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Drag works with method mentioned by Brian. There is another way you can try. From the mixer. Grab the header of Midi track and drag it directly to DAW. However... it was asked for some time to be able to save individual tracks for midi. I proposed to do it similar as you would with standard RT/RD tracks (Right clicking on track>save track as WAV option): Same for Midi tracks: Right click on track >Name IT>Select folder>Save. Unfortunately, still no way that I know of to save individual MIDI track(s) for project. Misha, I like your idea about saving MIDI tracks. I have found out a couple of things that may interest you: 1-I can not grab the MIDI track header and drag it into my Fender One Pro 8 DAW 2-I can grab the MIDI track header and drag it either onto my desktop or in a folder. You should rename it immediately after dragging it. Then I can drag the MIDI file(s) into my DAW. 3-If I have two BiaBs' open I can grab the MIDI header from one BiaB and copy it directly into the second BiaB. This works great if one is working with a blank slate on the second BiaB so they can create a new style. You probably already knew these but I thought I should post this just in case.
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Neat. You may want to duplicate your post in Tips & Tricks.
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Disclaimer* - use at your own risk. This is just "sharing knowledge" post. I can't complain about the power of my PC (i7-12700H 32ram, gen4 NVME), but some kind of recent update, either Windows, drivers, or browser started introducing artefacts / stopped audio engine issues with relatively average weight DAW project. Traditionally, (in good ole days) the rule of thumb was to turn off BT adapter, Wifi, start system lean, etc. I really didn't want to go that rabbit hole... again, so I've decided to take a different approach - a trick that I remembered from few years ago. Not sure if it relates to other (than Intel) CPUs, but I would guess it's somewhat similar across the board. Here goes. Intel cores are divided between Performance cores and Efficiency cores. By default, many software packages, especially ones that have multiple processes running are using multiple cores - a mix of Efficiency and Performance cores. Chrome is a solid example of this. In Task Manager you can assign affinity (which cores to be used for specific software) and priority (I/O) for each process... However, this is a temporary solution as some software might open other process instances randomly that will not be affected by those settings. Another thing, your settings will reset on restart (why? ask Microsoft) There is a free trusted program called Process Lasso which lets you permanently assign a program with all of it's processes to particular cores of CPU, and set permanent I/O priority. What I did was assigned BIAB and DAW to Performance cores only with high I/O priority, and non essential things like Chrome to Efficiency cores only. I don't see any performance changes in Chrome and my DAW is flying on very low buffers. P.S. I strongly suspect the pops I was getting and stop audio engine are related to the last Win(11) update. I was not experiencing anything like that in the past 2 years. In any case, Process Lasso solved it for me and regardless of future updates, now I can control apps not to take over / interfere with resources which are needed for audio recording. I hope this helps some poor soul 
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A good, good song. Beautiful folk sound. The background vocals contribute to the rich sound. Excellent, expressive vocal. One of your very best.
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Views 859
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Clean sound and a magnetic opening. Pleasant melody with a strong and breezy instrumentation. Good synth vocal choice.
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Views 456
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Congratulations to Janice, Bud, and Peter. You all are very talented musicians.
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I just create a new folder on the desktop, name it with the song title, and save all the files for that project in there. I also add sub folders as needed for things like stems or anything else. When the project is done and the dust has settled, I simply drag that folder to my D storage drive and into another folder which is named for the current year. That way, I can easily find what I want when I need to go back to it. My workflow is like Herb's workflow. The only difference is that the folder that I save my files on is on my D drive; I save directly to the D drive, not to my desktop. I use the same current year method also.
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Again For want of a like or +1 button, I concur
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I just create a new folder on the desktop, name it with the song title, and save all the files for that project in there. I also add sub folders as needed for things like stems or anything else. When the project is done and the dust has settled, I simply drag that folder to my D storage drive and into another folder which is named for the current year. That way, I can easily find what I want when I need to go back to it. Man, I have fought that so many times Go over to someone's place, listen to a song, they go to make me a copy and .. 'so where is it?' OP would benefit from heeding the above and organize a file structure that suits you. I personally wouldn't choose Desktop, but whatever works for you
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Ron, Thanks so much - that is very appreciated by both of us. Bob
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Views 269
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Weird and catchy, I can imagine a movie about a college band sounding like this one singing about strange things but the people at the party would dance to it no matter the message - a way to deliver alien/government message to us, the mind controlling content hidden between the lines I enjoyed the hilarious machine gun crossword puzzle lyrics, although the reality is now more weird, UFOs have been replaced by drones and aliens by the ectoplasmic leaders. Great band, the mix is radio-friendly. The singing and the harmonies are perfect for this type of classic pop. Can't decide whether this is more pastiche-like, parodic or postmodern pop music...or pure fun, anyway, you two are genious songwriters who have drunk the magic potion! Janne "Weird and catchy!" I'm going to have T-shirts printed up. Yeah, the real world is starting to catch up with the absurdity of pop culture lore, isn't it? THANK YOU for the nice review, Janne!
