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Thank you for your kind review J&B. Yes, a tough subject and lesson that we each generation has to learn. Too often they learn the hard way. Appreciate your kind words and listen. Kind regards.
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Hi, Jim. I think about this from time to time. The Intellectual Property, such as it is, will likely be available publicly for a short time, and then evaporate. So it goes. Notionally, the musical hardware that I can't transfer to others first ends up in the hands of students somewhere. I sell a lot of gear, primarily guitars. If the buyer is a kid, I usually just give it to them. Sometimes I'll throw in other stuff they need like amps, straps, cords, etc. I mean, it's only STUFF, right? I need to do some more work on how to formalize all this for those that have to clean up the mess, assuming I don't clean it up first. Then again, we don't always control the timeline...
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Thanks for the suggestions and comments. I'm working on a new format that uses the BIAB chord sheet for the video. I work on it some today and will try to finish it tomorrow. I mean, BIAB already has the chord sheet video render capability so I might as well make use of it. Another thing that I worked on today is learning to use my mixing plugins a bit better. This is quite a lot of fun making music with BIAB.
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All of the forums I visit have senior age members that are increasingly discussing what is the best way to handle their "stuff". Generally the "stuff" is music instruments, home studio hardware, sheet music or books. But some have other interests like video or photography. All have an investment interest in their hobbies. Most want to downsize because they no longer play live or the equipment is too heavy to lug around. Some are moving from their home of many years to someplace where space is limited. The question is what to do with the excess. Most say family or friends do not want the excess and / or will not appreciate the stuff or properly take care of it. Have you guys thought about this and how you hope to answer the question when the time come?
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Gosh, I LOVE books. And honest-to-goodness libraries (the Dewey Decimal System!). And, heck, I even love card catalogs! The SMELL of a book alone is heavenly. The EXPERIENCE of reading a book, or over a lifetime, hundreds of books, is life altering. We have an entire wall lined with shelves of books. And stacks of books artistically arranged about the house. And boxes of books for when we can't make room. It's an unreasonable obsession. But we own it. As a practical matter, smelly, hardcopy books as we know them aren't necessary. I might find it painful that future generations won't share the same pleasure of books we have known, but prefer to cherish the memory of what it has meant for us. I'm going to have to find an old rhyming dictionary now. Just because...
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Andrew, what a fantastic song. What a story set to music; what a brilliant concept. Loved your backing band, they fit perfectly to your lyrics. Outstanding vocal and mix. 5:47 flew by very rapidly here as I was fascinated with the entire production. Loved it
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Hi Izzy! What Herb sayeth. Also, the ‘mate’ lines are refreshing to my ears … Say, “Mate, I’m doing fine” Yeah we’ve all seen better days, mate … and … I’m beaten down, that's a hell yeah Love the verse with the pared back band to give the bass some limelight. It’s the sort of song that makes one want to say “Hey, can I strum along with this?” Thumbs up! Andrew
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Views 63
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That was all sizzle and fire and not a hydrant in sight. Another J&B and P classic. The mix and performances are flawless. I like Janice's approach to the notes and how she slides into them effortlessly. This deserves airtime.
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Views 479
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Izzy, what an outstanding song. Loved that groove! Fantastic down to earth lyrics sung with feeling - brilliant job The backing band was spot on Outstanding arrangement and mix IMHO this is your best to date Loved it
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Hi Brno! Love the reggae foundation you’re using for this one. So many things to like - your tremolo guitar, bass solo, steel drums, horn section … It almost sounds too good to be such a dark subject, but hey, isn’t the darkness a twisted distortion of reality anyway? My only nit is what I am thinking is distortion/clipping on the snare - at least I think it’s from the snare on the backbeats 2 and 4 of each bar. Unless this is an effect you added? Unsure. Anyway, a wonderful reggae concoction you’ve created here! Andrew
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That's a job I would have liked to have in my youth. The first thing I thought of when the video was showing the interior of the tower was "Is there a little toilet in there?" because that would be quite a hike down when the urge strikes. The video was extremely interesting. Excellent guitar soundtrack to the video.
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Views 257
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Ken, what a fantastic song. Great blend of your piano and RTs and great RT choices. Super mix. Sounds fantastic!
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Views 127
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J&B. Thanks. Do I hear Bud saying, "I feel your pain" in an Arkansas drawl?
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Views 1,107
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Janne, thanks. I didn't sing heavy metal in my youth, but I have been giving it go lately.
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Views 1,107
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Thanks for the clever reply, Izzy.
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Views 1,107
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Hi Ken! It’s like the transition from the intro section to full band at around 1:15, and those chord changes around 2:45 are very tasty. You’ve auditioned the RealTracks and gotten good choices. I don’t want to put you to any trouble, but I wouldn’t mind knowing the RT numbers for the guitars and bass - they sound good. I would have preferred a longer reverb fade out in the ending, but that’s a very small nit in an excellent piece! Andrew
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Scott, first God bless your granddaughter. Not only is she doing Canada a huge service she is a very brave young lady; I could never climb that ladder! Second what a fantastic song. Super chops and tone on your axe. Loved it
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Views 257
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Ha, BIG smile here, Mario. Your story reminds me of ones i'd make up for our kids at bedtime. Start of with "Once upon a time," and end up with "happily ever after," and never knowing myself what would come between. You are jamming here with this wonderful soundscape. Lone Wolf has the music in him and you brought it out so well. Thanx Marty, I'm glad that it brought back some fond memories.
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Views 157
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Thanks for commenting and listening, Floyd! Andrew
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Views 160
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Hi Mario! Excellent piece, and I felt really immersed in the forest, and pictured the ‘brave’s eyes darting around while playing. Love the drum effect and the pad to build suspense. Very soundtrack worthy! If it had been me in the forest, to scare away the wild animals or spirits, I would have played the recorder or even the banjo. Ha!  Andrew Thanx Andrew. I wouldn't use a banjo. I've heard that they attract strange men that talk about squealing like a pig!
Replies 14
Views 157
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Remarkable performances and arrangement. And a superb mix to present it all. Cinematic to the max. And, THAT FLUTE! Hope you are submitting your tunes to the film libraries. Great, J&B Thanx Janice and Bud. Nope no submitting, just having fun with music.
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… Super vocals and vox FX: The gentle doubling(?) is quite effective. The low BGVs are a neat effect as well. The sync of the train sound with the music, whether intentional or a happy accident, is very cool, too. A delicious detail. Well done! Hi Ron! Yes, most of my recent songs double the main vocal - in this one, the double is about -12db and 20% left. I use stretch markers in Reaper to align the odd syllable on the double here and there because I can’t reproduce the main vocal accurately. Regarding the train effect, I imported it onto the song then realised there was a conflict in rhythm so I slowed the speed until it matched, then aligned. Worked out well in the end. Thanks for listening and commenting! Andrew
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Excellent listening Super job on the flute Love the bass and pad combo .fj Thanx Floyd. You can thank PGM for that bass line.
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The sound and atmosphere are quite exceptional and quickly immerse us in the forest, but what will become of our lone warrior? Laurent Thanx Laurent. Another brave left the camp, got ahead of Lone Wolf and hid behind a tree. When Lone Wolf got close the brave jumped out and yelled "boo"! Lone Wolf died of a heart attack, i.e. frightened to death.
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Views 157
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Very cool, Mario. Love the opening and shifting pads thrumming under it all. Great work on the flute! The extra harmonic tension/release at about the 4:00 minute mark is a neat effect. Masterful stuff. Thanx so much Ron. I like those shifting pads myself and the flute articulations.
Replies 14
Views 157
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Ask sales and support questions about Band-in-a-Box using natural language.
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
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Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
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Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
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- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
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