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Band-in-a-Box for Windows
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Joined: Feb 2008
Posts: 131
Apprentice
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OP
Apprentice
Joined: Feb 2008
Posts: 131 |
2008.5 Working on "Here's That Rainy Day" using ZZBOSSA.STY. I have an E7 set for a full bar, but the guitar plays an E7 to a D then back to the E7 within the bar. The piano does not do this, so I don't want the guitar to change.... Using the Edit Current style - I mute everything but the guitar and play each pattern... The tone is vibes (?) - so when the tone switches pitch, is this the E7 to the D? And if so, I simply 'cut' this pattern? The more I get into this, the more confusing it gets!! Thanks...
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Band-in-a-Box for Windows
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Joined: Jan 2003
Posts: 5,163
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Veteran
Joined: Jan 2003
Posts: 5,163 |
Try inserting another E7 where it changes to the D. It will change up the rhythm for that cell, but it should stick to the E7 chord.
Trax
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Band-in-a-Box for Windows
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Joined: Dec 2002
Posts: 13,032
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Veteran
Joined: Dec 2002
Posts: 13,032 |
Quote:
2008.5 Working on "Here's That Rainy Day" using ZZBOSSA.STY. I have an E7 set for a full bar, but the guitar plays an E7 to a D then back to the E7 within the bar.
The more I get into this, the more confusing it gets!! Thanks...
Well it is not the guitarist exactly, but rather the Style which tell the guitarist to move around a bit, stepping back to the D for a little tension and then resolving back to the E (just like a real guitaris might do under the right circumstances). But obviously, not always what you want done.
The suggestion to fill the bar with E7 should work - does it??
Otherwise you could try a different style - not alway practical. Or you could freeze the track and edit the actual midi notes.
And by the way, I agree it is confusing when you actually look at what the notes the style is playing over your chords. 
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Band-in-a-Box for Windows
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Joined: Sep 2003
Posts: 8,333
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Veteran
Joined: Sep 2003
Posts: 8,333 |
Ok, so there we are, having a post meal cocktail, a nice Drambuie and coffee, a few crumbs on the white linen table, remembering how after a nice steak it was customary to break out a cigar and the Maitre'd would come over and clip it and light it. There a few couples holding hands, the summer rain is streaking the windows with an occasional clap of thunder and you are on the keys, playing "Here's that Rainy day", and all of a sudden Oliver Gannon has the gaul to seek resolution and he throws in an extra riff.
I, in anger at the unexpected chord slap at the crumbs on the table and stomp out, I'm not having it....
You, as the leader roll you eyes at Terry Clarke and shrug your shoulders at Neil on bass.....and make a note to fire the dolt for doing that when the lead sheet does not show that at all...
Now I'm being arrested for leaving without paying...and you need a new guitar player.
Nah, guess what. Stuff happens.
Given your posts to date, I think you need another kind of software, where you input everything that goes on. Band in a Box is too loose for what you want to do, which is Total control. Bear in mind, that even if you do, and publish parts for multiple instruments, the person who purchases it will:
1. Change the tempo and cross yours out. 2. That p in bar 12 becomes an Mf. 3. Several bars have been crossed out. 4. Parts are marked in as Intro A B and someone wrote in red on the margin I A A B A B X 5. Extra chords are written in and some bass notes are added. 6. Your name is crossed out and it says Arr. J. C. 2009
Whoops.
Note: I got a leadsheet like that yesterday for "SleighBells". And the stuff in the margin got crossed out at band and changed. If it turns out OK I'll post it on Youtube in a few weeks.
In music it matters if: 1. It sounds ok. 2. You can still discuss the price of silver while the Band plays on. 3. You leave with a few melodies in your head. 4. None of the players has noticeable body odour.
Note: My new rule, made up last night at rehearsal.
If you have notes left over after the band is done playing, don't play them.
I'm still getting emails from band members laughing 24 hours later.
John Conley Musica est vita
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Band-in-a-Box for Windows
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Joined: May 2000
Posts: 38,502
Veteran
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Veteran
Joined: May 2000
Posts: 38,502 |
Good post, John.
LOL
--Mac
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Band-in-a-Box for Windows
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Joined: Feb 2008
Posts: 131
Apprentice
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OP
Apprentice
Joined: Feb 2008
Posts: 131 |
Appreciate your comments... and their tongue-in-cheek sarcasm... I know that 'stuff happens', but I use BIAB to avoid just that.... so there are no 'surprises' on stage from my 'band', only whatever ones I or my vocalist choose to add....
I obviously need an upgrade to 2010 or 2011, but simply cannot afford it at this point... I'm sure that would give me whatever I am currently lacking and more - with RT and RB..... I'm hoping Santa is generous this year...
Working with BIAB has been a great experience - and I am constantly learning with it - and I know I have only scratched the surface of what it is capable of.....
I don't mean to 'criticize' - rather just simply trying to understand.... having been a programmer for 20+ years, that's the way my brain works....
Thanks.
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Band-in-a-Box for Windows
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Joined: Dec 2002
Posts: 13,032
Veteran
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Veteran
Joined: Dec 2002
Posts: 13,032 |
John, exactly what I have been thinking and seeing in a series of threads recently. I have to admit I sometimes have no idea what your are talking about,  but this time uou nailed it perfect. 
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
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- SynthMaster Sounds Set 1 (with audio demos)
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- Instrumental Studies 25 - Soul Jazz Guitar Soloing
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