Okay, thanks Andrew. I see. Anyway, it's a shame that I can't use the F10 shortcut to toggle the loop button on the fly, after selecting a region (section of measures) in the Chord Sheet. Also, even though I can use the alternative of pressing L followed by the number of measures I want to loop and then Enter, it's not ideal because the active measure display often gets out of sync. No, it's a real oversight and a crucial feature for a program like Biab. I demand that this Loop button become a toggle button that can be toggled on and off using the F10 shortcut on the fly, after selecting a region (section of measures) in the Chord Sheet.
Ray, you do sound more than a tad embittered, disgruntled and jealous. Do you also have disdain and scorn for Thomas Edison, Alexander Graham Bell, Henry Ford and Samuel F. Morse?
Why ask "Anyone have any experience with this method or have thoughts about it?" if you're going to attack those who you disagree with? This isn't a rebuttal of facts, it's an ad-hominim attack.
Why? Because Ray is obviously embittered with Reagan and Elon's Space X; which is hardly the subject of this thread. And asking if he also has disdain for others is hardly an attack. It's a question David, a simple question.
Hi Dave, This can be influenced by the Natural Arrangements settings and depends on the RealTracks and style used. Open Song Settings and try disabling natural arrangements.
Fixed: Drag and drop to or from the Drop Station could fail when using certain multi-monitor display arrangements.
Changed: 'Left Toolbar Library menu | Open as embedded panel' now opens the MultiPicker in a full embedded window instead of MultiView (Shift-click now opens in MultiView)
Fixed: F7 hotkey did not close the MultiPicker if Filter field was active.
Fixed: Save As Video might not work if Audio rendering was set to individual tracks.
Improved: Save As Video - Save dialog defaulted to root hard drive and empty filename - now defaults to appropriate filepath.
Improved: File SaveAsVideoDebug.txt added to Data/avim folder can be used to troubleshoot video creation.
Fixed: Minor localization fixes and dialog adjustments.
Summary of fixes for build 1008 (since 1003)
Fixed: Chord Sheet navigation could feel sluggish on some systems. It is now much more responsive.
Improved: Mixer and Tracks Window related updates are more efficient and should feel more responsive.
Fixed: Possible crash during StylePicker slow rebuild.
Fixed: Crash could occur when printing from the Lead Sheet.
Fixed: Stems Splitter Player - hint formatting, localization fixes.
Fixed: Floating Lead Sheet window would disappear if moved to another monitor.
Fixed: Embedded Notation or embedded Lead Sheet would be hidden when primary monitor is on bottom and secondary is on top in some versions of macOS.
Fixed: There could be a blank floating Notation screen or blank floating Lead Sheet screen after clicking on it for the first time after moving it to a different monitor.
Fixed: When printing Notation or Lead Sheet, there could be several issues such as a tiny chord font, ends of staves not having vertical lines, and other font size/placement problems.
Fixed: If you previously loaded a Band-in-a-Box file from the root of the drive, and then later tried to save a file to a different location, you would get an error message and the file would not be saved.
Added: Save XML dialog now has a "Save bends when saving tablature" check box that lets you save bend info.
Fixed: A few Playable RealTracks did not load (e.g. 057 - Trumpet Jazz Muted SN1033)
Improved: Prevent overlapping demo playback when auditioning demos from different dialogs.
Fixed: Possible 'Unable to create plugin_list_MIDI_x64.txt at bootup.
Fixed: Possible 'Invalid Date Specification' error during StylePicker slow rebuild.
Fixed: 'TMP*.sty' may appear after slow StylePicker rebuild.
Fixed: Possible crash at program shutdown related to audio rendering.
Improved: Audition files (pre-made demos) - improved messages if they cannot be played for some reason.
Fixed: For some audition files, the 'use internet' setting had no effect.
Improved: Behavior when one of the solo or band demos for an instrument is missing (message or downloaded if necessary).
Improved: "RealTracks/Data/Demo Downloads" folder for misc downloaded files (fallback to Band-in-a-Box/Data/DemoDownloads)
Fixed: Downloaded m4a demo might be invalid and fail to play.
Improved: Avoid unnecessary demo downloads if file already exists locally.
Fixed: Empty item in the Patches Demo menu
Added: Flash message for the Patches tab demos that says what file is being auditioned, or if there is any problem.
Fixed: Playable RealTracks and Drums online demos would not play.
