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Here I am back again with one so fresh out of the cooker I haven't even listened to it on SC myself!  Spent the last two days on this short piece, hard to believe. Anyway, even if you hate jazz and love classic, I'm confident you'll like this acoustic jazzy take on Master Chopin Prelude in E minor And for the formalities, from song memo: RealTracks in style: ~1204:Bass, Acoustic, GypsyJazzBallad Sw 110 RealTracks in song: 1207:Fiddle, Soloist GypsyJazzBallad Sw 110 RealTracks in song: ~951:Guitar, Acoustic, Rhythm CountryBoogieMuted Sw 110 RealTracks in style: ~1210:Guitar, Acoustic, Rhythm GypsyJazzBalladJohn Sw 110 RealDrums: RealDrums in Style: GypsyJazzSw: a: GypsyJazzSwb: GypsyJazzSw
Just because you can, doesn't mean you should! ---------------------------------------------------------------------- BBox 2022 Audiophile, Mac Pro Intel, OSX 10.6.8, 800x600 (TV VGA)
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Nice arrangement and great choice of instruments. This is a fun listen.
Charlie
BIAB 2026:RB 2026, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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It's certainly a much more upbeat version than the original!  Well done!
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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This worked out good.... I always recommend that you listen to the mix after you convert it to MP3, and again after you upload it before you post the link.
In this case nothing went wrong but.... trust me when I say it can and sometimes does. I've had conversion issues, clicks, pops, and other abnormalities appear in a mix upon the upload.
Nice work.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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This worked out good.... I always recommend that you listen to the mix after you convert it to MP3, and again after you upload it before you post the link. A good reminder, thanks! In my eagerness to get it up & out for "ya'll", I took the short cut on this one and uploaded straight from BBox, hence not hearing the compressed m4a until after it was all over and done with. But you are of course quite right, things can and do sometimes go wrong in the rendition, have for me as well (piano is too bright in my previous Vem Kan Segla, for instance). I guess I just was fortunate this time - but point duly noted.
Just because you can, doesn't mean you should! ---------------------------------------------------------------------- BBox 2022 Audiophile, Mac Pro Intel, OSX 10.6.8, 800x600 (TV VGA)
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Hi Icelander,
cool version. I like your choice of RTs and the breaks. Enjoyable listen.
Guenter
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As I consider myself quite the entertainer at heart, I'm very much appreciating the words "fun" & "enjoy" in your feedbacks here already. Thank you kindly! 
Just because you can, doesn't mean you should! ---------------------------------------------------------------------- BBox 2022 Audiophile, Mac Pro Intel, OSX 10.6.8, 800x600 (TV VGA)
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Nice. I used to play with a friend who played wonderful gypsy jazz fiddle. It definitely kept me on my toes playing my acoustic bass with him. And I've always been a major fan of both Stephane Grappelli and Django Reinhardt so the groove definitely worked for me. Enjoyed it.
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! A few of our videos are here on our website: https://www.janiceandbud.com/our-music.html
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It's certainly a much more upbeat version than the original!  Now, this is an interesting observation. See, while I quite agree with your statement, I can't quite put a my finger on just why this is the case. What I mean is, in terms of definable, concrete elements of the construction, I haven't really changed all that much when compared to the original piece: The key is the same, tempo is (almost) the same, as are the bulk of the chord progressions, including positions and sliced (of which there turned out to be a lot, let me tell ya). Even the basic 'on the beat' pattern is already present in the original. So... if we're to get a bit analytical here, just for 'fun', how do we explain this one? Where or in what does that 'upbeat' effect lie? 
Just because you can, doesn't mean you should! ---------------------------------------------------------------------- BBox 2022 Audiophile, Mac Pro Intel, OSX 10.6.8, 800x600 (TV VGA)
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Now that is quite a little gem! A swinging, jazzy music box with an elegant, classic melody inside. Short and sweet and... listening again. Yup, that's nice alright. And cool.
Thanks for sharing, Bruce
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Thank you likewise for commenting 
Just because you can, doesn't mean you should! ---------------------------------------------------------------------- BBox 2022 Audiophile, Mac Pro Intel, OSX 10.6.8, 800x600 (TV VGA)
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So... if we're to get a bit analytical here, just for 'fun', how do we explain this one? Where or in what does that 'upbeat' effect lie?  In original, the music is much more halting and tentative. Chopin has a single instrument, with an intimate feel. The music halts and falters, moving to a whisper and back, ending with a series of ponderous chords. It changes. In your version, the intimate piano is replaced with an upbeat dance band. It is faster, and plays with a confident, steady beat - all hesitation gone. Where Chopin ritards, you proceed without hesitation. Where Chopin whispers, you keep the same volume. It feels like a ship out for a jaunty ride on the lake, happily bobbing along. Does that start to answer the question? 
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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Hey Ice, I loved this one! very sweet arrangement. I dabbed myself in classic arrangement into jazz years ago and is fun. I might re-arrange some of them using the new rt's available now. Take care
Mike B.
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So... if we're to get a bit analytical here, just for 'fun', how do we explain this one? Where or in what does that 'upbeat' effect lie?  In original, the music is much more halting and tentative. Chopin has a single instrument, with an intimate feel. The music halts and falters, moving to a whisper and back, ending with a series of ponderous chords. It changes. In your version, the intimate piano is replaced with an upbeat dance band. It is faster, and plays with a confident, steady beat - all hesitation gone. Where Chopin ritards, you proceed without hesitation. Where Chopin whispers, you keep the same volume. It feels like a ship out for a jaunty ride on the lake, happily bobbing along. Does that start to answer the question?  If "start" be the key word here, then yes I'd certainly say it does, and quite nicely at that. I particularly liked your visual "bobbing ship" analogy, such a poetic touch  A quick one back re the 'ponderous chords' bit. I tried my best to pick them up and follow, did you feel mine were noticeable different in some big ways?
