You can see that in this video.
Very interesting and a great jazz feel in that track. So everything BiaB except for the soloing guitar?
No. Everything BIAB. The solo guitar has since been replaced — maybe, if the client likes the new track.
I can see the extensive editing that you did. A lot of splicing and moving things around to get the syncopation and time signature you wanted. Very cool. I need to factor that into my thought processes and final workflow. Great work.
It’s not as much as it looks. I had to cut in different spots among the tracks to include the associated beats in a group but then I moved them all together. Every edit was centered on the drum downbeat. As you can see by comparing to the metronome, they often fell on either side of the click — again, all BIAB and I was not going to disturb the feel by quantizing.
What you don’t see is the guitar track I used as a guide (originally recorded to that click). By using those hits instead of centering equally between the metronome marks, the result has a more musical feel. Near the end, he made one hit in the mathematical center—I was so surprised that I double-checked to make certain t wasn’t my mistake.