Added: Some SynthMaster demos (auditions) were missing
Fixed: 'Convert Note-based Lyrics to Bar-based' is duplicated in the Edit | Lyrics menu.
Changed: Hotkey in track button's right-click menu | Track Settings | Solo, changed from Alt+Shift+Z to option+shift+Z
Added: Some missing strings for localized versions.
Fixed: Cut off label in Patches dialog.
Updated: Feature browser, PDF manuals.
Summary of fixes for build 1003
Fixed: Embedded windows might not receive certain keystrokes depending on cursor position.
Fixed: Crash if choosing Print Options from Lead Sheet window and then exiting that window.
Fixed: Crash could occur if there was a floating window onscreen and you added an embedded window.
I had some fun moments with them and nice conversations with the people, but their model really can't bear the administrative burden of having to manage and keep track of millions and millions of people whose music isn't being used. The explosion of AI music has certainly made a dent in ways in which I don't think we can even process yet. People are now turning out full-blown productions in a matter of minutes with no musical knowledge or skill whatsoever. It's a completely new environment where no one has to actually know anything, they don't have to have ever lived or had a real emotion or a real story to tell, because the art of storytelling music is evaporating and being replaced by noise. It's no longer necessary to learn how to write, or struggle with improving your lyrics, finding something interesting to say, or learn anything all about music and song construction. Tha t's disappearing rapidly. If 2 billion people are posting three bad songs on your platform everyday that took them 2 minutes to write how in the world are you supposed to find your way through the trash and handle the paperwork burden. It's not possible. Music used to be a very special thing. I used to respect music so much and I had so much respect for the artists who created it and produced it and wrote it and played it. I have zero respect for what's being done in the industry today, and that people would have the audacity to say that they wrote these things. Music doesn't feel special to me anymore, not the way that it used to. It feels hopelessly polluted. To me the loss is overwhelming. The Domino's are falling.
I couldn't agree more. Very well stated and I know exactly how you feel - Add my +1 to this!
Use a pressure washer, it's faster. A musician friend sent that video to me several days ago on Facebook. My reply was I sure hope that was AI generated.
I don't think I've ever heard of anyone doing anything close to what I think you're asking BB is designed to be used in a manual manner working on a single song at a time with every decision made and acted upon manually.
As someone who also writes fiction and uses those black and white marbled notebooks from our school days, this song really resonated with me. Your piano and guitar blended so well with the BIAB bed, and of course your singing is to die for. This is my favorite track so far this year by anyone.
Andrew you're a good man ... right off the bat I could drag out of and into my DAW ... Didn't seem to matter if BIAB was on my MBP, or 2nd Monitor, OR EVEN if I drug BIAB into my Luna Display iMac. Luna is still not as seamless as I'd envisioned when I decided to try to go this route and still get life out of my 2017 iMac which is still a great machine, but that's not a BIAB issue, more likely a Luna or Apple communication glitch. I'm sorry you had to make a special patch for me, yet find it difficult to believe that until now I'm the only one who's had this issue. A 2nd Monitor is pretty standard these days, but whatever. THANK YOU
Thanks for the update! Done some testing and it feels like the destructive chopping issue is resolved. Very good! However, continuous looping is still a problem. It works ok for the first run, real tracks and user audio is in sync. With following looping things get out of sync. From what I can see it all works stable with continuous looping if tempos are equalized. If some audio editing has been done and the assigned tempo bars differs, it will get out of sync. The offset I mentioned in an earlier post is not fixed but depends on the timing of the bars.
heres a comparison of top tier usb audio interfaces from Julian Krause who is respected and uses test and measurement gear. anyone in the market for one i suggest you watch the vid. om
heres a comparison of top tier usb audio interfaces from Julian Krause who is respected and uses test and measurement gear. anyone in the market for one i suggest you watch the vid. om
I think this is the first time I've heard you sing. It's a shame you can't do this more often, because I think you have a really unique deep voice. Cool song. Enjoyed my listen
Hi Ron! I like the pace of your song - a slight nonchalance to reflect the subject’s attempts to forget. The song had a ‘The Cars’ feel to it, possibly aided by Elliott Easton sounding guitar fills - I like the tone of the guitar fills - a tone like a combination of guitar and organ just like The Cars would use. I would’ve preferred for the piano to have a bit more focus/space to operate in when it came in, but that’s a preference thing, and without the benefit of hearing it isolated, which might change my opinion. Good BVs as usual. I’d put this song amongst my favourites of yours, although ‘The girl from accounting’ is still top. Andrew
THANK YOU, Andrew! Yeah, it's another sad-song-sung-happy thing, a song form I'm overly fond of. I do love the Cars in general and Elliot's favored tone a lot. I was actually going for something more like Waddy Wachtel's work on "It's So Easy", but it ended up sounding more like Robert Fripp, who I also love. It's just a thick, creamy overdrive, but it does sound cool. The piano sounds fine quality wise, and I could have cranked it up, but I didn't want it too far up front due to the BGVs. I ended up liking the way the piano tinkled up to fill out the mix in that last section. Never figured you as a "Girl from Accounting" guy, but it's one of my favorite's, too. One of my few posts with me playing all (both) the guitars. THANKS AGAIN!