Just because you can, doesn't mean you should! ---------------------------------------------------------------------- BBox 2022 Audiophile, Mac Pro Intel, OSX 10.6.8, 800x600 (TV VGA)
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Hey Ice, I loved this one! very sweet arrangement. I dabbed myself in classic arrangement into jazz years ago and is fun. I might re-arrange some of them using the new rt's available now. Take care
Mike B. Go for it! Oh, and then share, of course, I for one am most interested in how others do this sort of thing 
Last edited by Icelander; 10/15/14 07:35 PM. Reason: Afterthought addendum
Just because you can, doesn't mean you should! ---------------------------------------------------------------------- BBox 2022 Audiophile, Mac Pro Intel, OSX 10.6.8, 800x600 (TV VGA)
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A quick one back re the 'ponderous chords' bit. I tried my best to pick them up and follow, did you feel mine were noticeable different in some big ways? Sorry, I should have been more clear. I was referring to the chords Chopin uses in the final cadence.
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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Sorry, I should have been more clear. I was referring to the chords Chopin uses in the final cadence. Ah right, no problem. I likewise should have kept it less vain there, I'm sure  Back to being clinical then, if I can: Melody! It occurred to me that's surely a factor here, probably the biggest, even? I mean, going from the floating, somber style of the original to the laid back 'bouncy' style in my rendition has to add to that whole 'upbeat'.. or maybe I'm just stating the obvious here, what say you? 
Just because you can, doesn't mean you should! ---------------------------------------------------------------------- BBox 2022 Audiophile, Mac Pro Intel, OSX 10.6.8, 800x600 (TV VGA)
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Very cool rendition of this piece!! I don't know that much classical music but I recognized the melody, and it worked great in its different skin. Very cool stuff!! And, BTW, you should definitely stick around on this forum which is friendly, fun, fantastic, and fiendishly creative (and that's just the Fs). Love hearing what you're doing. Take care. Greg
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Interesting take on the classics, Eddie. Sounds good.
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[I mean, going from the floating, somber style of the original to the laid back 'bouncy' style in my rendition has to add to that whole 'upbeat'.. or maybe I'm just stating the obvious here, what say you?  Not necessarily. Many "sad" songs in minor keys are perceived as more upbeat as their tempo increases - one of the things you did. And by making the tempo regular instead of much more rubato, you changed the interpretation of phrases as distinct "gestures", putting the focus on staying on beat and a steady tempo, instead of looking at each bit as an expressive and independent gesture. In perceiving music, there's a tendency to map the tempo and rate to physical motion. Thus the interpretation of "halting" or "hesitating". Having a steady tempo removes that from the music. It's a bit like auto-tuning. The notes remain the same, but amount of pitch variation within the note is altered. Similarly, the position of the events in you song remain the same, but rate of change - which contains a lot of emotive power - is removed. You haven't quantized the placement or tempo - you've made the rate of change a constant.
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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Ask sales and support questions about Band-in-a-Box using natural language.
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Introducing XPro Styles PAK 11 – Now Available for Mac Band-in-a-Box 2026 and Higher!
XPro Styles PAK 11 for Mac & Windows Band-in-a-Box® version 2026 (and higher) is here with 100 brand new RealStyles, plus 31 RealTracks/RealDrums!
Guess who’s back again? That’s right! It’s our XPro Styles PAK’s triumphant return with the 11th edition in this series! 100 new styles are coming your way spread across the rock & pop, jazz, and country genres. And this edition's wildcard genre explores the immense and far-reaching catalogue of electronic music! The included 31 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Special offers available until August 31st, 2026!
All the XPro Styles PAKs 1-11 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 11 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2026 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 22 – Now Available for Mac Band-in-a-Box 2026 and Higher!
Xtra Styles PAK 22 for Mac & Windows Band-in-a-Box version 2026 (and higher) is here with 200 brand new RealStyles!
It’s time to celebrate! Xtra Styles PAK 22 for Band-in-a-Box® is here, and we've got 200 brand-new styles coming your way!
No Xtra Styles PAK is complete without the classic rock & pop, jazz, and country volumes you know and love, and we’ve got plenty to share, with 150 styles spread across too many genres to list! Of course, it also wouldn’t be complete with our special wildcard volume to add a little spice and pizzazz to the mix. This year, because we loved it so much the first time, we’ve decided to make the second iteration of our SynthMaster volume, full of new sounds, interesting genres, and 50 engaging styles, all making use of the diverse SynthMaster plugin! Here you can find genres such as airy yacht rock, sultry electrotango, and even some synth soca funk. Don’t wait, pickup up Xtra Styles PAK 22 today!
In this PAK you can find: dulcet folk ballads, funky gospel country, Brazilian jazz fusion, upbeat 1980s pop, classic Americana, a plethora of breezy bossa novas, indie singer-songwriter, scintillating synthwave, exuberant electronica, and many, many more!
Special offers available until August 31st, 2026!
All the Xtra Styles PAKs 1-22 are on special for only $29 each (reg $49), or get all 22 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 22.
Video: Xtra Styles PAK 22 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 22 requires the 2026 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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