects. Each style is professionally arranged and mixed, helping enhance your songs while saving you time.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
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