Great song! Just an excellent vocal, good write too. Totally pro job on the mix also. One of the best songs I've ever heard here actually, well done.
Thank you so much for the very kind words! Can't tell you how happy it makes me to find folks actually like it!! Again, BiaB did the hard work I just kinda tagged along.
That's a really effective demo. Very well explained and the results sound great. Software based pitch-to-MIDI conversion is pretty common today. Melodyne does a nice job. Jam Origin has a real time conversion plugin that's pretty cool. I THINK BiaB does this now, too, though I've never looked for it. Am sure there are others. Bought my first pitch-to-MIDI guitar in about 1988. Still have four today, though they don't get the workout they used to...
I have used Melodyne's audio to MIDI function many times with very good to excellent results; it depends on the source material on what the final results are but most of the time I have zero or very limited corrections. Around 1988 I bought my Casio PG510 pitch to MIDI guitar. I still have it and on occasion still use it.
Those new AI tools can really speed up experimenting, and if you ever end up wanting to build something a bit more custom around your workflow, I’ve used https://redeagle.tech/tools-and-downloads/bespoke-software-cost-estimator to get a rough idea of what software projects might cost. It helped me figure out whether a small internal tool or a fuller app made sense before talking to any developers.
Love the laid back groove on this one, Mario. Pretty good write, some great lines! Vocal not bad at all, fits the song, and love your B3 playing. Nicely done!
I think you have invented a new genre Certainly very different from anything I have ever heard before. I like the change at 1:44, and when you bring the wha in later on. Very creative!
Very touching song, Laurent, and done very well indeed. Love the change at 2:58! Just super playing, very tasteful. I wonder if you could bring that in earlier, maybe halfway through, and then return to the main theme? Good stuff, enjoyed.
Smooth and melodic. The guitar sings. The vocals are expressive and dynamic. Great package.
Thanks, Scott!
Originally Posted by jannesan
Very nice blues with cool chords and professional production. Dave's guitar cries wildly again and Marty with his bass is always the cornerstone in the middle of any storm. Chris has written an emotionally dark story and her singing sounds like the spirit of a wind that shakes the gutters in the night. Janne
Good to see you, Janne! Thanks!
Originally Posted by MarioD
Dave, Chris & Marty, as always this is a radio ready production. I love the blues so you know that I would love this one. This is better than a lot of blues songs from Alligator Records. Chris sang her heart out. Guitar master Dave outdid himself on his leads. Marty played the perfect supporting bass lines. Loved it
Mon avis serait de "déplier" la chanson: Pour transformer le morceau en une seule grande ligne droite (Thème -> Solos ->Thème) : Régler les chorus sur 1 : Dans la barre d'outils principale, il faut régler le nombre de chorus sur 1 (au lieu de 4). Ainsi, le morceau ne boucle plus automatiquement. Copier-coller la grille : Il suffit ensuite de dupliquer la structure. On sélectionne tout le thème, on fait un copier-coller à la suite pour les solos (autant de fois qu'il y a de chorus de solo), puis un dernier copier-coller pour le thème de fin. Nettoyer les breaks : Maintenant que tout est à plat, le morceau fait par exemple 128 mesures au lieu de 32. Il suffit d'aller sur les mesures de solo au milieu et de supprimer manuellement les extensions de break
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Mac®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
Upgrade your Band-in-a-Box for Mac® to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 Mac upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.
Jump to new posts
![[Linked Image]](https://www.pgmusic.com/forums/images/icons/default/thumbs_up.gif){kind=icon}
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean