I'm not sure the new versions are improvements on the old. It's not like they needed fixing or anything.

In the new version it feels like everything has been turned up in the mix. There's certainly a lot less dynamic range.

The vocal feels like it's been hyped in the high end, which sounds more modern, but makes it a bit less integrated into the mix.

On "Superstar" the final choruses lose a bit of their punch because there's less contrast with the verse, and louder hi-hat and bass on "For All We Know" makes it feel rushed and busy.

Then again, I'd have "corrected" the /S/ on "two of us", so props to Richard for maintaining the integrity of the vocal. laugh

Backseat mixer grumbling aside, it's good to hear these songs revisited.

Last edited by dcuny; 11/12/19 01:11 PM. Reason: Typos galore.

-- David Cuny
My virtual singer development blog

Vocal control, you say. Never heard of it. Is that some kind of ProTools thing?