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The only issue is looping the signal chain from the Korg through the iPad and back or through depending on the destination. ‘How’ will depend on if it’s a lightning or USB-C connector. My iPad keyboard is still my Line 6 Mobile Keyes 49 that came with a 30 pin cable for my 1st gen iPad. I had to use the Apple 30 pin to Lightning Adapter with my next few iPads and that worked great. Since it also has a separate USB 2 port, it connects to my current M2 iPad with an inexpensive USB-B to USB-C printer cable nowadays.
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Hi Andrew, I think I can relate to the sentiment. I sometimes think why on earth did my better half choose me, why did she choose vanilla instead of strawberry ripple?!? I too am grateful that I have a an understanding, thoughtful and smart life partner. The song is full of all that realisation of how lucky we are to have that special person in our lives. There’s a part of the Middle Bit melody that reminds me of Mike Nesmith, and I liked the variation in texture during the bridge. The vocal was also very good. Another solid write Andrew.
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Maybe the midi output from Prism will be a good starting point for the Midi-Score editor in Dorico 6. The point, I think, it's doing the corrections directly within Prism, which is what makes the whole transcription job much faster than the traditional, manual way (that I've used for years) In this example / tutorial, I've transcribed the whole bass line of a (short) demo song, complete with notes, chords and sections, in only 15 minutes: (It's in Spanish, but subtitles can be activated)
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Hi Marty Yeah, nicely sung, played and written. And Mr.Bell giving it the Joe Bonamassa treatment was terrific. Kind regards
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Views 95
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Hi Brian Really nice and well produced. Love to hear real instruments. Very calming. Kind regards.
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Yes, sounded pretty normal, though the guitar solo might not have fit real well. A lot of my thirties songs are full of sixth and major sevenths, so no surprise to me that it sounded good.
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Views 170
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I thought I had listened to this. Sorry, I'm late to the party. Very enjoyable and soothing. I especially like the guitar melody at about 1:03.
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Views 1,798
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Nice lyrics, Bob, good travelogue of Berllin. Happy Holidays!
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It's nice to listen to a song that isn't scatological.  I think I remember listening to this, and it is just as enjoyable the second time around. You have incredible resolution on your video.
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Views 474
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Hi David, I really liked your first clip. Great guitar chops. You reminded me of Charlie Bird even though he was a finger picker. Super tone. The second clip was also excellent. A great big band sound. As Tom said this is the way to use Suno AI. I liked your workflow also. You are a great guitarist and composer. I liked both versions a lot.
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I really liked this. Very soothing to listen to and the melody was just beautiful. Thank you much, Ric. A gentle, yet suspenseful intro followed by an eclectic mix of textures that I felt sure would take me even deeper into this enchanted forest... but then it all ended rather abruptly. Maybe that is what was intended -- to make the listener hungry for more  Brian, thanks for listening.
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Views 733
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Tom, a real toe tapper for sure. A front porch jam with family and friends. Great use of those RTs. FWIW - adding a jug player would have added to the hillbilly porch jam. Also I didn't think the vocal sounded hillbilly authentic, that is it was to sweet sounding. But these are only my opinions and other may not agree. Regardless I really did enjoy this song.
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Mario, I enjoyed this, as with all your creative extensions. Nice trumpet squeals! I'll bet that those staccato kybd sounds are the section you borrowed--they really add something special! However, re: disco...that era ended for me in Chicago on Thursday, July 12, 1979. Thanx Tom I'm glad that you liked it. Yes those staccato clavinet were the borrowed MIDI parts. I had forgotten about that burn your disco records night. All hell broke loose but it didn't mean anything to me as I didn't like disco.
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Is there any way to print the Editable Notation mode within the Notation view (that is, the 16 vertical dotted lines within each measure)? The Editable Notation mode view appears when editing the melody. I would like to print it in the Lead Sheet Mode to make more precise comparisons of the melody line. Thanks PS I've not been able to take screenshots within BIAB Hi Terry, Yes you can take screen shots in BiaB on a Windows machine. Press shift then press PrtScr (that is short for print screen, the first keyboard key just right of F12). Then open Window's print and either press Edit then paste or Crtl V. FWIW - I believe this is better done in a DAW that has editable notation. I know Studio One Pro does have it. I don't use RealBand so if you have a Window's system ask about editable notation in the Realband forum. Good luck.
