David, This sounds great. It has a bit of a Michael Feinstein feel to it. Excellent arrangement and band. I also love the mix - it sounds "live". Very nice! Bob
Unless I have a full written coda, I usually use the options in the bottom left of that dialog box to add an ending and the option start two bars early. That means the two bars can contain the turnaround. Frustratingly BIAB only allows this for multi-chorus songs.
Sleepwalkingi'm lost in a hazy dream passing places so familiar but i've never seen travelling by night follow your light upside down, inside out, in between like a puppet on a string or a caged bird that sings i am helpess and held in your sway i wait for you to give me some clue sleepwalking, sleepwalking awayEffectsMaster Buss: HoRNet ThirtyOneMK2, Lurssen Matering Console (Classical (Warmer)) Lead Vocal: Curves Equator, Al Schmidt (Vocal) Solo Flugelhorn: Kontact (Sketches of Flugelhorn), Sunset Sound (Plate 1) Bass: Al Schmitt (Bass) Drums: Al Schmitt (Drums) Piano: Al Schmitt (Piano) String Quartet: Ambiante (Recording Studio 1), Trackspacer, Al Schimtt (Strings), Abbey Road Plates (Lush Strings) Background Vocals: Sunset Sound (Live Room/Studio 1), Sunset Sound (Plate 2) Instruments ~2316:Bass, Acoustic, JazzWaltzSlowRonA-B Sw 085 ~2322:Piano, Acoustic, Rhythm JazzWaltzSlowKenny Sw 085 ~~4475:Piano, Acoustic, Soloist JazzWaltzSlowRH Sw 085 4639:Guitar, Electric, Rhythm VintageCountryWaltzTremolo Sw 085 JazzWaltzLewis^01-a:Brushes, Snare , b:Brushes, Busy Snare Synth V VocalsLead Vocal: Danny Male Vocals: An Xiao 2, Danny, Feng Yi 2, Liam, Ryo 2, Saros II, Oscar Female Vocals: Weina 2, Natalie, Quing Su, Solaria, Sheena, Felicia Background Half the year's almost gone, and I hadn't written anything, so I decided it was time I sat down and did something. I found the _JWLZBPW.STY, which I though sounded pretty cool. I figured that I should at least make some changes to the chord progression, so that's what I did. Don't listen too closely, because there are a lot of questionable harmony choices. I exported a backing track and imported it into SynthesizerV. I picked Danny as the lead vocalist because I'd bought it a couple months ago, and hadn't used it yet. The song didn't really have a verse/chorus feel, so don't expect to find a strong chorus, or any chorus, for that matter. I figured an instrumental in the middle would help to break things up. It had a sleepy sort of vibe, which explains the lyrics. I added a string quartet, because those are always fun. I exported the chords from BiaB and imported them into MuseScore. In the Tools menu I used the Realize Chord Symbols[b] to automatically fill the chords into the piano staff. I then chose [b]Explode to fill in the string quartet staves. I adjusted the notes so they were in the correct range, and then spent a couple hours fiddling with the notes to make them sound like they were sort of coherent. There's a lot of chromatic movement, so it's got a very "oily" sort of feel in parts. I duplicated the vocal and moved the notes to make harmonies. SynthesizerV has an option where you can "thicken" a melody. I then "exploded" those and assigned a bunch of different voices to them, so they'd sound a bit more choral. I was going to play the solo part with my EWI, but I couldn't find the right USB cable, so I used the Sketches of Flugelhorn VSTi and drew into the piano roll in my DAW. I chose a bunch of VSTs that would hopefully give it a vintage flavor, and here it is, ready for your ears. Comments of any sorts are welcome - there's a good chance I'll still fiddle around with this.
Hello, I’m considering buying a new Windows laptop, and some of the latest models use ARM processors (Snapdragon X Elite / Windows 11 ARM64). Before I make a decision, I would like to know whether Band‑in‑a‑Box 2026 works reliably on Windows ARM systems. I already contacted PG Music support, but the reply only pointed me to the general Windows requirements page, so I’m hoping that users here may have real‑world experience. Could anyone who has tried Band‑in‑a‑Box on Windows ARM please comment on the following points? 1. Installation and execution – Does BIAB 2026 run correctly under x86‑64 emulation on Windows ARM? – Any crashes, freezes, or performance issues? 2. RealTracks / RealDrums – Do RealTracks generate and render properly under ARM emulation? – Any issues with audio stretching or pitch shifting? 3. VST / VSTi plugins – Are VST2/VST3 plugins working under Windows ARM? – Have you tested large instruments (Kontakt, SampleTank, etc.)? 4. Audio drivers – Do ASIO drivers (Focusrite, Steinberg, MOTU, etc.) work correctly on ARM systems? – Or do you have to fall back to WASAPI? 5. Overall recommendation – Would you recommend Windows ARM for "advanced" BIAB use (RealTracks, VST instruments, ASIO), or should I stick with Intel/AMD for now? Any feedback, benchmarks, or personal experience would be extremely helpful. Thanks a lot!
