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#35850 09/09/09 12:39 PM
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swanman Offline OP
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After taking the advice of some of you guys I re-did this song from scratch. Opinions and critiques appreciated as always. Signature click when you have 3 minutes please.

swanman #35851 09/09/09 05:41 PM
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I can easily hear *every word*.

Good thang.

Sounds like yer channelin' early Zappa now.

'Nuther good thang.


--Mac

Mac #35852 09/10/09 06:14 AM
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Brilliant Swanny!

Now for my usual nitpicking:................ehm.................sorry, I can't find anything wrong

PRO-stuff!

swanman #35853 09/10/09 06:55 AM
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Super clarity, nice space yet it still sounds full but not overpowering. Guitarist David Lindley comes to mind for his recording work with Jackson Browne. Ending option . . .slo-o-o-w fade.
Ready for prime time.

Ian


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Ian Fraser #35854 09/10/09 08:46 AM
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Quote:

... Ending option . . .slo-o-o-w fade.
... Ian




There's an idea with merit worth trying.



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Mac #35855 09/10/09 11:52 AM
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Get Vegas and do a Video like Carlos submitted a couple of weeks back...in fact get Carlos to take a chorus or two....
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swanman #35856 09/10/09 12:44 PM
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Nice mix, guitar work is excellent. Good clean vocal.

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PgFantastic #35857 09/10/09 02:27 PM
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Nice work. Fade to black...


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WienSam #35858 09/10/09 04:21 PM
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I don't recall what the suggestions were, but this take has a more spacious feel. I remember that it sounded like you were using a slightly-overdriven spring reverb on the original voice track. I like this one better. The slow fade would be one way to go out. Great playing as usual. It's fun watching you absorb everything that's being thrown at you. I hope you agree that the results are worth it.

R.


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WienSam #35859 09/10/09 04:22 PM
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Super, again great chops man!

I like Ian’s idea of a slow fad though.


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MarioD #35860 09/10/09 06:41 PM
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Thanks much guys, as always. I'll try to get that slow fade thing, if i can, off audacity.

swanman #35861 09/10/09 09:14 PM
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Yeeaahh!

That's more like it - now we can hear your vox. Pretty good timbre for blues. I'd be up for laying some B3 in behind your guitar if you have interest. PM me if so.

The reverb on the vox still sounds like it might be spring reverb. You could dial that back even more; switch to a different type of reverb. The long fade would be a good idea.

The last rapid fire arpeggios sound much better without all the delay (if I remember the original correctly). In a way, they don't fit with the vibe of the rest of the song. Instead of the rapid fire, after those cool licks in the 3:10-3:20 area, consider going back to the long held upward bent notes you started the solo off with around the 2:20 mark and then the slow fade - maybe dial up wet/dry mix on the guitar reverb as you fade out - gives an impression of walking off into the smoky distance.

I think I've said this before about your playing - but you do a great job avoiding the tonic on ending your phrases. Recalls some Santana, a little Jeff Beck, etc. Nice.

I really hope you consider doing more singing. It's cool.

-Scott

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