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That really would be nice, a new growth potential for RB
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It's generally polite to link such a deal .. Think you had to register for the freebie before Black Friday to see the deal at waves.com. At any rate, I can't see it now...
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Yes, Bud, but here is what you are not saying. Medical mistakes are the third or fourth leading cause of death in America. I took my wife to a hospital with intense back pain. They did a CT scan. The doctor told me she had a sprained muscle. They never looked at the CT, or they were totally incompetent. When I got the CT disk and put it on my computer, I could tell that Stevy wonder could have seen those fractures in L2 and L4. After several trips to the hospital and exams by an ENT doctor, she told me I did not have cancer. I came home and put a 7mm camera down my throat and did the exam myself. What I saw indicated cancer. I went back to the hospital the next day and demanded a biopsy. Two days later, it came back positive for carcinoma. The rest is history. I could go on, but you know exactly what I am talking about. No one has ever said AI was 100% or even 80% accurate. It is just like surgeons learning new techniques. They kill some people until they figure out how to get it right Here is my question for you. How many people has your system killed? How many people has AI killed? At least AI states up front in plain language that it does not always have the correct answers. How many times does the medical system in the United States tell a patient that? I agree with you 100% that AI returns dangerously incorrect medical information. I am not proselytizing for some god of AI. It is a technology that has received more money spent this year than most medical research projects. It is already better at reading radology for cancer the the best doctors. Do I want to take the human out of the loop now? Hell no. Do I trust AI emphatically? Hell no. Is it a useful tool in the hands of someone who actually knows how to use it? In my less-than-humble opinion, yes. Look, Bud, I am not trying to bust your chops, but I truly believe that it could be possible that you do not fully understand the scope of AI, what it can do, and what it can not do. We are all in that boat to a greater or lesser degree. This is a new technology in its infancy. It is not easy to use in a meaningful way. Sure, if all someone wants is entertainment, AI is pretty easy. Medical information...that is another issue. When I ask medical questions of any AI, I demand references from peer-reviewed medical journals like The New England Journal of Medicine, The Lancet. Then I go read those reviews. In these uses, AI is not a toy; it is a highly knowledgeable research partner. When I ask questions about quantum physics, I already have some understanding of the subject and the mathematical equations involved. There are many things I have spent hours exploring the limits of this technology, only to find that it is unsuitable for the task. Serious electronic troubleshooting, for example. Every tool I own returns unreliable information to some degree. Some people find AI a wonderful tool for music. Some find it a piece of crap. Most complain that it is unfair and unethical because they fear for their livelihood and that of others. AI is frightening and dangerous, but the potential is great that we will rush headlong into the future, danger be damned. It is hugely driven by the profit motive. It is an inflection point of great possible importance. Like it or not, support it or not, at this point, it will either work or bankrupt huge sections of the world economy. This is not about you and me. This is untold billions of dollars that are being spent, and at the end of the day, national security. By the way, I never said it before, but your dog is too cool for words. Cheers, Billy
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There is a lot of controversy about what sounds better, songs in 440 or songs in 432. Through out the ages there has been no tuning standard, that is until 1955, or 1939 if you want to include the suggestion to standardize 440. If you are interested in 432 here is the history of it: https://432playerplus.com/a-brief-history-of-432-hz-tuning-in-music/This is becoming a quite worthwhile discussion. For those that don’t know, a big part of music for me is all about growth and this thread is promoting growth. The article you supplied provided at least a glimpse of all the fuss that was required to get us where we are today. Good historical info. We should all hold those that participated in the 1939 London conference in high esteem. “The modern standard of 440 Hz became more widely accepted in the 20th century, particularly following a 1939 international conference in London. The British Standards Institution recommended 440 Hz as the standard pitch, and this tuning gained more traction globally after World War II.” As good as that webpage is, it doesn’t shed the light I’m looking for in regards to the quote in question. So let me try this. So you’re invited to a birthday party and you're the only muscian invited. And as they bring out the cake, someone starts singing Happy Birthday. Nobody is carrying a pocket tuner with them and no one has any preconceived ideas on “the proper key”. But as soon as the first note is sung, the entire room is able to sing along quite nicely. And even if a high-pitched woman or child starts everyone off, the low-pitch males can easily adjust their singing down an octave or two quite naturally to blend with the crowd. I find it amazing that we are wired this way. Now back to the Zepelin quote. I’m still baffled by how an alternate tuning (432 for example) can some how create an “unusual sound” or be linked to some children’s folk song if the relationships among the notes are not altered. Presumably, the standard 440 is inadequate? For starters, who in the audience can say, “This music stinks because the tuning is all wrong”? likewise when a song is transposed say from Amaj to Cmaj (to meet the needs of a singer or other requirement) don’t we all recognize and enjoy the piece in the same way that Happy Birthday can be sung quite nicely in different keys? I think part of the answer to all this involves “equal temperament” and how we are designed to understand and sing based on relative frequencies (the musical distance from one note to the next) as opposed to absolute frequencies. But for that matter, I wonder if 440 tuning has its own set of compromises and is it possible that no tuning scheme is perfect in all situations? I understand that one benefit of 440 is that it allows (near?) perfect transposition. Adam Neely sheds some light on this. 432Hz
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Agreed The original notion of BIAB was to vary the playing to “humanize” the tracks. And it was MIDI so you could edit a busy track. Now with RT you have to search hard for a rhythm track that plays in the groove without stepping on another player.
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At present even when you choose a “simple” RT what you get is typically still a little complicated. For instance: I’m making a blues song and I want a rhythm guitar. I can use the original blues guitar. It’s a good RT but the guitarist changes riffs throughout. Or I can use the Texas Blues guitarists, Brent and Sol. They have a simple mode but it still gets in the way. So, how about when creating a real track they record the R/T but also a simple RY that plays the same thing in every bar. Of course, they would play chord changes.
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Norton Music has several midi styles with A being breaks and B is the regular blues.
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+1 and a real track Junior Barnard
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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XPro and Xtra Styles PAKs Special Extended Until August 31st!
XPro & Xtra Styles PAKs Special Extended Until August 31st!
The XPro Styles PAKs and Xtra Styles PAKs special offers are now available until August 31st at 11:59pm PDT!
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Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). With over 3,500 styles (and 35 MIDI styles) included in Xtra Styles PAKs 1-20, the possibilities are endless!
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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Don’t miss this chance to supercharge your Band-in-a-Box setup—at a great price!
Mac 2025 Special Upgrade Offers Extended Until August 15th!
It's not too late to upgrade to Band-in-a-Box® 2025 for Mac® and save! We've extended our special until August 15, 2025!
We've added many major new features to Band-in-a-Box® 2025 for Mac®, including advanced AI tools like the amazing BB Stem Splitter and AI Lyrics Generator, as well as VST3 plugin support, and Equalize Temp. Plus, there’s a new one-stop MIDI Patches Picker with over 1,100 MIDI patches to choose from, all neatly categorized by GM numbers. The MultiPicker Library is enhanced with tabs for the SongPicker, MIDI Patch Picker, Chord Builder, AI Lyrics Generator, and Song Titles Browser, and the tabs are organized into logical groups. The Audiophile Edition is enhanced with FLAC files , which are 60% smaller than AIFF files while maintaining identical audio quality, and now ships on a fast 1TB SSD, and much more!
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Purchase your Band-in-a-Box® 2025 for Mac during our special to save up to 50% off your upgrade purchase and receive a FREE BONUS PAK of amazing new Add-ons. These include the 2025 RealCombos Booster PAK, Look Ma! More MIDI 13: Country & Americana, Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes, MIDI SuperTracks Set 44: Jazz Piano, Artist Performance Set 17: Songs with Vocals 7, Playable RealTracks Set 4, RealDrums Stems Set 7: Jazz with Mike Clark, and more!
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These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
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This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
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We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
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And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.
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-For UltraPAK customers, this includes 20 new RealStyles.
- Look Ma! More MIDI 13: Country & Americana
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
- MIDI SuperTracks Set 44: Jazz Piano
- Artist Performance Set 17: Songs with Vocals 7
- Playable RealTracks Set 4
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- 128 GM MIDI Patch Audio Demos.
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- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
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- Instrumental Studies Set 23: More '80s Hard Rock Soloing,
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New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
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If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
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Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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