No, Band-in-a-Box does not accept arrangement commands like intro, variation and ending. Band-in-a-Box can record notes one at a time, chords one at a time and controller commands (CC) like volume, expression and panning. Arranger keyboards like the Yamaha PSR-SX920 can control their sound in real time; you press a key or button and you hear the results while the music is playing. Band-in-a-Box does not create in real time. Either you enter commands into Band-in-a-Box or you playback and listen. You can't do both at the same time. +++ This +++ article explains midi. The article includes a list of controller codes (CC) that Band-in-a-Box accepts.
ok... Looks like I need to keep an eye on these. Yamaha PSR-SX 920 Yamaha Genos 2 KORG Pa5X How to connect to a computer and record from a DAW to the computer's DAW.
To wrap things up on this thread, we successfully held our 1st gig. The Tascam, laptop, backing tracks, keyboard and other equipment all worked fine. And I did bring a portable DAP as a backup which was not needed. The laptop and DAW works so well, including synced chord display that I'm thinking that Mario's idea of a backup laptop might be the way to go if we continue to gig. As a matter of fact, when we meet to practice in my jam room I'm now using the laptop/interface/DAW method to play stem-separated elements of our chosen backing tracks; most often just the drums. And the icing on the cake is that we're instantly setup to record our practice sessions so they can be reviewed afterwards and emailed to potential bandmates. Compared to 40 years ago, things are so much easier today. Thanks go to everyone that supplied ideas.
You are on the right track. Just need to check some more boxes. Have a look at this video which might assist: You probably need to check "Generate 2 bar ending" and "Use 4 bar ending for RealTracks", then add the chords that you need in the last 4 bars.
I have a pretty simple version of the Jazz standard Bluesette that I created in BIAB and am struggling to create an ending for the song. The tune is set up pretty simply and I wanted to have: 1. Head/Melody In 2. Three choruses for solos 3. Head/Melody Out Found a couple of forum posts but there doesn't seem to be a straightforward way to do this. I was experimenting with the Ending Options, but can't seem to figure out how they work and the modal help pop-ups don't seem clear on how to create an ending. I've attached some examples of what I have so far. Thanks
Hi AB The lyrics are still relevant today, as we're getting swamped by mass produced, pimple powered, meaningless finger gestured, baggy panted, baseball cap pop! Well updated using a good style choice. Short and sweet unfortunately. Great work AB.... go forth and find more rock. Kind regards.
FWIW I haven't found a MIDI melody and chord program that I would purchase. Most are aimed at hip hop, trap, etc genres. I haven't heard one yet do a complete song that I liked. I have found the best is BiaB's melodist and/or soloist. Again it will not give me a complete song but I always find a phrase or two that I can turn into a song. You might want to try that.
+++ Press Release +++ Native Instruments is the developer of Kontakt as well as the mastering and audio production tools iZotope, Plugin Alliance, and Brainworx.
No, Band-in-a-Box does not accept arrangement commands like intro, variation and ending. Band-in-a-Box can record notes one at a time, chords one at a time and controller commands (CC) like volume, expression and panning. Arranger keyboards like the Yamaha PSR-SX920 can control their sound in real time; you press a key or button and you hear the results while the music is playing. Band-in-a-Box does not create in real time. Either you enter commands into Band-in-a-Box or you playback and listen. You can't do both at the same time. +++ This +++ article explains midi. The article includes a list of controller codes (CC) that Band-in-a-Box accepts.
Hi Andrew, Thanks Andrew. I went through a LOT of BIAB styles (I always do) before I found this one for the song. So glad you liked it! Kathy and I no longer write together, but yes, I have penned several songs with my own lyrics. I want to finish a collection of songs I wrote with her before I go other songs with lyrics that I've written. AB
Geez, that guy has great pipes for sure. But saying I can learn how to sing from studying him as the video narrator suggests is like saying I can learn how to sprint by studying Carl Lewis. Ok, that was a JOKE. Please don't dwell on it. But honestly, I'm going to have to continue to target a more modest vocal end state, as my ceiling is SO much lower than his. I am envious though. If I had that talent I'd be living under a bridge and busking for meal money. And I do wish DrDan, Steve and everyone else the very best on their musical journeys. It's all about growth, or should be (to me).
Hi Scott! I don’t know if you were aiming for ‘Wonderful land’ vibes on this piece, and if you were - bullseye! The pace, style and band is a great accompaniment to your guitar melody, and boy, is that melody good - always shifting tone and key to provide a pleasant surprise. As a young man, I used to listen to Mike Oldfield’s version of Wonderful Land alone in my bedroom with the volume turned way up, and it would cause me to quietly shed a few tears of joy, and your piece did the same just then. I haven’t been moved by an instrumental as much as this for a long time. Well done - and with so much thanks. Andrew
Hi AurealiusB! I like the rhythm and feel of the style you’ve chosen for this one, and your harmonica solo - man, I wanted that to go on longer! Good reverb on that as well. I’m not sure if I’ve asked this before, or of you’ve already mentioned it - do you and Kathy still write together? Have you ever penned any of your own lyrics? Good song! Andrew
Hi Mario! This piece has an excellent melody to the accompaniment you’ve chosen. Also like the time when the synth swells (that would be the ‘coalescing’?) and those ‘stabs’ towards the end in the B section. Again, listening while writing, we’ve come back to that wonderful melody motif. I reckon with the famous rising string line, this could EASILY be a Bond 007 theme. The only contribution I can make to the mixing is, with such a fancy drum track, I think it needs to be more prominent, but not so much that it overwhelms, but this is a very small point in such a good piece. Well done! Andrew
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Comments of any sorts are welcome - there's a good chance I'll still fiddle around with this.
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