I'm posting this kind of in response to the "why midi" thread. The original "solo" (created by BIAB melodist) was actually a different instrument altogether (vibes, I think) that I patched into a trumpet in the Kurz. I eliminated the double-stops, edited some notes and durations, and added some trills here and there in piano roll, and I think the trumpet, though it might not fool a trumpet player, sounds as good as a real one to the casual listener.

On the other hand, the strummed guitar doesn't sound as good. It's all about the sounds with midi, but coaxing the performance you want out of a midi track is not that difficult. If I can do it, most anybody can.

The original style was:

Style is MILESFNK.STY (Miles Slow Funk (Fusion)

I added 2 RealDrums tracks to the formerly "final mix", sp I guess this one is the new final mix. Unfortunately, I've lost the BIAB files to say which RD's I used, but both were 16th jazz drums playable at this very slow tempo. I used two because I'm fond of busy drums, and neither was exceptionally loud.

Bittersweet 16

Another advantage to midi in this piece was that it gave me the jazz chords I asked for. The keyboards also delivered a melodic riff that the trumpet could play against.

I hope you enjoy. Try not to fall asleep listening.

BIAB 2021 Audiophile. Windows 10 64bit. Songwriter, lyricist, composer(?) loving all styles. Some pre-BIAB music from Farfetched Tangmo Band's first CD. https://alonetone.com/tangmo/playlists/close-to-the-ground