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Views 1,362
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B.D., You create some of the best pop / rock ballads around. This is one is spectacular! Love the arrangement, vocals and exceptional mix. Great, great stuff! Bob
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Hi B.D. I haven’t heard the first version. Tricky relationships; fear of others’ opinions; unrequited love … just the stuff needed for a good rock ballad … and you delivered. Love the description of your instrumentation - it all sounds like it was meant to be.Well done. Andrew
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Hi Esa! I’m not sure I’ve heard this song before, but it has such a likeable melody, I feel like I have. Good choice of backing band and your own playing. It sounds like there’s some clipping (or something) on the s’s of ‘Sweet Sue’ on your vocal. I’m not sure whether limiting, de-essing or automation is best for this - others with more tech know-how will suggest what’s best. Anyhow, a really likeable song and I’m glad you brought it back for us. Andrew
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Well done on the final mix and video, Ray! Takes me back. I don’t mind the combination of happy and sad - life can be like that. Andrew
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Title: Ashamed Of What I Feel (Intro) I look at the sky At the fading sound Of what I never said Never said to you (Verse) Sadness all around The unspoken thoughts That never found a home A home in your heart In your heart Can't look you in the eye Afraid to say a word Ashamed of what I feel (Pre-Chorus) You've always been my friend My little brother from another mother (Chorus) That is why I thought I can't love you But I do I don't wanna stay Your sister from another mister I want more, I want your love I'm a fool Such a fool (Verse) When I am at home and the night is long I feel alone, but it's different from before We know each other so well But you never realized That there's something deep inside That friendship can't satisfy (Pre-Chorus) That's why I don't wanna stay Your sister from another mister (Chorus) I want more The worst case that could be for me That I would be the master of a big disaster Then I'd lose it all, my friend, my love I'm a fool Such a fool (Outro) A fool A fool A fool A fool A fool A fool
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Link: Ashamed Of What I Feel 2 weeks ago Hans (Birchwood) told me that he relly liked my Song "A Fool" which I wrote 2023. I had completely forgotten about that song, probably because I was never 100% satisfied with the guitar sound. That means, ya'll have to deal with another rewrite of a song. The song is basically about the same problem as in the movie "Harry and Sally": A boy and a girl are best friends until one of them falls in love with the other and from then on everything gets complicated. The song was renamed to make life a little easier for my increasingly incompetent non-distributor. Things you don't want to know but I'll tell them anyway: - The 1002 guitar plays the perfect arpeggio, but the attack is too dominant, especially when panned L/R. I tried to tame the attack with EQ and reduced the transients, but this sucked all the life out of it. And I was too lazy to play it myself (again). So I told an AI to play the same notes at the same tempo, but with smoother attacks and a little more bling, such as hammer-ons, pull-offs, harmonies and stuff. After just a gazillion attempts, I’ve finally achieved a result that I’m really happy with. In my opinion, this is a good example of how AI can be used.
- I never liked the thin sound of the guitars in the chorus in the 2023 version. I wanted something heavy and dramatic, yet at the same time sad and melancholic. "Evolution Rock Standard" (a VST plugin, played on the keyboard) managed to pull that off pretty well.
- At 66 BPM, the song is actually a bit too slow for my taste, but only at this tempo does it have exactly the mood I had in mind.
- The MIDI from the Piano 1602 is played back as a pad with my favorite weird synthesizer (Absynth) and is layered beneath the BIAB synthesizers, barely audible. But it adds a lot of warmth to the sound.
Feedback (the good, the bad and the ugly) as always higly appreciated. The usual technical information: Style: SENSE.STY (yes, really!) The Band: Bass: 1929, 1523 Drums: NashvilleEven8 Guitars: 1002 (see above), 3731, 1596, 2x4158, 1000, me Synth: 3784, 1840, me Piano: 1602 (see above) Vocals: AI (main) + Synthesizer V (harmonies) Tracks Stats for those interested: BIAB: 12x Me: 5x AI: 2x You can find the lyrics in the next post.
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… This sounds like a track from the end of the Beatles era- written and sung by John Lennon Not sure there are better compliments than that … Indeed, there are not. Thank you so much Floyd! While I am sure my song is a poor imitation, for it to remind you of that era and music is a wonderful thing. Thanks for listening! Andrew
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Outstanding!!! Happy birthday!!!! .fj
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Views 286
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Andrew Superb Love that bass And your vocals This sounds like a track from the end of the Beatles era- written and sung by John Lennon Not sure there are better compliments than that Really enjoyed that .fj
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Mario Not what I expected from the title But so cool Excellent mix .fj
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Views 596
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Scott Nicely done Cool guitar, cool tone Good production and nice mix Enjoyed the listen .fj
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Views 1,080
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Thanks, Scott. Really appreciate your listen and comment.
Replies 34
Views 1,576
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Noel, I'm SO glad you got some joy out of my little effort. That's the aim, anyway ... so I'm happy I seem to have hit the mark here, with you. You're so kind.
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Thank you, Janice and Bud! So kind, as always!
Replies 34
Views 1,576
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Holiday Weekend Hours
As we hop into the Easter weekend, here are our holiday hours:
April 3 (Good Friday): 8:00 AM – 4:00 PM PDT
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Wishing you an egg-cellent weekend!
— Team PG
Update to Build 10 of RealBand® 2026 for Windows®!
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Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the new AI-Notes feature, which can transcribe polyphonic audio into MIDI. You can view the results in notation or play them back as MIDI, and choose whether to process an entire track or focus on specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Windows®.
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We've packed Band-in-a-Box® 2026 with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can process an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
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