Clever work, Steve

I guess the principle is that if anything is played quickly enough, and it's scale-based, it will alternate with being both consonant and dissonant with whatever the underlying harmony is provided the harmony is diatonic. In short, with fast, scale-based licks against diatonic harmony, you can never really be "out of tune" unless you stop on a discordant note. I'd never thought about that before. Thanks for teaching me a new trick!


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